"Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", su... Tout lire"Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", sur lequel le film est basé, a été un des livres les plus vendus""Chopper raconte l'histoire passionnante de Mark ""Chopper"" Read, un criminel notoire qui a écrit son autobiographie tout en purgeant une peine de prison. Son livre, ""From the Inside"", sur lequel le film est basé, a été un des livres les plus vendus"
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 14 nominations au total
Renée Brack
- Television Interviewer
- (as Renee Brack)
Avis à la une
Chopper is the nickname of Mark Brandon Read, a notorious real life criminal whose crimes were chronicled in a best selling book by him. Eric Bana plays Read to perfection. An early scene brings to mind the Michael Madsen ear slicing portion of Reservoir Dogs. The camera stays on Bana for 90 percent of the hour and a half running time; and not a minute is wasted. The style is similar to the equally vicious Bronson, which also deals with an infamous Australian criminal. Both are must see movies for anyone who is a fan a the crime genre. The sardonic humor is the sort typically associated with films from Down Under. Just to watch Bana chew up the screen with the look of an actual sociopath, is worth the price of the DVD rental. The New York Times of April 13, 2013 has a profile of Mark Brandon Read which is an excellent companion to this adaptation. Do not miss Chopper.
Like many of the best films, CHOPPER isn't about one thing, and it doesn't tell one story. It's a film about life on the fringes of society, about the lasting effect of growing up in an unstable, violent environment; it's about mental illness and the less glamorous (and thus in film rarely depicted) aspects of the life of a gangster and career criminal. Most of all though, it's one of the most fascinating character studies I've ever seen with a tour-de-force performance by Eric Bana that is never less than superb. This was only the debut feature by director Andrew Dominik, but it's the meticulously crafted masterwork of a driven artist that deserves to be mentioned together with the best debut films by directors of his generation (it would take him 7 years to confirm with his sophomore film, the excellent THE ASSASSINATION OF JESSE JAMES BY THE COWARD ROBERT FORD (2007) that he wasn't a one-hit wonder). Once you've seen this raw, shocking, at times darkly funny portrayal of a sociopath you'll understand why it single-handedly launched Eric Bana's international career. A truly excellent film. 9 Stars out of 10.
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
In case you're interested in more underrated masterpieces, here's some of my favorites:
imdb.com/list/ls070242495
CHOPPER (3+ outta 5 stars) Nifty little character study of a notorious Australian criminal... well, notorious in his own mind, at least. The jury is still out on how much of the autobiographical details of the life of "Chopper" read are real and how much is fake... but it does make a compelling story either way. Eric Bana gives a great performance in the lead... nothing else I've ever seen him in prepared me for how good he really is. The character he plays is nasty, repellent, scary, ill-tempered... and still full of charisma. After a violent stint in prison (his motto appears to be "do unto others before they do it unto you") Chopper is sent back out into society. With no other skills besides his knowledge of crime, Chopper offers himself to the local police as a special undercover agent. They, of course, want nothing to do with his boneheaded scheme but he pretends that they do anyway. Inflicting pain (on himself *and* others) seems to be what he is best at and he gets plenty of opportunities to show his stuff. Amusing though it may be at times, the movie is not a glorification of violence... the ferocity and suddenness of it keeps the audience constantly on edge.
I have to disagree with those that say this is for Aussie's only. Chopper is an amazing piece of filmmaking in nearly every regard and goes beyond the limitations of vernaculars. I had to laugh at the review that dismissed it as sophomoric tripe and attempts supporting his argument citing the film's lack of realism in violence. Although based on a real man this is storytelling cinema not documentary. There is an obvious element of gross exaggeration in most of the scenes of violence in Chopper, which serve a purpose (or, more specifically, several purposes). Chopper is obviously incapable of telling the truth or even hearing the truth.
It is, at first, difficult to figure out why so many are drawn to Chopper (and not at all difficult to see why so many wish him dead). Within the first few moments Eric Bana establishes Chopper's character in a way that reveals the off kilter charisma that some simply cannot resist. Those Chopper seems to get along with best are those on the periphery, those who don't invest too much whom he seems intent on impressing. Those too involved with him are locked into his doom because simply no one is able to keep up with the mythological figure Chopper has created himself (or tries create himself) into.
Darkly humorous, brutal, yet not without pathos the film rightly focuses on its central character and lives up to the unlikely hero's motto: never let the truth get in the way of a good yarn. "Chopper" is a fascinating film filled several amazing performances even in smaller roles (e.g., Jimmy's chain smoking, junkie, white trash, pregnant "fiancée" stumbling to the floor to pick up a sawed off shot gun in the hallway).
Not for everyone, but those who get this sort of thing will be richly rewarded.
It is, at first, difficult to figure out why so many are drawn to Chopper (and not at all difficult to see why so many wish him dead). Within the first few moments Eric Bana establishes Chopper's character in a way that reveals the off kilter charisma that some simply cannot resist. Those Chopper seems to get along with best are those on the periphery, those who don't invest too much whom he seems intent on impressing. Those too involved with him are locked into his doom because simply no one is able to keep up with the mythological figure Chopper has created himself (or tries create himself) into.
Darkly humorous, brutal, yet not without pathos the film rightly focuses on its central character and lives up to the unlikely hero's motto: never let the truth get in the way of a good yarn. "Chopper" is a fascinating film filled several amazing performances even in smaller roles (e.g., Jimmy's chain smoking, junkie, white trash, pregnant "fiancée" stumbling to the floor to pick up a sawed off shot gun in the hallway).
Not for everyone, but those who get this sort of thing will be richly rewarded.
I want to start by saying that I hate gangster movies. I thoroughly dislike being asked to identify with murderers and criminals and to treat organised criminals as "anti-heroes". With this in mind I was quite surprised to find that I really enjoyed "Chopper".
As previous reviewers have said, this is essentially a character study rather than a story. The reason it works so well is that Mark Brandon Read is a compelling character beautifully impersonated by Eric Bana. Anyone who's ever seen an interview with Read himself can appreciate what a close impersonation Bana achieves; his sudden guffawing laugh and light-hearted way of talking about his really unpleasant deeds being perfectly copied. The movie manages to do what I'm sure Read himself has achieved in real life - it tricks you into liking him before revealing that his hair-trigger temper and propensity for paranoia and violence make him a dangerous person to be around. The thing that keeps you watching is Chopper's jovial nature but also his unpredictability. In circumstances where other gangsters would have gone on a killing spree, Chopper just shrugs and takes it in his stride. But likewise, in throughly innocuous circumstances, his paranoia can kick in at any moment and send him on a violent outburst.
As previous reviewers have said, this is essentially a character study rather than a story. The reason it works so well is that Mark Brandon Read is a compelling character beautifully impersonated by Eric Bana. Anyone who's ever seen an interview with Read himself can appreciate what a close impersonation Bana achieves; his sudden guffawing laugh and light-hearted way of talking about his really unpleasant deeds being perfectly copied. The movie manages to do what I'm sure Read himself has achieved in real life - it tricks you into liking him before revealing that his hair-trigger temper and propensity for paranoia and violence make him a dangerous person to be around. The thing that keeps you watching is Chopper's jovial nature but also his unpredictability. In circumstances where other gangsters would have gone on a killing spree, Chopper just shrugs and takes it in his stride. But likewise, in throughly innocuous circumstances, his paranoia can kick in at any moment and send him on a violent outburst.
Le saviez-vous
- AnecdotesEric Bana spent two days living with Mark Brandon Read so he could get a better understanding of how to play his character in the film.
- GaffesAt Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration --- they are off.
- ConnexionsFeatured in Today: Épisode datant du 27 janvier 2006 (2006)
- Bandes originalesDon't Fence Me In
Performed by Frankie Laine
Composed by Cole Porter
© 1944 Warner Bros. Inc. (ASCAP). All rights reserved
Courtesy of Prestige Records (UK) Limited
Licensed from Rajon Entertainment Pty Ltd
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Chopper?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Chopper, retrato de un asesino
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $AU (estimé)
- Montant brut aux États-Unis et au Canada
- 236 185 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 044 $US
- 15 avr. 2001
- Montant brut mondial
- 310 522 $US
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant