Ajouter une intrigue dans votre langueIn the late nineteenth century, an Ancient Egyptian sorcerer discovers the art of transferring the souls of the dead into inanimate objects.In the late nineteenth century, an Ancient Egyptian sorcerer discovers the art of transferring the souls of the dead into inanimate objects.In the late nineteenth century, an Ancient Egyptian sorcerer discovers the art of transferring the souls of the dead into inanimate objects.
- Réalisation
- Scénario
- Casting principal
Sando Teodor
- Latour
- (as Sandu Teodor)
Giuliano Doman
- Vigo
- (as Juliano Doman)
Marcel Cobzariu
- First Tough
- (as Marcello Cobzariu)
Mihai Verbintschi
- First Pursuer
- (as Mihai Verbinschi)
Avis à la une
Retro puppet master This tale precedes the events of Puppet Master III, and explores the origins of the puppets themselves. Sadly, as grand a concept as this has- a story starting in Egypt in the late 1800's where the secrets of a God's power are stolen and then moving to a young Toulon running a puppet show in Paris in the early 1900s, the whole affair is a little too drawn out to fulfil it's potential.
It's a shame because director Decoteau has previously directed two of the stronger Puppet Master entries- part 3 (perhaps my favourite) and 6- a fun return to form after a couple of really bad sequels.
This is not to say it's a film without merit- any fan of the Puppet Master series will enjoy finding out about how it all began, the cronies of the god are fairly sinister in an Agent Smith/ Matrix kind of way, and there are a couple of new puppets to keep you entertained.
The film could be described as ambitious too, considering budgetary constraints. Creating a period piece obviously creates complications in filming, so this, as with Puppet Master III, is admirable- the simplest route was not selected.
On the downside, the puppets themselves move especially badly in this entry- it's a far cry from the beautiful stop-motion animation of earlier films- we really are talking about movement like a 4 year old's Barbie. Also considering these are meant to be early versions of the puppets we know and love, some of these wooden versions really miss the mark. Blade especially. When looking at the cover I actually assumed Dr Death's skeletal appearance was an early, and quite impressive, early version of Blade, when in fact he's this bizarre troll-faced puppet, with only the hair and costume in common. Quite sad really, as the puppets are after all the stars. And the male lead, Greg Sestero as a young Andre Toulon, is perhaps more wooden than the puppets.
Still, it's worth renting perhaps rather than buying, (I'm not sure how much replay value it has) for those who have to know how it all began. Just don't expect anything super special.
It's a shame because director Decoteau has previously directed two of the stronger Puppet Master entries- part 3 (perhaps my favourite) and 6- a fun return to form after a couple of really bad sequels.
This is not to say it's a film without merit- any fan of the Puppet Master series will enjoy finding out about how it all began, the cronies of the god are fairly sinister in an Agent Smith/ Matrix kind of way, and there are a couple of new puppets to keep you entertained.
The film could be described as ambitious too, considering budgetary constraints. Creating a period piece obviously creates complications in filming, so this, as with Puppet Master III, is admirable- the simplest route was not selected.
On the downside, the puppets themselves move especially badly in this entry- it's a far cry from the beautiful stop-motion animation of earlier films- we really are talking about movement like a 4 year old's Barbie. Also considering these are meant to be early versions of the puppets we know and love, some of these wooden versions really miss the mark. Blade especially. When looking at the cover I actually assumed Dr Death's skeletal appearance was an early, and quite impressive, early version of Blade, when in fact he's this bizarre troll-faced puppet, with only the hair and costume in common. Quite sad really, as the puppets are after all the stars. And the male lead, Greg Sestero as a young Andre Toulon, is perhaps more wooden than the puppets.
Still, it's worth renting perhaps rather than buying, (I'm not sure how much replay value it has) for those who have to know how it all began. Just don't expect anything super special.
Rather uneventful (in terms of puppet-action) 7th installment of the "Puppet Master" franchise. It lacks the stop-motion action of Dave Allen (involved with the previous movies). It was nice to see the older (retro-)versions of some of the famous puppets these films are known for and it was interesting to learn something about the origin of Andre Toulon's re-animating skills. Most acting felt a bit below par. Only Brigitta Dau was decent enough. As a 'neo' Full Moon movie, this one would pass the test. As a 'horror' movie in general, I'd have to flunk it. Hence my over-all rating. Being that it's part 7 in the "Puppet Master" series, I actually thought it would be worse. And given that it's directed by David DeCoteau, I expected it to even totally suck. You just never really know anything for sure, do you? Or maybe once in a while miracles do happen after all.
If you've seen the Puppet Master movies and enjoy them, then yes, watch this one too. But if you are an average person who has never seen any Puppet Master movies, then I will warn you. This movie as a stand alone is terrible. Nothing about it is scary in any way. There's no gore, no blood, no heart pounding moments. You can tell it's all staged and the acting is very B rated. All in all it feels more like a play that was acted out in the theatre, then a well acted film. The story is super cheesy and cliche. But as a fan of the Puppet Master movies, it was nice to see where it all started. I was happy for an origin story.
David DeCoteau directed 'Curse of the Puppet Master' (the sixth Puppet Master movie) as Victoria Sloan and here directs the seventh as Joseph Tennent. Not sure why a director of some of the most ridiculous movies ever made would replace their name on their more credible work but there we go. This seventh instalment is well made and excellently acted with the last actual performance of Guy Rolfe, not just as Andre Toulon, but ever. Rolfe is without doubt one of the world's greatest actors and as Andre Toulon the most fantastical performer of Full Moon Productions' entire catalogue. This film travels back to early 20th century Paris to find the origins of the Puppets, there are a few extra puppets here that - as yet unexplained - do not appear in other films. Our favourites here, such as Pinhead; Torch and Tunneler are more traditional wooden puppets, not yet fully developed and very low on personality and colour - their oak finish makes them seem far more sinister though. For the first time Richard Band's amazing Puppet theme does not appear and is ultimately the only major error of judgement in a fun and fantastically produced addition to the series. Watch the dead homeless man on the steps though (who first gives his 'life' to the puppets) - though dead and looking almost like a puppet himself he can't help blinking in full camera shot. The film is old fashioned and almost Sunday afternoon family fun (like an old detective drama or something). Surprising.
This is where it was said that the Puppet Master series begins, but it has also been the last Puppet Master movie made before "Puppet Master: The Legacy", so in a way you can say that it acts as a beginning and an end to Full Moon's brilliant movie series. The puppets all have a new (or since this movie has the word "retro" in the title, I suppose it's an old) look to them, but not all of them do. The ones that were left out were Torch, Jester and Leech Woman (thank God). This movie relates mostly to the storyline of Puppet Master #4 and #5. There were some scenes in this movie that I found to carry on and have less action then they deserved, such as random fight scenes. If you're ever planning on watching the Puppet Master movies, watch this one first. This was actually the last Puppet Master film that Guy Rolfe starred in, which really is a shame; he portrayed the role of Andre Toulon better than any of the previous actors. Guy Rolfe passed away in the year 2003, so that means that if any more Puppet Master movies are made (other than "Puppet Master vs Demonic Toys"),an other actor will have to play as Toulon. Let's hope that person is as good as Guy Rolfe, although that will be impossible.
Le saviez-vous
- AnecdotesJames Franco auditioned to play Young Toulon, Greg Sestero's role. He and Sestero have since collaborated on The Disaster Artist (2017), a film adaptation of Sestero's book "The Disaster Artist: My Life Inside The Room (2003), the Greatest Bad Movie Ever Made".
- Gaffes(at around 30 mins) When Andre discovers the beggar has died and is speaking to Afzel, you can see the beggar blink for a split-second in the background.
- Citations
Andre Toulon: Ilsa, this is Cyclops, Blade, Dr, Death, Drill Sergeant, Pinhead, and Six-Shooter.
- Versions alternativesThe UK DVD release from Blackhorse Entertainment runs longer than the U.S. Full Moon Features DVD of the film.
- ConnexionsEdited from Puppet Master II (1990)
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