Snatch : Tu braques ou tu raques

Guy Richie's follow up to Lock Stock and Two Smoking barrels is every bit as astonishing as its predecessor. The humour is better and I have never seen people in a cinema laugh as loud and as frequently as they did here. Vinnie Jones plays a similar role as Big Chris, here as Bullet Tooth Tony. His appearance is limited but boy does he make an impact. Even when he is not on screen there is much to savour from Dennis Farina as Avi and a trio of pawnbrokers who are sent to rob a bookies. Brad Pitt sheds his movie start personna and preforms impressively as an Irish gypsie. Unlike Lock Stock.. the humour will appeal to all nationalities. However they mind some slang expressions such as Pikey and blag hard to understand. Good preformances, fantastic characters, razor sharp diologue, expert direction and camera work and brilliant humour, Snatch will make you laugh more than any other movie this year. See it now.

"Snatch" is fantastic; and not least because it demonstrates emphatically that the British movie industry is capable of rivaling even the best of what Hollywood can offer.

"Lock, Stock and Two Smoking Barrels" was one of the funniest movies released in recent years, and "Snatch" takes everything that "Lock, Stock..." did so well and does it even better.

Back are the cleverly intertwined plotlines, the hilarious one-liners, and the simultaneously intimidating and comedic London villains. So is the skillful editing, and often original cinematographic style. This time however, it all looks somewhat slicker and better funded, and alongside the British regulars are the odd American celebrity (Brad Pitt, Benicio Del Toro).

Everyone in the film puts in an excellent performance, but Pitt stands out as a charismatic and near-incomprehensible Gypsy boxer.

Like Ritchie's earlier film, this one takes a little while to find its feet, but once it does the pace doesn't slacken until the finale. One scene featuring three guys and a squeaking dog in a stolen car stands out particularly, and left the audience at my local cinema almost weeping as punchline after punchline was uttered.

When it comes to comedies, I cannot recommend this one highly enough. If you're after a good laugh, you won't find much to better "Snatch".

Read this review carefully, please.

First off, Snatch is an amazing movie in every sense of the word. There are very few movies made where the director obviously did not let one FRAME onto the screen without a reason, and Snatch is one of them. Nothing happens onscreen without it having an effect on the plot.

By now you know the plot, or plots. We follow a diamond-heist and the various characters trying to get theirs, at the same time following participants in an illegal boxing ring. The incredible part of the movie is how every scene ties in with the rest somehow, every character connects with the rest at least once.

There are complaints that the movie is confusing, or muddled. There are a lot of things that they don't tell you (such as what the dog has to do with anything, but he's a VERY important character), and that's a good thing. Too many movies force feed the audience its plot points (Think The Ring vs. Ringu, did we need the "How long could you survive down there all alone?" line?). Rather, we just watch occurrences, and have to piece together what ties everything together, the plot weaves together beautifully.

The cinematography and performances are fantastic as well. Even the soundtrack is perfect. The camera style during the fight scenes (slowdown/stop/go) makes it difficult to stop watching, the sound effects fit in quietly in the background without being overwhelming. And it will be IMPOSSIBLE to watch this movie without repeating many of the lines around your friends. I found myself saying "Zee Germans" and things like "It's not like he's a set of car keys, now is it?" quite a bit. Naturally, Brad Pitt's pikey is one of the most outlandish I've ever seen.

Summary: watch the movie, and don't expect to be TOLD everything, expect to have to pay attention.

I was never really too keen on "Lock, Stock And Two Smoking Barrels". All my friends constantly quoted it, raved and ranted, and then when "Snatch" came out, everyone made an even bigger deal of that. I watched Lock Stock, and though I did like it, it didn't really tickle my fancy. But Snatch, that's a completely different story all together.

When I saw Snatch at the cinemas, I was shocked to see a couple leave only fifteen minutes into the film. As they left, you could hear their intellectually deficient comments; "this movie is so boring". I couldn't believe it! I'd recommend this movie to ANYONE, The Pope even!

There are hundreds of thousands of reasons for anyone to see this movie; each word of the script being a reason.

Snatch is possibly one of THE best written movies I've seen. It's smart, witty, funny and has just the right touches of dark humour. With characters like Turkish, Mickey, Tommy, Brick Top, Bullet Tooth Tony and Cousin Avi; their witty repartee will have your personal quotes list full for months after watching it. The camera work and editing complement each other to keep the film's pace on its toes, much like the boxers at the center of the character's stories.

Jason Statham has some of THE best lines in the movie, constantly slamming anything even slightly intelligent his partner Tommy has to say. Brad Pitt turns out an excellent performance as the Irish-Gypsy-Pykie Mickey; his accent is hilarious.

Even though the story line is only a simple one (following a massive Diamond through England's criminal underworld), it is the connections each character has to the diamond and each other that really makes this film stand out from all the usual jewel-heist films.

Another 10 / 10 from me on this one, it's just a pity the follow up to Snatch was a "collaborative effort" from Mr. Richie and his um.......wife.

The release of Tarantino's "Pulp Fiction" in 1994 prompted a schism in the staid gangster movie genre: the standard hallmarks - serious characters, gunfights, intrigue and damsels in distress - were enhanced with snappy dialogue, and gallows humour. The biggest change however was the introduction of the mobius strip-style plot line, where the concept of time is no longer linear, instead constantly folding in upon itself, flitting between past, present and future that forces the viewer to pay close attention lest they miss some subtle detail. Inevitably, numerous copycat films emerged that tried to capitalize on Tarantino's success, but it wasn't until 1998 when Guy Ritchie, an unknown British director, took on the challenge that a successor was found. Now Ritchie is determined to prove that his first time out wasn't a fluke.

Turkish is a young man with an entrepreneurial bent, who, when he's not running his gambling operation, manages bareknuckle boxers. Through a business deal gone wrong, he becomes acquainted with one Mickey O'Neil, a mumbling manic motor-mouthed piker who also happens to be a one-punch marvel. Turkish persuades Mickey to join his stable of fighters, but soon discovers that Mickey has his own agenda, and gets Turkish in trouble with the gangsters who run the underground boxing circuit. Other characters that become involved in the drama include a four-fingered degenerate gambler/jewel thief, a vicious boxing promoter, a gang of inept robbers, a polite hitman, a crazed Russian gun runner, a group of Irish gypsies, a crooked New York jeweler and a pugnacious pet. The common thread binding them all is a perfect diamond the size of a peach pit. If you aren't confused yet, you soon will be.

"Lock, Stock and Two Smoking Barrels", Mr. Madonna's (Ritchie) first film, was shot on a small budget, with a no-name cast (except for football bad boy Vinnie Jones) and quickly became a rousing success at home and found receptive audiences abroad. While not a technically a sequel "Snatch" is stylistically very similar to "Lock, Stock…": Ritchie utilizes his trademark bombastic staccato sequences, and repeatedly bounces off on radical tangents to throw the viewer off balance. He did however opt for a decidedly darker satirical tone in this film, that may make some people uncomfortable (think "Very Bad Things"). What struck me as particularly daring was his decision to create a story with such a voluminous cast.

Ritchie faced a daunting task with this film: how, with roughly twenty principal characters, does one adequately flesh out each character, and not hopelessly confuse the audience? The feat was made doubly difficult, as several cast members are big name stars. Somehow Ritchie manages - each actor is full bodied, receives ample screen time, and no one character is the centerpiece. With so many talented actors, it is difficult to pick out one performance that stands out: Rade Serbedzija is hilarious as the mad Russian who blithely burns through each of his nine lives, as is Vinnie Jones' manic gentleman hitman. On the other end of the spectrum, is Alan Ford as Brick Top, the promoter with a penchant for pigs, who epitomizes cold-blooded viciousness. If forced to pick my favorite however, I would have to go with Brad Pitt

Pitt resurrects his trailer trash look from "Kalifornia" and adopts a nearly indecipherable brogue that sounds like my best friend's Uncle Wally on a bad day. As Mickey O'Neil, the hard drinking wily grifter and part-time pugilist, Pitt displays a wide range of emotions, demonstrating again that he is not only a star, but also a gifted character actor. And I would be remiss if I didn't mention the dog that subtly stole every scene he appeared in.

While "Snatch" initially struggles to find its stride, and is very similar to Ritchie's earlier film, it is fresh and funny enough to make you forget any minor shortfalls and stand on its own.