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Ajouter une intrigue dans votre langueThe case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.The case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.The case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.
- Nommé pour 1 Primetime Emmy
- 2 victoires et 1 nomination au total
Melissa Byers
- Self
- (images d'archives)
Tim Sullivan
- Self
- (archives sonores)
Jessie Misskelley
- Self
- (as Jessie Miskelly)
Histoire
Le saviez-vous
- AnecdotesThe only film of the trilogy to be a TV project instead of receive a theatrical release.
- GaffesAt one point the on-screen date for a trial scene is listed as January of 1993. The murders didn't occur until May of that year.
- ConnexionsFeatured in Paradise Lost 3: Purgatory (2011)
- Bandes originalesWelcome Home (Sanitarium)
Performed by Metallica
Written by James Hetfield, Lars Ulrich, and Kirk Hammett
Produced by Flemming Rasmussen with Metallica
Commentaire à la une
But not for the right reasons.
The snickering, smug arrogance of the filmmakers, who seem to have more screen time than anyone actually involved in the case, made me see this documentary as just a vanity project. I couldnt even buy the patronizing solicitude they showed towards one defendant (undoubtedly because he is the most photogenic of the three convicted of the crime).
There is a definite travesty of justice here, but getting to the truth seems to have become secondary to the childish delight with which the filmmakers show how much smarter they are than anyone else.
Their hearts may indeed be in the right place, and they truly want to see justice served, but this kind of flagrant self-aggrandizment does not do justice to anyone.
The film offers no real evidence as to the identity of the "real" killer, beyond the filmmakers' own speculation and innuendo - which is precisely what convicted the three boys they are trying to "save" in the first place.
The snickering, smug arrogance of the filmmakers, who seem to have more screen time than anyone actually involved in the case, made me see this documentary as just a vanity project. I couldnt even buy the patronizing solicitude they showed towards one defendant (undoubtedly because he is the most photogenic of the three convicted of the crime).
There is a definite travesty of justice here, but getting to the truth seems to have become secondary to the childish delight with which the filmmakers show how much smarter they are than anyone else.
Their hearts may indeed be in the right place, and they truly want to see justice served, but this kind of flagrant self-aggrandizment does not do justice to anyone.
The film offers no real evidence as to the identity of the "real" killer, beyond the filmmakers' own speculation and innuendo - which is precisely what convicted the three boys they are trying to "save" in the first place.
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Revelations: Paradise Lost 2
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 10 minutes
- Couleur
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By what name was Paradise Lost 2: Revelations (2000) officially released in Canada in English?
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