NOTE IMDb
7,2/10
6,4 k
MA NOTE
Ajouter une intrigue dans votre langueAt a popular NYC Italian restaurant on a dramatic, busy evening, there are 2 gangsters, cop detective, food-critic, ex bookmaker owner, his chef son, indebted gambler sous-chef etc.At a popular NYC Italian restaurant on a dramatic, busy evening, there are 2 gangsters, cop detective, food-critic, ex bookmaker owner, his chef son, indebted gambler sous-chef etc.At a popular NYC Italian restaurant on a dramatic, busy evening, there are 2 gangsters, cop detective, food-critic, ex bookmaker owner, his chef son, indebted gambler sous-chef etc.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Michael McGlone
- Carmen
- (as Mike McGlone)
Andre Haynes Richarson
- Machine
- (as Andre Richardson Haynes)
Avis à la une
This film crackles with authenticity. Danny Aiello is great in the lead role as the owner of this eatery, rushed off its feet in the evening rush after the day leading to it. He plays ironically opposite to his oft gangster roles. Well structured with an interesting mix of characters, showing their chemistry with each other, the boss, the son, the dish hands, the restaraunts patrons, and food critic, the lust, and the great character John Corbett plays.
Dinner Rush is well worth a look. I am sure you won't be disappointed if you like films that simmer at a medium temperature so it becomes cooked nicely at the end with a good surprise in the end how it turned out.
Dinner Rush is well worth a look. I am sure you won't be disappointed if you like films that simmer at a medium temperature so it becomes cooked nicely at the end with a good surprise in the end how it turned out.
The film is about a trendy family restaurant in New York. As one character says..."It's a joint with a buzz!" It's an apt expression, for the film surely buzzes non-stop as the characters crowd into this very popular restaurant noted for its delicious food. Down below the restaurant is the kitchen where the meals are prepared. This is the most stunning part of the film. Absolutely believable. Perfect cinema. Among the steaming saucepans and oiled fry pans there is the clatter of white plates on which the chefs and kitchen staff arrange the most surprising little temptations at lightning speed. The hand of the director is most noticeable here with superb choreographed movement of the actors in the confined space. There is clatter and chatter, laughter and fisticuffs.
The mood is different at the dining tables. Idle gossip among the clients and smart remarks to the staff about the appropriateness of hanging oil paintings in a restaurant. Then there is the presence of the food writers ready to criticize and gangster types insisting on a partnership with the management. It's all go...go...go...as the camera follows the dishes to the tables. There is a perpetual air of excitement.
The cameras constantly switch from dining room to kitchen and kitchen to dining room maintaining a lively feeling of urgency as the trays are carried up the stairs. The dialogue is fast too and I find it sometimes difficult to follow. The large cast requires some sorting out as well.
The ending comes unexpectedly with a surprising twist.
This film is really about revenge. Like some food preparations, revenge can simmer for a long time. One thing is made clear to me however. Revenge as a dish is best served cold.
The mood is different at the dining tables. Idle gossip among the clients and smart remarks to the staff about the appropriateness of hanging oil paintings in a restaurant. Then there is the presence of the food writers ready to criticize and gangster types insisting on a partnership with the management. It's all go...go...go...as the camera follows the dishes to the tables. There is a perpetual air of excitement.
The cameras constantly switch from dining room to kitchen and kitchen to dining room maintaining a lively feeling of urgency as the trays are carried up the stairs. The dialogue is fast too and I find it sometimes difficult to follow. The large cast requires some sorting out as well.
The ending comes unexpectedly with a surprising twist.
This film is really about revenge. Like some food preparations, revenge can simmer for a long time. One thing is made clear to me however. Revenge as a dish is best served cold.
This is really a hidden gem that should have had a major impact at the cinemas everywhere. It truly is a loss to anyone who misses it.
The characters are charming, obnoxious, familiar, unexpected and with a great many stereotypes this offers a fascinating mix played out at a weird and wonderful pace that switches easily between relaxed and frantic. The character gallery on its own is reason to see this film but the various tracks of the story offers added value not seen as comfortably intertwined in other films for many years. The stories are steered by an amazing screenplay based on non-stop dialogue that places you right at the centre of affairs, or indeed inside the restaurant where 90% of the film is set.
If you enjoy the witty repartee of Smoke or Clerks (although nowhere near as vulgar) then you must see this film.
Danny Aiello is brilliant, so are the majority of the not so well known cast and the supporting role of John Corbett offers a new perspective on an otherwise strong stereotype, almost worth the ticket price itself.
The characters are charming, obnoxious, familiar, unexpected and with a great many stereotypes this offers a fascinating mix played out at a weird and wonderful pace that switches easily between relaxed and frantic. The character gallery on its own is reason to see this film but the various tracks of the story offers added value not seen as comfortably intertwined in other films for many years. The stories are steered by an amazing screenplay based on non-stop dialogue that places you right at the centre of affairs, or indeed inside the restaurant where 90% of the film is set.
If you enjoy the witty repartee of Smoke or Clerks (although nowhere near as vulgar) then you must see this film.
Danny Aiello is brilliant, so are the majority of the not so well known cast and the supporting role of John Corbett offers a new perspective on an otherwise strong stereotype, almost worth the ticket price itself.
A hidden gem I would say. Once you start watching this movie, you'll never notice how smoothly you've passed 100 mins of your life. Just some random conversations at various tables, kitchen and bar counter of an Italian restaurant at the mob hit streets of New York. A good blend of family drama with the spice of love, revenge and violence.
Danny Aiello as Louis Cropa fits perfectly to his role of a mob boss ready to leave everything behind.
Summer Phoenix looks stunning as a waitress.
And one can't say why they have John Corbett in this movie till the end comes.
Watch this when you are hungry!!!
Danny Aiello as Louis Cropa fits perfectly to his role of a mob boss ready to leave everything behind.
Summer Phoenix looks stunning as a waitress.
And one can't say why they have John Corbett in this movie till the end comes.
Watch this when you are hungry!!!
"Dinner Rush" will inevitably be compared to "Big Night," and other food preparation/restaurant movies, but I think it holds its own as a delicious slice of one night of New York life. As one character plotzes: "When did eating out become theater?"
The wonderful, winsome multi-ethnic ensemble of mostly New York actors --many born in Brooklyn according to the IMDb--who have done a lot of TV work are clearly enjoying making a movie as a coordinated team. Danny Aiello has his best, and somewhat similar, role since "City Hall."
Many of the references may go over the heads of those West of the Hudson or East of the East River, whether to Tribeca (as a newly trendy neighborhood) or Danny Meyer (restaurant entrepreneur). Or even the digs at Queens as the home of mobsters, which were greeted by silence by the Queens audience I saw it with.
The upstairs/downstairs of the kitchen scrambles vs. the dining pleasures and everyone's personal spices are lots of fun. The actors playing obnoxious customers, like Sandra Bernhard, do so with relish but not overplayed.
Keep your palate clear by not looking at the ad campaign or reading the reviews, as I think they give the plot away and I was totally surprised by the ending, er, the dessert.
(originally written 9/29/2001)
The wonderful, winsome multi-ethnic ensemble of mostly New York actors --many born in Brooklyn according to the IMDb--who have done a lot of TV work are clearly enjoying making a movie as a coordinated team. Danny Aiello has his best, and somewhat similar, role since "City Hall."
Many of the references may go over the heads of those West of the Hudson or East of the East River, whether to Tribeca (as a newly trendy neighborhood) or Danny Meyer (restaurant entrepreneur). Or even the digs at Queens as the home of mobsters, which were greeted by silence by the Queens audience I saw it with.
The upstairs/downstairs of the kitchen scrambles vs. the dining pleasures and everyone's personal spices are lots of fun. The actors playing obnoxious customers, like Sandra Bernhard, do so with relish but not overplayed.
Keep your palate clear by not looking at the ad campaign or reading the reviews, as I think they give the plot away and I was totally surprised by the ending, er, the dessert.
(originally written 9/29/2001)
Le saviez-vous
- AnecdotesWas filmed in only 21 days.
- GaffesAs soon as the lights come back on in the restaurant, the bartender is seen yanking his flashlight off his wrist. A few seconds later in a close-up, he is seen taking it off again and setting it behind the bar.
- Citations
Jennifer Freely: Only in New York will a double murder triple your business.
- Crédits fousFor the Silver Fox
- ConnexionsFeatured in Siskel & Ebert & the Movies: The Best Films of 2001 (2001)
Meilleurs choix
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- How long is Dinner Rush?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 634 566 $US
- Week-end de sortie aux États-Unis et au Canada
- 110 000 $US
- 30 sept. 2001
- Montant brut mondial
- 933 740 $US
- Durée
- 1h 39min(99 min)
- Mixage
- Rapport de forme
- 1.85 : 1
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