Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.Un playboy très riche et couronné de succès s'amuse à voler des oeuvres d'art. Il rencontre sa moitié en la personne d'une séduisante détective.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 3 victoires et 2 nominations au total
Michael Bahr
- Proctor
- (as Michael S. Bahr)
Robert D. Novak
- Proctor
- (as Robert Novak)
Joe H. Lamb
- Proctor
- (as Joe Lamb)
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"Thomas" is the "Crown" Jewel for your collection... SEE IT!
This DVD was an impulse buy, pure and simple. My wife and I like Pierce Brosnan, and I have enjoyed Renee Russo's other works, so what did I have to lose? Only my mind! This film was positively one of the most enjoyable, nail-biting, suspenseful romantic capers ever made.
A remake of the steamy 1968 Steve McQueen flick updated to the sleek and self-referential 90s, "Thomas Crown" features Brosnan as the title character - a bored billionaire businessman in the business of "acquisitions". For a thrill, he heists an extremely valuable Monet from the New York Museum right under the noses of security guards, cops, and about a thousand unsuspecting museum-goers. Renee Russo is the very sexy, very worldly Catherine Banning, whose insurance company underwrites the painting - and she is determined to get it back at any cost... But the cost just may be her soul as she woos, and then falls under the spell of the enigmatic Crown. Will Russo discover the location of the Monet? Will she rat out Thomas Crown? Or is Crown manipulating her affections like Bobby Fisher manipulates the pieces on a chess board?
What we have here is a high-speed chase film whose vehicle is clever dialog, rich and exotic direction, and more than a little sexual tension! Brosnan, as Crown, is ever the cool Brit charmer whose every word and action are as calculated as the movements of a Rolex. Russo smoulders every time she appears on screen. And when the two of them get together, the chemical reaction is pure dynamite.
Dennis Leary has a nice bit as a streetwise NYPD detective on the case, who dispenses advice to Russo's Banning, and watches her begin to spiral out of control. His role here most likely resulted in the deserved attempt at a television series on ABC ("The Job").
The action in the film moves exotically from caper to cover-up and back with dizzying speed... All the while, we are kept guessing about the motivations of the two lead, and find ourselves eagerly anticipating their next move. When the final checkmate comes, we are left totally bewildered, befuddled, and baffled... which is most-likely the director's intention!
On all levels, "The Thomas Crown Affair" will steal the hearts of men and women alike... but for different reasons - Men can enjoy the action and thrill of the chase, and Crown's ability to win over the most beautiful women and his attempt to get away with the ultimate heist... Ladies can marvel at the suave Brosnan and his life of extreme wealth, and all-the-while wonder if he will betray her, or if she will betray him...
I will not betray you... I ain't saying!
A remake of the steamy 1968 Steve McQueen flick updated to the sleek and self-referential 90s, "Thomas Crown" features Brosnan as the title character - a bored billionaire businessman in the business of "acquisitions". For a thrill, he heists an extremely valuable Monet from the New York Museum right under the noses of security guards, cops, and about a thousand unsuspecting museum-goers. Renee Russo is the very sexy, very worldly Catherine Banning, whose insurance company underwrites the painting - and she is determined to get it back at any cost... But the cost just may be her soul as she woos, and then falls under the spell of the enigmatic Crown. Will Russo discover the location of the Monet? Will she rat out Thomas Crown? Or is Crown manipulating her affections like Bobby Fisher manipulates the pieces on a chess board?
What we have here is a high-speed chase film whose vehicle is clever dialog, rich and exotic direction, and more than a little sexual tension! Brosnan, as Crown, is ever the cool Brit charmer whose every word and action are as calculated as the movements of a Rolex. Russo smoulders every time she appears on screen. And when the two of them get together, the chemical reaction is pure dynamite.
Dennis Leary has a nice bit as a streetwise NYPD detective on the case, who dispenses advice to Russo's Banning, and watches her begin to spiral out of control. His role here most likely resulted in the deserved attempt at a television series on ABC ("The Job").
The action in the film moves exotically from caper to cover-up and back with dizzying speed... All the while, we are kept guessing about the motivations of the two lead, and find ourselves eagerly anticipating their next move. When the final checkmate comes, we are left totally bewildered, befuddled, and baffled... which is most-likely the director's intention!
On all levels, "The Thomas Crown Affair" will steal the hearts of men and women alike... but for different reasons - Men can enjoy the action and thrill of the chase, and Crown's ability to win over the most beautiful women and his attempt to get away with the ultimate heist... Ladies can marvel at the suave Brosnan and his life of extreme wealth, and all-the-while wonder if he will betray her, or if she will betray him...
I will not betray you... I ain't saying!
31 years of moviemaking evolution
I got to watch the 1968 Steve McQueen - Faye Dunaway - Paul Burke film when it showed in theaters in the 60's, then; at the dawn of the millenium, watched the 1999 Brosnan-Russo-Leary one and came out of the theater firmly believing that the original was much better in every sense. This week, thanks to the magic of streaming services I could watch both back to back. Contrary to popular wisdom there are remakes that are better than the originals and this is the proverbial sample button.
The plot is absolutely superior and direction does it justice; while the original, for its period might have been glamoruos and imaginative, it pakes pitifully on the comparison. The new script is much more agile, interesting and glamorous all around. Casting beats the old one hands down.
Acting: while McQueen and Dunaway might have been shining stars of their time, they feel stiff and cardboard nowadays. The personifications delivered by the 1999 cast are fluid and three-dimensional. Even with the age difference at the respective times of the films, Russo is way more stunning than Dunaway, who by the way does a credible analyst on the latter film. Burke did a poor performance compared to Leary's, who delivers a full and likable character.
In the glamour and high life section, there's simply no contest. Even the gliders are miles apart. The clothes of the characters are without comparison. Accessories, transports, dwellings... Brosnan exhudes money, McQueen... Hmm.
While the '68 file has a depressive ending the '99 version manages to squeeze-in a happy ending all around.
In sum, to really appreciate the '99 version, you need to watch the '68 one and transport yourself in time to the era. Then jump back ahead and compare.
The plot is absolutely superior and direction does it justice; while the original, for its period might have been glamoruos and imaginative, it pakes pitifully on the comparison. The new script is much more agile, interesting and glamorous all around. Casting beats the old one hands down.
Acting: while McQueen and Dunaway might have been shining stars of their time, they feel stiff and cardboard nowadays. The personifications delivered by the 1999 cast are fluid and three-dimensional. Even with the age difference at the respective times of the films, Russo is way more stunning than Dunaway, who by the way does a credible analyst on the latter film. Burke did a poor performance compared to Leary's, who delivers a full and likable character.
In the glamour and high life section, there's simply no contest. Even the gliders are miles apart. The clothes of the characters are without comparison. Accessories, transports, dwellings... Brosnan exhudes money, McQueen... Hmm.
While the '68 file has a depressive ending the '99 version manages to squeeze-in a happy ending all around.
In sum, to really appreciate the '99 version, you need to watch the '68 one and transport yourself in time to the era. Then jump back ahead and compare.
A classy piece of work
Forget all the explosions, car chases, crazy villains, special effects... The Thomas Crown Affair is not an action movie. It´s not even a thriller. Instead, it´s a well-done cat-and-mouse movie that´s smart, entertaining and very sexy. If you had to use one word to describe the film it would have to be sophisticated. The movie might appeal more to mature audiences as both the leading man and the leading lady are over 40 years old. Pierce Brosnan can obviously do other roles beside James Bond, but the role of Thomas Crown is at least somewhat similar to 007. Both guys "enjoy women" and are very suave. Overall, Brosnan gives a solid performance and is overshadowed only by Rene Russo who simply oozes sexuality and class. She is simply perfect in her role and though she´s twice as old as I am I find her a real knockout. Not only is she extremely hot, but also a very talented and charismatic actress. A perfect combination! The classy dance scene between Brosnan and Russo belongs to the most sexually-charged scenes in history and the following love-making scene manages to be both sexy and stylish. Usually nude scenes in Hollywood movies seem somehow "uneasy", but in this movie the scene is done in real style and with sensual music the atmosphere is sizzling. Who would want a disposable bimbo like Britney Spears when you could have a real class-act woman like Rene Russo? I would also like to mention Bill Conti whose simple yet refined music is simply outstanding. Just listen to the music during the scene in which Crown and Banning go glider flying... You can just close your eyes and listen to this wonderful music. Now I have to find the soundtrack for this film! I guess I should mention that I´ve never seen the original Thomas Crown, but now I don´t even have to bother as its updated version is a true pleasure to watch. I have nothing negative to say about it so just go get this film on DVD and enjoy!
A '90s version of a '60s classic
If you've seen the original version and don't see the point in watching a different version of the same story don't worry; apart from the protagonist's name and general themes there are more than enough differences to make this worth watching.
Thomas Crown is one of New York's ultra-rich; he owns his own company and partakes in expensive sports. He is also bored. To alleviate that boredom he stages a heist in a museum and walks away with a painting valued at one hundred million dollars. The police start investigating and are soon joined by Catherine Banning, an insurance investigator hoping to save her employers from having to pay out. She quickly suspects Crown and soon a flirtatious game of cat and mouse begins as she tries to prove her suspicions and he leads her on without giving her the evidence she needs.
Remakes are seldom quite as good as the original, making them somewhat redundant, but thanks to the differences I'd definitely recommend this. The way the robbery takes place and later behaviour makes this Thomas Crown a slightly less amoral character. The robbery itself is enjoyable thanks to the way it is undertaken; the lack of real threat to people in the museum makes it easier to enjoy without feeling guilty. Once Catherine Banning arrives her character is at least as important as Crown and her pursuit of him is a lot of fun. The cast does a fine job most obviously Pierce Brosnan who is suitably suave as Crown and Rene Russo who brings a mature sexiness to the role of Banning. Overall I still prefer the original but still recommend this fun mix of crime and romance.
Thomas Crown is one of New York's ultra-rich; he owns his own company and partakes in expensive sports. He is also bored. To alleviate that boredom he stages a heist in a museum and walks away with a painting valued at one hundred million dollars. The police start investigating and are soon joined by Catherine Banning, an insurance investigator hoping to save her employers from having to pay out. She quickly suspects Crown and soon a flirtatious game of cat and mouse begins as she tries to prove her suspicions and he leads her on without giving her the evidence she needs.
Remakes are seldom quite as good as the original, making them somewhat redundant, but thanks to the differences I'd definitely recommend this. The way the robbery takes place and later behaviour makes this Thomas Crown a slightly less amoral character. The robbery itself is enjoyable thanks to the way it is undertaken; the lack of real threat to people in the museum makes it easier to enjoy without feeling guilty. Once Catherine Banning arrives her character is at least as important as Crown and her pursuit of him is a lot of fun. The cast does a fine job most obviously Pierce Brosnan who is suitably suave as Crown and Rene Russo who brings a mature sexiness to the role of Banning. Overall I still prefer the original but still recommend this fun mix of crime and romance.
Loose but stylish and classy
I am very fond of the Norman Jewison original particularly for Dunnaway and for the song The Windmills of My Mind. This is a very worthy remake, and almost on par in my opinion, and I thought I'd never say that after seeing far too many pointless ones along the odd truly great one. The story is not quite as convincing here, it does have some great scenes that also some that don't quite work like the dance scene which was not very well filmed and didn't enhance the story as much as the chess scene of the original. However, visually it is very stylish, with striking locations, crisp photography and editing and great fashions. The direction as expected from John McTiernan is very convincing, the screenplay is taut and the soundtrack is memorable. Pierce Brosnan and Rene Russo are fine leads, and their chemistry is somewhat steamier than the original's, and there is also some great support from Denis Leary and Faye Dunnaway herself. Overall, a more than worthy remake, loose of course but very stylish and classy. 8/10 Bethany Cox
Le saviez-vous
- AnecdotesThe line "You're not boring, I'll give you that" was ad-libbed by Rene Russo.
- GaffesWhen Crown walks in front of the delivery truck, the shot from the cab clearly shows that a car is stopped 9 feet in front of the truck. So, why was the delivery truck traveling so fast to begin with? Then, in the long shot after the driver moves on, he accelerates at a high rate, as if there was no car stopped in front of him. If there is a traffic-jam, the car would not have traveled far at all during that time.
- Citations
Catherine Banning: Damn, I hate being a foregone conclusion.
- Crédits fousThis motion picture was in no way authorized, sponsored or endorsed by any museum, nor was any portion of the motion picture filmed inside a museum. The events, characters and other entities (including the museum) depicted in this motion picture are fictitious, and any similarity to actual persons, events or other entities is purely coincidental.
- Bandes originalesSinnerman
Adapted by Nina Simone
Performed by Nina Simone
Courtesy of Mercury Records
Under license from Universal Music Special Markets
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- El caso Thomas Crown
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 48 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 69 305 181 $US
- Week-end de sortie aux États-Unis et au Canada
- 14 600 719 $US
- 8 août 1999
- Montant brut mondial
- 124 305 181 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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