Le Masque de l'araignée

Even if there are a few (and not very important) credibility problems, this movie doesn't make big mistakes: Directing, acting, the plot including a real "WTF"-twist: Everything is fine. And believe me, I have seen a lot of bad thrillers to see: This one is really one of the good ones.

So, if you want to have a nice evening with a good movie: Watch it. You won't get disappointed.

The only thing why I don't give more than seven points: You will enjoy this movie, but you will not keep it in mind. There is no genious moments just a few thrillers of all times have.

But this can't be your expectations. So: Watch it and have a good time.

I must say this film was better than your average thriller to me. Call me stupid, that's just fine, but I didn't see the ending coming at all. Of course, it didn't hurt the film's stature to have Morgan Freeman back in the lead role, the guy doesn't seem to be able to make a bad film and is one of the most underappreciated actors of his time. Also, Michael Wincott is one hell of a great villain, as he has proved time and time again in The Crow and Robin Hood: Prince Of Thieves, as well as this film. Monica Potter is indeed Julia Robert's clone, and that's not good in my eyes. I cannot stand Julia Roberts or any movie she has ever been in (I actually WATCHED My Best Friend's Wedding with my girlfriend in the theaters, and it was so bad even she couldn't watch it). All in all, I highly recommend this film as a modern day thriller. Yes, it has a few holes and gets bogged down a bit in the middle, but Freeman as always is a delight to watch and the film is about as good a thriller as you'll find in modern times. That's just one guy's opinion.

Crime story-wise, this was nothing extraordinary but was a pretty solid film. He isn't always like this, but Morgan Freeman does best in films where he's the likable hero-cop. He is definitely that in this film although his character, Alex Cross, is a little too sharp for believability. There were just a bit too many "oh, come on's" said by me watching this as Cross would get computer passwords with no trouble, etc. The odds of that happening are millions-to-one but not in the world of films. There were other examples, too, of him figuring out things that were almost impossible.

For a tough modern-day crime story this film, for the most part, was pretty low- key with low profanity and not a lot of gore or overdone action. That was surprising considering the sordid subject matter. The tameness in here, and Freeman, make this a notch (albeit a small one) above the average thriller.

I'm not sure why everyone rated this a mid grade movie. It is far better than a lot of 6&7 star rated movies out there. Never was bored, good storyline, not as predictable as other murder mystery stories.

When a senator's daughter gets kidnapped from a exclusive private school by her teacher Gary Soneji, the FBI are called in. However the kidnapper has his own agenda and phones Alex Cross, sucking him into the case even though he has not worked for almost a year due to the guilt he feels over the death of his partner. With the killer leaving him clues, Cross realises that Soneji is after fame and is using him to communicate to the world. Taking on Secret Service agent Jezzie Flannigan as his partner, Cross tries to work out enough about Soneji to profile and catch him.

It has been too many years since I saw Kiss The Girls for me to be able to comment on the quality or lack thereof in the first film but I decided to give this sequel a try anyway. From the opening scene this is pure Hollywood with its clunky CGI and its simplistic plot device of the dead partner and so we continue with a fairly uninspiring thriller that is engaging enough but never does anything that special. It doesn't help that the primetime schedules are full of versions of Alex Cross in TV series mysteries but generally this film just plods its way through a story that isn't "obvious" so much as it is uninspiring. It is an enjoyable enough mystery that is professionally handled but it lacks imagination and flair. The twists come but the film is not exciting enough to prevent the audience from thinking and, in thinking it is easy to rip massive holes in the logic of the whole thing – and thinking a plot is a bit silly doesn't help keep one interested. Tamahori directs without any distinction – he isn't bad but again he doesn't do anything of that much interest.

Instead he sits back and hopes that Morgan Freeman doing Morgan Freeman's "Zen-cool™" will be enough to carry the audience along with the whole affair. Luckily for him this does work to some degree because Freeman on his day could sell shoes to fish. He is solid and professional even if he is underserved by the script. Wincott is good in a role that he could have made more of but instead is controlled and restrained. Potter is blond and dull and is not suited one jot to the role that her character grows into during the film. Baker deserves a bigger role while Miller, Horsford and a few others provide familiar faces.

Overall then an entertaining but uninspired affair that pushes the right buttons but doesn't aspire to anything beyond the genre. The cast and the budget help but the story gets weaker the longer it goes on and although it will do enough for some viewers, it is nothing that special.