Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

The Amputee

  • 1974
  • TV-MA
  • 9min
NOTE IMDb
5,5/10
5,2 k
MA NOTE
The Amputee (1974)
ComédieCourt-métrage

Ajouter une intrigue dans votre langueA double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.A double leg amputated woman sits and writes a long meandering letter while her ineffective nurse attempts to attend to her stumps.

  • Réalisation
    • David Lynch
  • Scénario
    • David Lynch
  • Casting principal
    • Catherine E. Coulson
    • David Lynch
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    5,2 k
    MA NOTE
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Casting principal
      • Catherine E. Coulson
      • David Lynch
    • 18avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 4
    Voir l'affiche

    Rôles principaux2

    Modifier
    Catherine E. Coulson
    Catherine E. Coulson
    • Amputee
    • (as Catherine Coulson)
    David Lynch
    David Lynch
    • Nurse
    • Réalisation
      • David Lynch
    • Scénario
      • David Lynch
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    5,55.1K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    danlee27

    A short, avant-garde film in the same vein as "The Alphabet"

    If you like early Lynch, you may like this. A commentary, I think, on amputation not only of the physical variety, but of the emotional as well. At five minutes long, sitting through the film is not exactly the test of patience a film like "Lost Highway" or "Eraserhead" may be... but in terms of its content, it is decidedly just as experimental as either of those.
    8enmussak

    Simply gruesome

    If you enjoy being disgusted (as I do), then you will love this. It is challenging to really make your audience want to gag (as I heard John Waters say once), and Lynch does it very well here. The 5 minutes consists of an amputee getting her wounds cleaned and it is not pleasant. Enjoy! 8/10
    mastyrmynd

    An intrigue...

    While it is not as deep or impressive as some of Lynch's other works, I believe that this film breaks new ground in terms of camera work and how a scene is put together. I think it is important that this film is shot twice, once to capture the story, the other to capture what is happening. If you view simply the woman, you will grasp what her letter is all about, however, if you view the nurse, you will take in only what the nurse is doing. Viewing it once just staring at the woman, and then again viewing only the nurse gives quite a contrasting look at the same exact picture. It may very well be an experiment only, but the fact that it has this effect is intriguing on its own. Try it yourself!
    4Quinoa1984

    meh, but it goes without saying...

    Maybe the lesser of the bunch of David Lynch shorts I've seen, the only real interest are in some seconds here and there within the four minute un-broken shot of some nasty, black-death humor that's ingrained into the material. Unfortunately, it's almost a waste to watch the film as it is by admission of Lynch himself a technical 'throaway', something to just get onto film to bite back at the AFI for possibly switching to video. Therefore we get what could be comparable to what Godard did around the same time- tool around with the possibilities of video by just going for something off-putting within the frame. It could've worked maybe as something worth watching more, but it's really a bit too un-pleasant even in its own biting sense-of-what-the-hell way. It's just an amputee who writes a confessional letter (heard in voice-over) as a wacko doctor plugs away at one of her stumps. He also, at the end, just runs away in a hurry, perhaps as to just add that last bit of "whoa" for Lynch to work with. That part is actually a nice bit of surreal whimsy, but the work is just too simplistic and deranged to really give any sense of visual amazement like in the other shot works of Lynch, or to build on the outrageousness like in Eraserhead. Worth a watch, once, then never again unless you have a thing for, well, stumps, and confessional letters written during their upheaval.
    8shellykachua

    Simple, Comic and Ironic

    For the non-intuitive, the film is just a grotesque, confusing image but think of it again. A woman in an absolutely pitiful state (blood and puss spewing out of her stump) is lost in her thoughts and memories of Love and Romance! It's just a simple ironic image with no plot, back story or message. How one can entirely neglect the present no matter how rotten it is and choose to dwell in the past. So lost! So Engrossed!

    The film was made for the sole purpose of helping the American Film Institute decide between two stocks of black and white film. David Lynch, soon to emerge as one of the greatest directors ever proposed to shoot a short film twice. One can imagine David Lynch getting excited on the thought of the imagery he was to put to film "An amputated woman in an extremely deteriorated state lost in the days of her romantic endeavors!"

    I understand that only a handful of people would appreciate the concept, leaving the majority confused and disgusted but The Amputee is a simple masterpiece open to interpretation

    Vous aimerez aussi

    Six Men Getting Sick
    5,6
    Six Men Getting Sick
    The Grandmother
    7,1
    The Grandmother
    The Alphabet
    6,7
    The Alphabet
    Premonitions Following an Evil Deed
    6,7
    Premonitions Following an Evil Deed
    Absurd Encounter with Fear
    5,5
    Absurd Encounter with Fear
    The Short Films of David Lynch
    7,3
    The Short Films of David Lynch
    DumbLand
    6,3
    DumbLand
    Les Français vus par
    6,4
    Les Français vus par
    Fictitious Anacin Commercial
    5,5
    Fictitious Anacin Commercial
    Rabbits
    6,9
    Rabbits
    Darkened Room
    5,5
    Darkened Room
    Sailing with Bushnell Keeler
    5,2
    Sailing with Bushnell Keeler

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This short came about because the American Film Institute was testing two different kinds of black and white video, and they hired cinematographer Frederick Elmes to shoot the test footage. David Lynch convinced Elmes to shoot a short film for the test and stayed up all night writing the script. As a result, the short exists in two different versions, being shot once on each of the types of video being tested.
    • Citations

      Woman with amputation to the legs: This isn't what I am telling you. You weren't in the room when Jim said that. And I was. And he really did. He told me that everything was fine between Helen and him. And I knew that even if he didn't say it, that it was true. He knew it then. No one else did. You maybe thought you did but I knew you didn't. And it makes me furious when you tell me I didn't know about Helen. She was my best friend. She even told me about that time she drank gin with you. So maybe now you'll believe me. After that I got sick of the beach. Harry turned on all of the burners on the stove before we left the cabin. He said he wanted to set fire to the whole row. Made me sick. Everything was bad between us. And that was it for me. I never said one word to him on the way back. When he stopped and we saw Joann at Jim's, he bought some cigarettes and told Joann that I was a flirt, a dumb flirt. I never was a flirt. I was not flirting with Jim. I didn't flirt then and I don't flirt now. And you started this that night Jim told me. You have never understood Jim. After the way you treated Helen it isn't a wonder that he feels the way he does. And you know it. And you know that even Paul isn't the same. You have never understood Jim. You had it all wrong, honey. You and Joann. Now you know what Paul is really talking about. By the way, where were you when Paul got home at three in the morning?

    • Connexions
      Edited into The Short Films of David Lynch (2002)

    Meilleurs choix

    Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
    Se connecter

    Détails

    Modifier
    • Date de sortie
      • 1974 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Безногая
    • Société de production
      • American Film Institute (AFI)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 9min
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    • En savoir plus sur la contribution
    Modifier la page

    Découvrir

    Récemment consultés

    Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
    Obtenir l'application IMDb
    Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
    Suivez IMDb sur les réseaux sociaux
    Obtenir l'application IMDb
    Pour Android et iOS
    Obtenir l'application IMDb
    • Aide
    • Index du site
    • IMDbPro
    • Box Office Mojo
    • Licence de données IMDb
    • Salle de presse
    • Annonces
    • Emplois
    • Conditions d'utilisation
    • Politique de confidentialité
    • Your Ads Privacy Choices
    IMDb, une société Amazon

    © 1990-2025 by IMDb.com, Inc.