Mirror Mirror 4: Reflections

On the upside, the movie tried to be more than a slasher film. It had some dialog that scratched at some issues having to do with the soul, greed and other human failings. But, to what end? I don't know.

The story was murky: Did the boyfriend die; did Annika die; are they all dead; am I dead; was it all a dream? In the end, it's probably not worth thinking about too hard. But, there were enough elements to make the story compelling, IMO, if it were more clear.

The things I liked about the movie were (1) the set kept shifting and giving the sense that they could never get out. Perhaps even more could have been done with that. (2) I liked the lead actress, Kim Mai Guest. She was believable, had a nice face, and some emotional range. Usually, she was the good girl, but occasionally she showed a bit of anger. Too bad this was her only movie role.

As a huge fan of the original, all I can ask is "why?" Yes, MIRROR MIRROR 4 is a step up (thankfully) from the terrible Part 3, but it still doesn't excuse this installment from being so boring....Kids at a rave party -- yet there's only 5 kids? Hardly anything to rave about... The acting is decent from the lead girl and her dead boyfriend, but the rest is mostly embarrassing. And P.J. Soles literally has on screen time of less than 3 minutes... A confusing storyline. Uninteresting characters. Bad sets. Thankfully this isn't the soft-core sex romp the previous film tortured us with. The makers need to go back to the original film and make a true sequel in both story & style.

Well, thank God this is not as bad as part 3, but it does still suck. I want a film the the original. As I said in other reviews, I love the original and if they could do one like the original I'd be happy as a baked pot pie. However, we are not that lucky. This film's acting is okay. The special effects are okay. Some CGI used in it.At least it has special effects, unlike Mirror, Mirror III. hehe. Billy Drago returns in this film too, though he is not supposed to be the same guy from Part III I think. There are some alright kills I guess, nothing really exciting. Overall this is a dull film. Only see it if you are a big fan of the first films.

The first film was no revelation, but it was earnestly made and earnestly enjoyable. The first sequel was a mess of poor writing, direction, and acting; the third film was - incredibly - even worse, just barely rising above "bottom of the barrel." Could this third sequel, released in 2000, be any worse? Well, it at least has a stronger sense of story than either the 1994 or 1995 movies, so there's that. Paulette Victor-Lifton's direction isn't exactly great, but it's also superior to what we got from the last two movies. Too bad the characters are almost totally vapid, unlikable, and poorly written; at least Billy Drago's character Frederick is written a smidgen better, but that tiny step higher is offset by two other primary male characters being sexist and outright predatory, and somehow they're still pretty much on par with one of two primary female characters. The dialogue is terrible; the scene writing is no more than questionable at best. 'Mirror mirror 4' also adopts the 2000s film-making ethos that genre films need light humor (including cultural references) in an effort to be "cool," with the inevitable result that the humor is weak and unfunny. The acting tends to oscillate between "bland" and simply "bad."

I suppose there are some decent bits here in one fashion or another, but what isn't poorly written is outrageously heavy-handed. There are too many examples to name, but choosing one to illustrate the point: while Annika initially seems well-written, and Kim Mai Guest's acting a tinge better than that of her co-stars, as the third act rolls around we see how they're really no better after all. Likewise for "Frederick" and Drago. I suppose practical stunts and effects are okay, but any more specialized visual effects range from "notably less okay" to just "awful." The art direction isn't bad; the costume design, hair, and makeup are alright - but these aren't exactly the most important facets. Meanwhile, though 'Reflections' does boast a more substantial narrative than 'Raven dance' or 'The voyeur,' I didn't say it was a good one. It's more concrete, whole, and cohesive, yes, but the connections between its sundry ideas are thin, and not always entirely convincing, least of all at the climax of all places. There is some value in this, but it's far too little to make for an especially entertaining, satisfying viewing experience. I guess I can't say those involved didn't try, but that doesn't count for a whole lot.

This fourth 'Mirror mirror' picture is genuinely better than the second or third, but it sadly remains much too limp all around to make much of an impression. The fact of the matter is that there's really no reason to watch this. I appreciate the work that was put into it, and while some choices were ill-advised I at least recognize the sincerity of the endeavor, but that alone can't elevate a title that flounders as much as this does. True, you could do worse, but with so many other things one could spend time with, 'Reflections' is ultimately just a feature that can be safely forgotten.

So, here it is: the last movie in the "Mirror Mirror" series. The first one didn't know what to do with the central premise of a haunted mirror, so fell back on a reliable formula about a picked on girl getting revenge on her tormentors, but going too far (don't they always). The second one embraced more completely the idea of the haunted mirror, but didn't really have a plot to surround it with. The third, and generally most maligned, swapped the horror for softcore sex, as if anyone ever wanted to see snake-face Billy Drago getting it on...

And that takes us up to this fourth entry. It seems to take on the form of a slasher flick this time around, only without the slasher. A group of obnoxious young people accompany our heroine, who lost her boyfriend to the mirror in the movie's opening scene, into an area of a nightclub (I think) which looks like a museum that was never finished being set up. Random curiosities lie around the place, including a kind of statue which is obviously a man wearing make-up.

This series of films has an odd trend in which a recognizable actor will appear in one movie, and then turn up in the next playing a different character. "Mirror Mirror" parts one and two had William Sanderson, from "Blade Runner" and "Deadwood". "Mirror Mirror" parts two and three had Mark Ruffalo, now a major star. And parts three and four have the aforementioned Billy Drago, playing a ladies' man artist in the previous movie, and a bum who knows too much in this one. The weirdo who warns the characters about the movie's central evil in vague terms, is ignored, and then has the hero or heroine seek him out for the advice they should have followed is a staple of horror movies. Is that what Drago is doing in this one? It's hard to tell. He doesn't do much but hang around and talk in that weird serpentine drawl of his, and flash his evil, flinty eyes. He appears to know about the mirror, but does he try to warn anyone about it? I'm not sure.

Doubtless, if there had been a "Mirror Mirror V", Drago would be gone, but P.J. Soles would come back. She was in "Halloween", the movie the "Mirror Mirror" series rips off for theme music, and "Carrie", a much better "unpopular girl gets revenge" movie than "Mirror Mirror 1".

I said the movie takes the basic shape of a slasher, but without the killer. This, I believe, is true. There are some odd effects where one of the obnoxious young people grows a long, CGI tongue. I assume some of the characters die in this movie, but it just looks like they turn into really bad special effects.

The movie has all the problems that have plagued this series. The most obvious is the fact that we are never sure where the movie actually takes place. I mean, what is it? A nightclub? A wax museum? Why is there a museum above a nightclub? Why do the characters even go up there?

Who is the main character, anyway? What does she believe happened to her fiance in the movie's opening scene?

Even the works of b-film mavens like Fred Olen Ray and Jim Wynorski had a better grasp of foundations of location, character, and villain than any of the "Mirror Mirror" sequels. None of them succeeded in making the mirror scary; half the time they barely remembered there was supposed to be one. They barely seem to qualify as films.