One Last Dance

After viewing most the film One Last Dance, many psychological comparisons were evident. Not only did this movie portray beautiful dancing and a deep message, there were connections that were closely related psychological processes. The correlations included the ego, characters experiencing self doubt, mid life crisis', and injury.

A specific dance sequence in this film that contained all the psychological aspects was in the beginning of the film. When the main character is dancing in the dark dance studio room and he is haunted by various images of experiences he went through. He first starts out moving gracefully to the music running through all the moves in his mind as a dead tree branch lies across the floor. This to me represents the trio's choreographer who passed away before the show was ever performed. The room s also especially dark which expresses to me the emotion being portrayed as morbid because of the death. Sheets are also shown blowing in the wind which suggests being the presence of a spirit or ghost haunting him as he recalls the strict demeanor and suffering the dancers went through under his direction. A final example I recall from the film is when he falls during this scene. To me that represented when the women I the trio fell, and also implied to difficulty and previous failure of the project.

After seeing most of this movie, it was really amazing to me the numerous psychological associations it contained. Not only was it a beautiful dance story, there was deeper underlying meaning to it. This film wasn't just a typical dance movie that was uplifting and jovial, but instead demonstrated real life struggles and perseverance.

ONE LAST DANCE appears to be a film for dancers, either active or retired, wannabees or romanticists. There is some terrific Brazilian influenced music from Stacy Widelitz that enhances much of the corps dancing and some beautiful moments of cinematography making the most of a bare ballet studio rehearsal hall - both of which add what dreaminess this low budget film has to offer.

Written and directed and produced and acted by Lisa Niemi the story involves the return to the boards by three retired dancers (Lisa Niemi, Patrick Swayze, George de la Pena - all three are dancers in real life) to pay homage to the gifts of a highly regarded yet now dead choreographer. The three left dancing seven years prior to the story for personal reasons, mostly involving lack of confidence and personal issues that affected each tangentially. They return to a company to perform a dance by the dead choreographer and the rest of the slim story is how these out of shape hoofers regain the healing magic of dancing.

The corps of ballet dancers assembled for this film is exceptionally fine for a pickup group: Rasta Thomas, Desmond Richardson, Kathryn Bradney, Tai Jiminez, Bambi Swayze, Jamie Bishton, Stephanie Slater, Heather Thompson, Dwight Rhoden and Yosuke Mino deserve special mention. The scenes of dancing vary depending on the choreography of each of four artists - Alonzo King, Dwight Rhoden, Patsy Swayze, and Doug Varone. But in the end to be less than a documentary about the rigors and rewards of dancing there must be a well-acted story based on a sensitive script and that is where the film is shaky and a bit self indulgent. Swayze, Niemi, de la Pena take the roles as far as they go, but in the end the story is much ado about very little.

Yet there is some gorgeous dance work well filmed that will satisfy even the most particular critic. The DVD added features include some insights into the difficulty and final rewards of bringing ONE LAST DANCE to the screen, and in these comments there is more story than that found in the script. Grady Harp

It is a film who I love. Against confuse and pathetic story. But it is just a film deserving be loved.

First for the trio Lisa Niemi, George de la Pena and Patrick Swayze.

Second - for dance, choreographies and music.

Three - for the face of Patrick Swayze in light, like a bronze statue.

Not the last for the forced but seductive end.

It is a pure beautiful film.

Deserving, in high measure, be loved.

Patrick Swayze can be compared to the likes of Fred Astaire and Gene Kelly--he can dance AND act! Many of us who are Patrick,Lisa, and George's "chronological" peers love them for their unbelievable dance ability; but we may hate them for being in such great shape!

How refreshing to see a movie about dance that showed splendid dancing-and lots of it. I'm so tired of movies that just "touch" on dance and delve into the sob-story, high hormonal problems of teen dancers. One of the things I appreciated about this movie was that it was sensual but not sexual. Really, everything is NOT about sex.

My ONLY gripe is some of the language-I'd like to show this movie to some young people who are just starting to dance, because of the focus on FEELING the dance.

I'll wager that many young dancers that show up on unnamed TV shows couldn't keep up with Patrick, Lisa, and George AND do it with the grace and style that the three of them exhibited. Give us more please!

Overall, I enjoyed this film. It is a movie musical, but instead of breaking into song, the performers break into dance. This film was very well written and directed. I, however, feel that it doesn't translate well from stage to screen (I wish that I had been able to see the stage production). Or maybe the world just isn't ready for such a progressive method of storytelling. The Complexions dancers are wonderful and Lisa Niemi, Patrick Swayze and George de la Peña are superb dancers. The acting is certainly adequate and, at times, deeply moving. I recommend this movie to anyone with a dance background or an interest in non- traditional films.