Les adversaires

"Play It To The Bone" is about two guys who are good friends and washed up boxers who are taking a road trip to fight each other in the ring for some money and the audience learn some stuff about there background as they reach there destination. The girl that gets between the two fighters played by Antonio Banderas and Woody Harrelson is Lolita Davidovich who is basically a skank but tries to act like she is not, a very irritating character that is portrayed as like being the hot girl that every guy falls for, also a temptress who use men for what she wants, but she is pretty fugly looking and can't imagine any guy falling for her in the way it's portrayed in the movie, when a lot of the movie time is taken up by the two rivals fighting amongst each other for a girl, at least make her attractive or at least somewhat likable. The characters are also not developed very well although the dialogue is very funny sometimes. Banderas and Harrelsn did a good job with what they had, but a lot of what happens between them was sort of predictable. Despite the flaws, this film had some good comedic moments that I enjoyed watching although a lot of it was bickering. And when the final fight starts you sort of care about it since the audience gets to know a bit about there background and it's also entertaining to watch even though the character development isn't strong as it should be, the fight however was well choreographed. There seems to be a lot of critics that are really bashing on this film, but I liked it. It was entertaining despite the flaws, it was entertaining and funny.

7.5/10

I just saw this movie the other day and, unlike some reviewers, I had a problem with the fight scenes. I thought they were too unrealistic.

First off, let me say that I loved the celebrity cameos at the arena; they certainly added a touch of realism, and having Lucy Liu's character show up with Rod Stewart was a stroke of genius. But I thought it too unrealistic the way the two boxers slugged each other without lingering effect. How many times did one of them get knocked down and struggle to barely get up at the count of nine? Too many to count. And in real boxing matches, whenever someone struggles to get up at the count of nine, it is all they can do just to hang on until the end of the round. Yet in this movie, each time someone gets up at the count of nine they immediately launch a counteroffensive that has their opponents on the ropes. They just does not happen in real life.

Am I nitpicking? Perhaps, but it ruined the film for me.

All in all, this is an okay film. The plot is very simple, and the characters are fairly interesting. I understand that this movie is supposed to be about second chances, but I couldn't help but think after the movie's very predictable ending, what the hell was the point of the movie? What was the epiphany reached, and what was the point of characters like Lucy Liu being in the story? 90% of the film is spent during the car ride to Vegas, which is good and bad, it gives a personal touch to a movie, yet does get kind of old after a while. I like Woody Harelson's character b\c I can relate to him in a lot of respects. One thing I found unrealistic, no chick would ever ditch Antonio 'de sexy' Banderas, I almost laughed when she 'broke up' with him. Antonio also looked a little weak for a boxer, but the fight scene in the end was not effected by it. The end is actually the best part of the movie, yet it is very predictable. Overall, not a bad friday night movie if you have some time to kill and a few beers to pounce. 6/10

A boxing film from minor or no league sports milieu chronicler Ron Shelton (Bull Durham, White Men Can't Jump) with the not exactly untested talents of Antonio Banderas, Woody Harrelson, Tom Sizemore, Robert Wagner, Richard Masur, Lolita Davidovich and Lucy Liu. What's wrong with this picture? Nothing once you get to the last third and the actual fight ensues. It's the first 90 minutes that's not quite a knock out. In our overly commercialized and celebrity athlete obsessed world culture, Shelton has made a career out of showing us the world of the also-rans (and jumped and hit and thrown, etc.). For every record breaking multi-millioned contract holder making even more telling the world to guzzle the Gatorade, there's a hundred guys like "Durham's" Crash Davis trying to eke out one more season before taking a job at the sports shop or hardware store. This is "Bone's" big stumble, not really establishing what kinda of lives these two has-beens lead now that they are reduced to working as sparring partners at a no-name local L.A. gym. Shelton would have written this a whole lot smarter if he had picked a venue he knew better back east, say New Orleans or St. Louis for Banderas' Cesar and Harrelson's Vince to hail from. It would have made the road trip a helluva lot more interesting visually, moving through prairie to mountains to desert. Instead, we get dried brush and rocks as back drop for Cesar and Vince's back and forth that is supposed to tell us who they are. And who they are isn't all that interesting, which is what's going to doom this film with audiences. This is story that starts off in the most contrived way. In a chain of events that starts with the undercard of a Mike Tyson fight in Vegas getting hopelessly stoned and haplessly dead, respectively, we are then asked to believe that the promoter would even in panic call two guys who don't even really fight any more. The film really needs the audience to believe and believe in these guys after this and Shelton fails to make Vince and Cesar unique enough. People might plunk down their eight bucks for a flick with stupendous special effects, but a great fight? Which is the one thing that "Play It To The Bone" has - a helluva fight. For filmgoers who thought the book had been written on showing a boxing match with either the high art stylization of "Raging Bull" or the pop art sequences of the Rocky franchise, prepare for the most brutally realistic display of the sweet science yet shown. In a sequence that uses a refreshing paucity of slow-mo shots, we are taken through ten rounds of sympathy-welt-raising fisticuffs. At least we know the time Shelton didn't spend on researching his characters wasn't wasted hobnobbing with Tyson and the other real-life boxing personalities who pop up in cameos during this section. It was spent watching God knows how many hours of old boxing film.

The sequence also manages a subtle commentary on the empty spectacle of such "event" sporting events, as the oblivious main event crowd gets sucked into Vince and Cesar's career defining contest. Here's what a boxing match is supposed to be about: two hungry guys out to prove they are top dog. And right up to the conclusion Shelton is on his way to making the first uninspired 90 minutes disappear - then he pulls his last punches and ruins it. This is when the anemic character develpment and unorginality catches up with him. The audience feels sucker-punched going out the door.

This film isn't much. Dumb plot, few laughs, and a good boxing bout between two men who were given a second chance to show the people that they got what it takes to become a champ. Neither of them walk away a winner- (predictable) but instead walk away with a newly improved friendship. This is surely a forgettable film, but doesn't fail to entertain. If you go to Blockbuster at 9:00 on a Friday night and 2/3's of their movies are rented out. Rent this one...Its good for a few laughs. 5.8/10