The Big Tease

I loved "The Big Tease." I have watched it several times, and find it more entertaining each time. I recently read a quote of Craig Ferguson's in a Reel.com interview, saying that the movie somewhat parallels his experience in Hollywood. He said, "it is an exact mirror image of the show business that I know. I believe that the story in the movie is my story in America," and when asked how Crawford's experience in America paralleled with his own, Craig replied, "It's exactly the same...it is very similar to my own experience. That is where the story comes from." I watched the movie today for the first time since reading these comments, which Craig made about 7 years ago, and find that there are more similarities than he could have foreseen at the time. Part of the sharp satire on insider Hollywood revolves around getting a break because of whom you know. In the movie, Crawford comes to L.A. as a well-established hairstylist in Scotland (the "Red Adair of hair"), and manages to connect with the right people, beginning with Eamon the limo driver and Candy the publicist, which in turn leads to a series of connections with other key people and opportunities: an amusement park animal costume fur-dressing gig, the continuing antagonistic yet crucial interactions with Monique and Stig, a lunch date with Drew Carey that takes Crawford's credibility to the next level, and a meeting with the Senator who finally allows him to compete in the W.H.I.F Hair-Off. Throughout these events and introductions, Crawford must pay his dues, often feeling humiliated in the process, yet always managing to make the best of the situation. I don't pretend to know all the details of Craig's rise to fame, but he was already an established comedian well-known in the U.K., then came to the U.S. and obscurity. After paying his dues here and there, he got a break as Mr. Wick on "The Drew Carey Show." Drew Carey is the equivalent of Candy in this movie, giving stability to Craig's career, and enough required time on the set but not in front of the camera to begin writing, thus marking his breakthrough into the roles of writer, producer, and finally director with the critically acclaimed "I'll Be There." Craig Ferguson's big break as host of CBS's "The Late Late Show" is similar to Crawford's walk-on success in the competition for the Platinum Scissors award. Craig has not yet been crowned the king of late-night, but I have a feeling that some of the other late-night hosts are feeling very much the same as the other three Hair-Off competitors, wondering, "Who is this Scottish guy, and who could have guessed he had so much talent?" One interesting scene in particular shows the obvious pride Crawford feels when he finally obtains his H.A.G. card, a pride which Craig will soon share when he obtains a U.S. passport upon becoming a citizen of his adopted country. The parallels to Craig's current situation are easy to see, and I think that "The Big Tease" may portend the huge success that Craig has yet to attain in Hollywood and with the ranks of late-night fans. Like Crawford, Craig is determined to reach the pinnacle of his profession, and he has forced industry insiders to sit up and take notice of him. Just like Crawford, Craig was born to this.

"The Big Tease" is an under-rated, genuinely funny, and intelligently made film about a dauntless Scottish hair stylist, Crawford Mackenzie, and his quest for the globally coveted Platinum Scissors Award. A tour de force by Furgeson, the film delivers plenty of wry British humor and less subtle American hilarity with warmth and coherence, develops it's unlikely centerpiece (Mackenzie), sticks faithfully to it's plot, and builds to satisfying and very funny climax.

If one were to judge the comedic or acting abilities of Craig Ferguson by his work on "The Drew Carey Show", he could easily be overlooked, passed over, or lumped in with the stereotypically smarmy and scenery-chewing English supporting character types like Christopher Hewitt (tv's Mr. Belvedere), and Daniel Davis (Butler Niles on "The Nanny).

Don't be misled. Ferguson, who is HORRIBLE on Drew Carey, is every bit as wonderful in this smart, well acted, clever and sweet mockumentary which is surprisingly not a Christpher Guest production, and luckily with no Eugene Levy in sight!

This film is a surprise, it's a sleeper, and probably did 0 box office in the US, but, give yourself a treat. Rent it, preferably with a roomful of good humored friends. An instant party!

I found this film to be rather unique. It wasn't too 'mockumentary' but it wasn't exactly a beautifully edited screen play either. It took a while to get used to the pace, but then its merits shined through. I love subtle humour, and the thought that went into those adhoc comments and little facial expressions made it extremely funny. (Check out Martin's face when Crawford refuses to talk about his childhood) The storyline and ending maybe predictable, but aren't they all? Definitely worth a giggle. Oh . . .and any movie with a kilt scene can't be wrong now, can it?

The documentary filmmaker Martin Samuels joins Scottish hairdresser Crawford Mackenzie as he sets out for LA to take part in the Platinum Scissors Hairdressing competition. On arrival he runs up a large hotel bill before discovering that his `invitation' is not to compete but to attend in the audience. Out of his hotel and out of money, Crawford tries to get into the competition and wins over the trend setters of Beverly Hills and, with a little bit of luck and deceit tries to work his way into the contest

I had never heard of this film prior to it's TV premier in the UK, I imagine it's the same with a lot of people – it's a British comedy but it never managed to get the same high profile as more notable successes. However this is not to take from this film as it is pretty funny and gently amusing. The plot is nonsense but I think that is the point – it's is increasingly absurd – just like the actual competition and Hollywood lifestyle that Crawford finds himself thrust into. The comedy is rarely hilarious but it is consistently funny nonetheless – being more amusing than rip-roaring. The sheer wit and energy of the film manages to carry it over the odd dry spell.

Ferguson is suitably flaming as Crawford and is sweetly naïve for the most part. Langham is very dry as Samuels and I wanted him to have more screen time than he did – many other mock-documentaries have successfully made much better use of the dry humour of the interviewer. The support cast are good on the whole and don't mind making fun of themselves. Rasche is good as the two-faced Stig. While comedy cameos from Drew Carey and David Hasselhoff work well. Miller is always value for money and is good in his brief scene.

Overall this is a nice short little comedy that is lively and absurd. It is rarely hilarious but you'll watch it with a consistent smile on your face. Perfect if you're in a silly mood and looking for something with a bit of fizz.