O' Brother

Having seen most of the Coen Brothers previous films I expected something different and slighty off centre. OBWAT is certainly those things, but it also has a heart as big as..well..as big as Mississippi. It is one of the most plainly enjoyable movies to have come out in recent times, intelligent, well-crafted, clever and superbly acted.

Characters are delivered in their myriad shades by a group of marvellous actors. George Clooney winning me over completely with his Clark Gable-ish looks and character. Having only ever seen him in Three Kings and his Thin Red Line cameo, I am now a fan. More comedy please George.

John Tuturro and Tim Blake Nelson ably assist, especially Nelson. If ever "The Simpsons" is made into a movie then he must be a natural to play Cletus the slack-jawed yokel. I don't think there is a performance that falls short of excellent from the entire cast. My special favorite is Stephen Root as the blind Radio Station Man.

Great old-timey music, a jiggy type dance by Clooney that I am trying to learn, and a feel of depression era southern US enhanced by sepia-like photography make this the best movie I've see so far this century. The only drawback to the film is that it has almost sent me broke buying the soundtrack, the DVD and a DVD player to play it on....it's THAT good!

Those Coen brothers' movies really do grown on you. I had just seen Fargo when I rented this. It is one of the most creative, off the wall films I have ever seen. As these characters bumble their ways after a prison break, they are embraced by a series of the most unconventional personages ever to hit filmdom. And one gets turned into a frog--sort of. their flirtations with fame, the Klan, a cyclops, and all the other episodes, make this a hilarious romp. George Clooney's Ulysses is an obsessive, full speed ahead, damn the torpedoes, coupled with the charming half-wittedness of his fellow travelers, works at every level. Like Greek poetry, he is butting heads with the gods, but despite setbacks, keeps moving. It is story telling with charm and a load of bull. Everyone is some kind of philosopher, but the words come out of gap toothed, shaved headed hillbillies. And, of course, Clooney has hell to pay. I could watch this over and over again. And then there's the really cool music. I didn't even mention that!

I realize this movie came out 18 years ago, but I wasn't on IMDb then. Did IMDb even exist? I don't know. But as I'm sitting in the barbershop right now, this movie is being played on the tv right now, and I'm reminded how much I love this movie. In my opinion, one of the best comedies ever made. I know it's not for everyone (I have friends who hate it), but it's a classic to myself and some others I know. Excellent writing and acting.

We lived through the depression and related to some of the conditions portrayed. We have watched it perhaps a dozen times. Each time we see it we pick up on something we had missed because we were still laughing at, or discussing, an earlier scene or line. The entire film was a collection of photographically great faces. We are still asking ourselves whether the entire cast were professionals or whether some were individuals found on location. The film was rich with subtle tie-ins like the children tied together with twine, as the prisoners were connected by chains. We still think the cow may have been hit unintentionally. Fords of that era had mechanical brakes. The driver of the car may not have been accustomed the longer stopping distances required. The many allusions to Ulysses Odyssey inspired us to do an inter-net search. We found a modern text version and discovered more sly references. We appreciate blue grass and country music as originally American and found it thoroughly enjoyable, along with the authentic "Go To Sleep Little Baby" and "Down from the Mountain." We were emotionally touched by this film because of our age, and find it totally entertaining every time we view it. We are still amazed that someone not of our generation could have captured the essence of that period of United States history.

Thank goodness for the Coen Brothers. Their success has brought them bigger budgets,but hasn't rid them of their creativity. I had planned on seeing another movie, but it was sold out so I went to this one instead. By the time it began, I had forgotten what movie I was there to see. I was surprised in more ways than one. This movie is hilarious, but they don't make any cheap jokes just to get the laughs. The writing is brilliant, and delivered with great skill by George Clooney (after this, nobody can say he's just a pretty face) and the rest of the cast. It can be appreciated on many levels, whether you remember the Odyssey or not. I can't remember the last time I saw a movie that was this clever. I've seen others I would describe as beautiful, intriguing, funny and charming, all of which also describe "Oh Brother," but this movie reminded me of older seinfeld episodes where all the subplots came together in the end. You can feel that their journey is building up to something, but you can't tell what. And the Coen brothers do not fail us, the end is certainly not disappointing. It's surprising, and ties up all the loose ends neatly, without wearing the story out.