Les Fils de l'homme

this film is one of the best things i have seen this year. It's an improbable cross between "Brazil" "a clockwork orange" and the video game HALF-LIFE2 (from which it borrows it's final sequences and use of on shot action-sequences) it manages to be both entertaining in the Hollywood way (with incredible action sequences and a very clever way of using digital effects) yet very sad and different with a very very dark and realistic overtone. No comic relief, no cartoon character bravery, only human behavior in it's best and most horrible way. This realistic overtone makes the main characters very engaging and moving. CLive owen (whose i have always disliked) is excellent as the man drowned into an adventure too big for him (sorry for my bad English)

It's the same kind of film than V for vendetta (both taking place in a futuristic fascist British society) different from the usual mainstrean studio teenager pleaser crap

GO see it! help intelligent cinema

The apocalypse arrives on film once again in a plot so simple it's horrifyingly believable. It's 2027 and the world is close to annihilation because no child has been born in 18 years. London office worker Theo (Clive Owen) is offered cash by a radical ex-girlfriend to escort a refugee (Claire-Hope Ashitey) to safety. Their lives are soon at risk from both government and revolutionaries.

Although the camera work and cinematography is nothing short of stunning the focus always with our protagonist, ensuring we're kept in the middle of the action throughout. It is also undoubtedly one of Owen's finest performances to date. Theo is never far from danger yet he struggles on with convincing dignity. Occasionally baffled but far from stupid - Theo is essentially a reckless, underplayed action hero that doesn't jump at every opportunity to arm himself with a gun. This works well with the international ensemble of incredible talent: Michael Caine's charming pot dealing hippie, feisty Julianne Moore, key role Claire-Hope Ashitey, the wonderful Pam Ferris, the increasingly busy, excellent Chiwetel Ejiofor, Danny Huston and writer/director/producer Peter Cullen (gloriously sadistic Syd) to name a few... This is surely a casting coup to be jealous of.

The episodic nature of the story makes Children of Men difficult to place into one genre alone. Briefly glimpsed futuristic sci-fi technology is grounded in reality and looks entirely achievable while grey, graffiti ridden concrete locations provide an excellent backdrop for the near satirical look of our current social and political climate. There's poignant drama interspersed amongst exhilarating action and yet enough twists to call it a thriller.

This is not to say it's flawless. Some exposition is handled better in places than others for instance. However Alfonso Cuarón has achieved a completely remarkable experience. Arguably the film could have been longer given how strong most of it is. The only really hard pill to swallow is the comedy juxtaposed with some stark imagery that looks all too familiar to anyone who has ever seen the News from the past few decades. Nice to see a Pink Floyd reference though (pigs might fly!), and someone finally found a use for Battersea Power Station.

Ideally an audience should see this film with no preconceptions and know as little about the plot as possible. This will be unlikely though due to a staggered box-office release schedule, word of mouth and a plethora of reviews and trailers that are eager to give much of the game away. Ironic then perhaps that it must be said - Children of Men is a cinematic milestone. Great special effects and an effective soundtrack accompany this heartfelt, moving and thought-provoking film. Easily one of the best films in recent memory.

I never saw it in 06, Only just watched it. I am not going to go on about it much. But its relevance to todays world is astounding.

The action is impeccably done. The battle scenes are mind numbingly realistic. I still can't believe it was made in 05/06. Characters are so real. The atmosphere the attention to detail in scenes are incredible. Things happening in the background out of focus etc is just another layer of a real world that's been created. A huge epic movie with a hero who doesn't ever shoot a gun.

I will give it a week or so and watch it again. The director should've one an academy award.

I've seen this film and let me tell everyone that it was one of the most pleasurable surprises I've ever had with a film. I hadn't heard about it before and it totally took me by surprise. It blew me away and left me speechless. The acting is excellent by most of the actors, but Michael Caine deserves to receive a special mention for his amazing portrait of the old hippie Jasper. His performance is fantastic and he totally stole the show in the scenes he was in. Claire Hope is also fantastic in the role of Kee. Her performance is quite impressive, especially considering this is one of her first films. Clive Owen is also great as the reluctant hero who sees his life turned upside down and is given a huge responsibility. I've seen him in some other films and he's at his best here. A very good performance, you could feel what he was going through. In the technical aspects the film was brilliant, particularly Alfonso Cuarón's strong and consistent direction that is one of the best things in the film, and contributes a lot to its quality. Also director of photography Emmanuel Lubezki does wonders with images and there are some extremely beautiful shots all done in a naturalistic way, natural lighting, etc. It's an extremely well crafted film that makes you go through the emotional struggle the characters go through and makes you feel that you're in the middle of it all. Besides, it's also an extremely touching story that certainly touched my heart. One of the best films I've ever seen without any doubt.

OK, I only got through the first 3 pages of comments but let me add my own.

1) Fantastic cinematography. Some like hand-held, some don't. It certainly worked very well here.

2) Related to (1), very long shots. There is one scene where the camera lens has blood splats on it for quite a few minutes. Hollywood would get rid of it, but for this movie it adds amazingly to the atmosphere that is being created.

3) Like "Code46" the technology is in the background. Just the way it should be, allowing us to focus on the story.

4) Theo as the central character NEVER picks up a gun, despite them being all over the place and easily available. As a viewer you are almost willing him to do so, to manage some of his challenges - but very deliberately the character does not.

5) I've read separately that yes this is a comment on current society. Being an Australian, with our controversial immigration laws and practices, that rings true.

6) Similar to (5), using the term "Homeland Security" in the movie is an obvious reference.

7) The revolutionaries/terrorists/fishes are shown to be just as political and militant as the government they oppose.

There are more, but that is enough. Overall a wonderful movie which leaves me thinking for a long time, which is all I ask.

Cheers!

Anton.