La muse

Albert Brooks at his best. Very very funny. The short appearances of James Cameron and Martin Scorcese are hilarious, but the best laugh I had in years was the short conversation of Albert Brooks (Steven) with Mario Opinato (European man) at the party. Although it already passed 30 minutes from that scene I was still laughing, and still do whenever I think of it. Despite Brooks latter works, The Muse is somewhat inferior, but still hilarious... and what´s the point in a comedy? To make people laugh, and I sure did laugh with this one.

"The Muse" from 1999 is an Albert Brooks film, starring Brooks, Sharon Stone, Andie MacDowell, Bradley Whitford, Mark Feuerstein, Jeff Bridges, and cameos by the likes of Wolfgang Puck, Rob Reiner, Martin Scorsese, James Cameron, Jennifer Tilly, Lorenzo Lamas, and others.

Brooks plays Steven Phillips, a Hollywood screenwriter who has written 17 films. When he goes to a meeting at Paramount, where he has a deal, he's basically told that they want him off the lot by 5 p.m., his deal is cancelled, he's lost his "edge", and his script is terrible. And by the way, so were the last couple of films.

Discouraged, and at his wife's (MacDowell's) suggestion, he goes and talks to his best friend Jack (Jeff Bridges) who explains that he used the services of a Muse, Sarah Little (Stone) for inspiration. He calls her for Steven and Steven rushes to see her.

Well, this Muse is an earthly pain in the you know what. Anyone who goes to see her has to bring a gift from Tiffany. She wants to be put up at the Four Seasons, have a limo at her disposal, and health foods purchased for her. She spends perhaps five minutes with Steven, who does get an idea for a script. Meanwhile, unable to sleep, she's moved into the guest house/office on his property. She's also turned his wife into the second Mrs. Fields by encouraging her to market her cookies.

Very funny comedy with the hapless Brooks nearly driven out of his mind by this woman. And the film has a delightful twist.

Someone mentioned the party Wolfgang Puck throws for Steven's wife (Puck is serving her cookies). Steven gets into a conversation with a man who can't understand English and misinterprets everything he says. It is hilarious.

This isn't considered Brooks' best, but given for what passes for comedy today, it's practically Pulitzer Prize material. Well worth seeing.

Albert Brooks makes a Decent Attempt with his 1999-comedy 'The Muse'. Its a light-hearted film, that doesn't tax your brains.

'The Muse' is a comedy about a neurotic screenwriter & his modern-day muse.

'The Muse' is entertaining, but only in portions. While the first-hour is funny & well-paced, the second-hour takes a dip. The Writing isn't tight, nor is the pace. Brooks's Screenplay succeeds in the first-hour, but later-on, everything slows down. Brooks's Direction, on the other-hand, is very well-done.

Performance-Wise: Brooks can never be doubted as an actor. He's exceptional, as always. Sharon Stone enacts the nagging/materialistic chick delightfully well. Andie MacDowell is natural to the core. Jeff Bridges is winsome in a cameo. Martin Scorsese & James Cameron are fun in one-scene appearances.

On the whole, If you want to get Amused...Watch 'The Muse'.

Albert Brooks has long been one of the most underappreciated filmmakers working in the movie industry today. Less acerbic, but often just as funny as Woody Allen, Brooks looks at the world through a slightly askew, charmingly off beat prism, invariably placing himself in the center of his films as the average Joe persona put-upon by the daily frustrations and absurdities we all face as we struggle to make it though our often harried modern lives.

His latest charmer, "The Muse," provides even more of a fantasy insider's view of Hollywood than Steve Martin's recent "Bowfinger." Brooks portrays a fairly successful screenwriter who is suddenly experiencing steady rejection of his most recent script as studio after studio turns thumbs down on the project. Driven by desperation, he enlists the aid of a tempermental Muse, played winningly by Sharon Stone, an actual descendant of Zeus who moves her way around the Hollywood bigwigs, inspiring hit movies as she goes - or so her many devotees think. Part of the fun of the film comes in the latter portion of the film when doubt is cast on the validity of her credentials, which speaks humorous volumes about the state of mental health in that crazy land known as Hollywood.

In fact, the film is at its freshest in scenes in which Brooks gently skewers the crass insensitivity, lack of creativity and general madness of the movie industry itself - and he has enlisted quite a number of major Hollywood big shots to appear in amusing cameo roles that mock their own self-importance and that of the business they are involved in. Despite the occasional thudding one-liner, Brooks' script floats along much like a muse itself, fluffy, amiable and charming. The lovely Andie MacDowell, as Brooks' understanding and supportive wife, adds immensely to this air of breezy likability.

"The Muse," unlike so many modern comedies, manages to captivate and entertain without working itself up into a frenetic frenzy and without breaking into a sweat. This is a film, rather, to relax into and simply let the author take you where he wants you to go. The journey, luckily, is a fun one.

Albert Brooks is funny. He has an interesting and unique way of telling story with humor, wit and sincerity. He is not afraid of appearing to be 'un-hip'. Actually that is the charm of most of his work. He has been compared to Woody Allen but I

think that his work is much more universal. Woody's giant persona gets in the way of his stories whereas Brooks actually becomes a character. He does not

play himself and does not comment of things. He 'plays' characters like a real actor. The Muse is just as brilliant as Defending Your Life and Across America. Andie MacDowell is good when a good script guides her. Sharon Stone was

made for the role of the Muse. Her energy is sexy, ditzy as well as forceful. There are some cameos in this movie that are priceless and lend an air of

authenticity to the side of Hollywood that most people have no access to. I have seen this movie a hundred times and it never fails to make me laugh.