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Angoisse

Titre original : Thriller
  • Série télévisée
  • 1973–1976
  • TV-14
  • 1h 5min
NOTE IMDb
7,8/10
1,1 k
MA NOTE
Brian Blessed, Diana Dors, Sinéad Cusack, Don Henderson, Freddie Jones, Nyree Dawn Porter, Robert Powell, and Dennis Waterman in Angoisse (1973)
Thriller: A Killer with Two Faces
Lire trailer0:19
5 Videos
99+ photos
CriminalitéDrameFantaisieHorreurMystèreThrillerHorreur surnaturelleSuspense et mystère

Ajouter une intrigue dans votre langueA chilling anthology series exploring the depths of human psyche through diverse tales of murder, suspense, and the supernatural.A chilling anthology series exploring the depths of human psyche through diverse tales of murder, suspense, and the supernatural.A chilling anthology series exploring the depths of human psyche through diverse tales of murder, suspense, and the supernatural.

  • Création
    • Brian Clemens
    • Anthony Skene
    • Michael Zagor
  • Casting principal
    • Donna Mills
    • Gary Collins
    • Derek Francis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    1,1 k
    MA NOTE
    • Création
      • Brian Clemens
      • Anthony Skene
      • Michael Zagor
    • Casting principal
      • Donna Mills
      • Gary Collins
      • Derek Francis
    • 33avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Épisodes44

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos5

    Thriller: A Killer with Two Faces
    Trailer 0:19
    Thriller: A Killer with Two Faces
    Anatomy Of Terror
    Trailer 0:57
    Anatomy Of Terror
    Anatomy Of Terror
    Trailer 0:57
    Anatomy Of Terror
    The Next Victim
    Trailer 1:01
    The Next Victim
    Murder Motel
    Trailer 0:51
    Murder Motel
    A Killer In Every Corner
    Trailer 0:56
    A Killer In Every Corner

    Photos828

    Voir l'affiche
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    + 821
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    Rôles principaux99+

    Modifier
    Donna Mills
    Donna Mills
    • Chrissie Morton…
    • 1973–1974
    Gary Collins
    Gary Collins
    • Dave Adams…
    • 1974–1975
    Derek Francis
    • Octavius Lamb…
    • 1974–1975
    Michael Jayston
    Michael Jayston
    • Mark Walker…
    • 1973–1974
    Bradford Dillman
    Bradford Dillman
    • Gary Stevens…
    • 1975
    Joanna Pettet
    Joanna Pettet
    • Jody Baxter…
    • 1974–1975
    Pamela Franklin
    Pamela Franklin
    • Abigail…
    • 1974–1975
    Robert Powell
    Robert Powell
    • Paul Tanner…
    • 1973–1974
    John Carson
    John Carson
    • Arthur Lewis…
    • 1973–1974
    Dinsdale Landen
    Dinsdale Landen
    • Matthew Earp
    • 1973–1974
    Ian Bannen
    Ian Bannen
    • Doonan…
    • 1975
    T.P. McKenna
    T.P. McKenna
    • Frampton…
    • 1973–1976
    Michael Kitchen
    Michael Kitchen
    • George Newton…
    • 1974–1976
    Suzanne Neve
    Suzanne Neve
    • Beryl…
    • 1974–1975
    Geoffrey Chater
    Geoffrey Chater
    • Graham…
    • 1973–1975
    Derek Smith
    • Baverstock…
    • 1973–1974
    Edward Judd
    Edward Judd
    • Bill Lewis…
    • 1974–1975
    Linda Liles
    Linda Liles
    • Ann Curry…
    • 1975
    • Création
      • Brian Clemens
      • Anthony Skene
      • Michael Zagor
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs33

    7,81.1K
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    Avis à la une

    blanche-2

    Would love to see this series again

    I have happy memories of this series, which was on late-night television where I lived in the states. I thoroughly enjoyed the episodes, which usually had one American TV star, i.e., Barbara Feldon, Donna Mills, etc. and a predominantly English cast. Most of the series, if not all, was written by Brian Clemmens. My favorites were "Coffin for the Bride" and "Lady Killer." Both of these were fabulous. "Coffin" featured a bravura performance by Helen Mirren and "Lady Killer" was a great story with a twist, starring Barbara Feldon and Robert Powell. I had the pleasure of interviewing Barbara Feldon, and she said it was absolutely freezing cold and that in one scene, when she's running while wearing her bathrobe, the wind opens her bathrobe and she had all kinds of clothes on underneath! I have both of those on video, but would love to see the other episodes someday.
    lonnieedwards

    A lost television classic!

    I remember staying up late and watching this show in syndication on WGN-TV in the late 1980's. It was a fascinating series of almost feature-length suspense stories which were written mostly by Brian Clemens and starred a mostly British cast. It was while watching this show that I "discovered" many of my now favorite actors, including Pamela Franklin, Judy Geeson, Hayley Mills, Patrick Magee, Jeremy Brett, Donna Mills, Ian Hendry, Carol Lynley, and Carroll Baker. Sadly though, the series seems to have all but vanished, as it no longer appears in syndication and the selected few episodes that were released to videotape have long gone out-of-print. It would be utterly fantastic if they would release all of the episodes to DVD!
    all-briscoe

    True To Its Name

    A truly-exceptional series that has largely disappeared into obscurity. This is despite it achieving considerable critical and popular approval when broadcast in the 1970's. It is one of the few British series to have achieved success in the USA and it is not difficult to see why it achieved such popularity.

    Unlike most series, "Thriller" was an anthology of separate stories, without recurring characters or situations. This allowed great flexibility in terms of style and story-writing but unfortunately made it more difficult to achieve a long-term identity.When broadcast in the USA and given a rare repeat in the UK in the 1980's it was billed as discrete movies, further eroding its identity.

    The show had a very unusual length of just over an hour of action. This allowed more chance to develop stories and explore characters, to great effect. However it also created scheduling problems and has probably helped to kill the chance of further repeats. Unlike better-remembered but unquestionably inferior productions of the time, it was shot on video-tape. Once again artistically this was a great success. It made the action darker and more claustrophobic. Unfortunately this also made repeats less likely with filmed action usually seen as more likely to win wider viewer-approval.

    Most credit must go to Brian Clemens. He created the series, wrote most episodes entirely and provided the outlines for all of them. His writing was first-class, and well-supported by guest writers such as Terence Feely. He produced highly intriguing, unsettling, often frightening stories. Astutely, violence was largely kept off-screen and the exact motives of characters were frequently well-hidden. Viewers were forced to use their imaginations, making for deeper and more satisfied viewing. Characterisations were very sophisticated but suitably enigmatic. Most stories featured extraordinary twists and some terrifying scenes.

    Direction could still have set things back but was immensely strong. A small team of directors kept true to Clemens's intentions and added great atmosphere. Laurie Johnson's music was perfect - extremely chilling and unnerving - and cranked up the tension spendidly. However the producers also knew when to use silence to powerful effect. They were utterly aware that less is often more.

    Acting was very fine. The British performers included many of the leading lights of the 1970's and beyond. Unusually almost every story featured an American actor. Although this was almost definitely to help American sales, it brought an extra dimension. The Americans were able to offer more stylish and classless displays than their more traditional and austere (but still exceptional) British counterparts.

    There were inevitably some limitations. The depiction of women was very old-fashioned and often patronising, with far too many references to grown women as "girls". There was an over-emphasis upon portraying women as pretty but helpless, dependent on men to save them. However there were some strong, perceptive and assertive female characters. Generally the view of England is very traditional and deferential, focusing on affluent figures in ostensibly idyllic surroundings. Its world-view was more of the 1950's than the 1970's.

    Story-development is a little formulaic. For example, many episodes end with men cradling distressed women. However it should be remembered that "Thriller" was intended for a popular audience and not for the avant-garde, and some predictability goes with the territory and is often part of the fun.

    The American versions feature filmed titles and music added long after original production by different companies. The music is sometimes very effective but the titles are unnecessarily long, often amateurish or crass, and alien to the main episodes.

    However these are minor points. "Thriller" triumphs irrespective of these reservations, and no production is perfect. Any sophisticated viewer lucky enough to see an episode should be hugely impressed with what is seen. One hopes that stories will appear on DVD or video or receive a repeat broadcast so everyone can see what they have been missing!
    10silverclover-1

    Superb suspense anthology ... now on DVD

    At last Brian Clemens' wonderful 1970s anthology series has been released in it's entirety in 16 disk Mega DVD set in the UK. This is a Region 2 release and also contains a number of tantalising extras

    43 unrelated - but remarkably consistent - hour long thrillers from the fertile mind of Mr Clemens stand testament to the claustrophobic feel of studio taped television drama where the skill of the actor basically decides the pace of the piece in conjunction with the skill of the director using a multi camera set-up (an art probably destined to disappear altogether in another generation).

    So many themes, so what to recommend? Well there is hardly a "dud" in there. One "K is for Killing" is rather incongruously a comedy and should really be treated as separate to the main mood of the remaining stories, which take in supernatural tales (especially in the first series), espionage stories and all variants of general crime from psychopathic scheming to killers on the run. It's is hard to isolate the "cream of the cream", the general standard being very high - however there are some that are classics from first viewing and remain forever so ... to my mind these comprise the following stories: (in chronological order)

    The Colour Of Blood, The Eyes Have It, I'm The Girl He Wants To Kill, Death To Sister Mary, In The Steps Of A Deadman, Come Out, Come Out Wherever You Are, Nurse Will Make It Better, A Killer In Every Corner, Where The Action Is, The Double Kill, The Crazy Kill and The Next Voice You See
    dgrahamwatson

    The Saturday night thriller!

    Thriller was a ground breaking TV series broadcast from 1973-1976 in the Uk on Saturday nights where it kept a regular spot through out it's run. I say ground breaking because this series was produced entirely for TV and was just perfect for the early 70's. By 1973 color TV's were were available to rent, so consequently many households had access to a color telly. Although black and white can often help with the atmosphere in a film, by contrast the color in this series at the time gave thriller a more modern and realistic feel which I think added to it's chilling effect. I know that it sounds ridiculous today with 43" widescreen plasma screens and hundreds of channels to choose from but in 1973 a 19" or 22" colour telly took TV viewing to a new and exciting level which was the real deal back then!

    In addition the regular appearance of imported American actors added another dimension to it. It was interesting to see an American actor such as Garry Collins who normally played a good guy in US TV movies acting in the eery and claustrophobic atmosphere of thriller.

    With what I can recall when it originally aired was that at no time did you ever really feel safe in thriller, well at least not for long until some sinister event occurred, somebody disappeared or a body turned up. Even when things appeared perfectly normal suddenly you would start to feel that something was about to happen. Another interesting feature was that the stories changed from week to week; some being supernatural, witchcraft, a mystery, a simple crime, murder or some times a combination of two or three.

    The creepy and loud music score was certainly memorable at the beginning as well as the during the nauseating moments when you were expecting something to happen was ideal for TV. Yes some of the acting was wooden and even back at the time I thought that some of the expressions and menacing body language was over the top. Having said that the oppressive atmosphere, the dialog, music score, body language, slow camera work was all that producers had back in those days to make it a horror/thriller series.

    There was no special effects or huge sets and if you wanted fast cars, fights and action well there was the Sweeney. Also no muscle bound 20-30 year old men here nor women wearing the now obligatory tank tops and spandex pants. Note there was no gratuitous violence ( if you don't count being strangled, stabbed, or shot with a pillow over the nozzle!) and profanity.

    Thriller is very dated today but that is because over the last 30 odd years TV has changed so much. What we find entertaining on TV is completely different from 1973. Can you imagine back in the 70's people being entertained by reality TV shows – not a chance ! Thriller probably has a following more for nostalgic reasons than anything else. However, that is understandable because there does come a time when you just get sick of modern TV and the different tone of thriller ironically now appears to provide a refreshing change to the monotonous, identical garbage of soaps, reality TV shows, 24 hour news and our 21st century obsession with celebrities, the internet, computer games and lastly amercian junk TV like jerry springer, sex and the city and desperate house wifes.

    Now that thriller is available on DVD I'll certainly check them out and – – – try to watch them on Saturday nights with the lights dimmed!

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The 2008 DVD release included the made for TV film Who Killed Lamb? (1974) which is sometimes erroneously listed as a Thriller episode.
    • Connexions
      Referenced in Dennis Spooner: Wanna Write a Television Series? (2009)

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    FAQ17

    • How many seasons does Thriller have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mai 1977 (France)
    • Pays d’origine
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Thriller
    • Sociétés de production
      • Associated Television (ATV)
      • Incorporated Television Company (ITC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 5min(65 min)
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 1.33 : 1

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