Milo James Thatch, un cartographe et linguiste spécialiste en dialectes anciens, travaille sans relâche au sous-sol d'un musée. Comme jadis son grand-père explorateur, il souhaite découvrir ... Tout lireMilo James Thatch, un cartographe et linguiste spécialiste en dialectes anciens, travaille sans relâche au sous-sol d'un musée. Comme jadis son grand-père explorateur, il souhaite découvrir l'Atlantide, la légendaire cité perdue.Milo James Thatch, un cartographe et linguiste spécialiste en dialectes anciens, travaille sans relâche au sous-sol d'un musée. Comme jadis son grand-père explorateur, il souhaite découvrir l'Atlantide, la légendaire cité perdue.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 14 nominations au total
Michael J. Fox
- Milo
- (voix)
Jim Varney
- Cookie
- (voix)
Corey Burton
- Moliere
- (voix)
Claudia Christian
- Helga
- (voix)
James Garner
- Rourke
- (voix)
Phil Morris
- Dr. Sweet
- (voix)
Don Novello
- Vinny
- (voix)
Natalie Strom
- Young Kida
- (voix)
Cree Summer
- Princess Kida
- (voix)
Patrick Pinney
- Additional Voices
- (voix)
- (as Pat Pinney)
Steven Barr
- Additional Voices
- (voix)
- (as Steve Barr)
Avis à la une
I thought this movie was very well put together. The voice-overs were also great. I liked how they all overcame their conflicts and reached their goals. I would recommend this movie to anyone. It was definitely worth the time and money to watch it. Atlantis has some comic scenes that made me laugh. Other scenes made me sad. And others made me glad. It is a movie any age can enjoy. From the moment Milo is the crazy "profesor" or until he gathers the crew up for the fantastic voyage under the sea. After I watched the movie, I read the book. It was good as well, but the movie puts better pictures in your mind. It is just like the book. But go ahead and watch this movie!
Here's what I knew about "Atlantis" before watching it:
* - It's officially Disney's first animated sci-fi adventure. I'm not sure how accurate that is (I like to nitpick) but it made me curious first time I heard it described.
* - The preview looked, for the most part, damn cool. Evidently, it was also "too cryptic" according to some critics after the fact.
* - It apparently did SO badly that Disney said, "Screw it, let's re-release 'Spy Kids'".
So, with all that said, how is the movie?
Hella-cool.
I'm a sucker for animated fantasy that involves stirring music and rampant special effects anyway, but "Atlantis" goes all out. It's a throwback to all the CGI eye-candy shots in "Beauty and the Beast" and "Aladdin", so much so that it's almost an effects animator's Best-Of Show. The characters maybe aren't that memorable (except, perhaps, for the ship's medical officer), and the plot's a little dull, but this isn't a movie you watch for the plot.
Here's a controversy that bothers me. The "failure" (as in, it "only" took in, like, five-hundred-million or something; I know animators who'd kill to see fifteen bucks of that) of this movie compared to the popularity of "Shrek" and "Monsters Inc." has been seen as evidence of the death of traditional animation. I don't think that's true. How do you account for the "South Park" movie? What about "Final Fantasy"? Really, the story and the artistry is everything, not the method. I don't know what Disney's comeback movie will be like, but I don't think they're out of the picture yet.
* - It's officially Disney's first animated sci-fi adventure. I'm not sure how accurate that is (I like to nitpick) but it made me curious first time I heard it described.
* - The preview looked, for the most part, damn cool. Evidently, it was also "too cryptic" according to some critics after the fact.
* - It apparently did SO badly that Disney said, "Screw it, let's re-release 'Spy Kids'".
So, with all that said, how is the movie?
Hella-cool.
I'm a sucker for animated fantasy that involves stirring music and rampant special effects anyway, but "Atlantis" goes all out. It's a throwback to all the CGI eye-candy shots in "Beauty and the Beast" and "Aladdin", so much so that it's almost an effects animator's Best-Of Show. The characters maybe aren't that memorable (except, perhaps, for the ship's medical officer), and the plot's a little dull, but this isn't a movie you watch for the plot.
Here's a controversy that bothers me. The "failure" (as in, it "only" took in, like, five-hundred-million or something; I know animators who'd kill to see fifteen bucks of that) of this movie compared to the popularity of "Shrek" and "Monsters Inc." has been seen as evidence of the death of traditional animation. I don't think that's true. How do you account for the "South Park" movie? What about "Final Fantasy"? Really, the story and the artistry is everything, not the method. I don't know what Disney's comeback movie will be like, but I don't think they're out of the picture yet.
Atlantis: The Lost Empire could very well be Disney's most ambitious animated feature to date. It features intense, merciless scenes of battle and peril, depicted in some of the most stunning and fresh animation of the 2000's decade. The bravery and the thought process behind the film was nonetheless detailed, involved, and intricate, yet its payoff was pretty sour.
We'll discuss that later. The film centers around Milo Thatch (voiced by Michael J. Fox), a brainy cartographer and linguist who works for the Smithsonian Institution studying the language and the environment that existed in the lost continent of Atlantis. He believes he possesses directions to the underwater world of Atlantis, in a book called "The Shepherd's Journal." After getting shut down by the museum board to pursue the costly adventure, Milo conveniently meets Preston B. Whitmore (Mahoney), a millionaire who offers to send Milo and an already organized crew down to the depths of the oceans to search for Atlantis, all expenses paid.
Milo accepts and goes on to meet his band of misfits. They are gentle giant Dr. Sweet (Morris), explosives expert Vinny (Novello), teenage mechanic Audrey (Obradors), crabby Mrs. Packard (Stanley), chef Cookie (the late Jim Varney), and quirky Mole (Burton), whom are all lead by Commander Rourke (Garner). Together, they plumb the depths to search for the continent of Atlantis, and get more than they bargained for along the way.
The film's animation is lively, bright, and visually intelligent. It almost looks like scattered scenes from a comic book, that have come to life. The film was released in 2001, and unfortunately, found itself caught in the awkward time where animation was beginning to change drastically. Just one month before the release of Atlantis, came Shrek, a runaway hit shooting Dreamworks' popularity up to the stars. Not to mention, just a few years before that, we had A Bug's Life, Toy Story, and its sequel - all CGI animated features. Hand drawn animation was quickly decimating, and kids and parents blamelessly began looking elsewhere. That elsewhere was the brighter, more sophisticated color scheme of CGI; a method that would eventually transform animation forever.
Atlantis: The Lost Empire was victim of poor timing and unfair judgement, when in reality, it's a breathtaking adventure. It's not perfect, but it's a great leap from traditional Disney clichés such as soft music, cheery characters, and sing-a-longs. That might also be the reason why many parents were turned off as well. The film is very swashbuckling and adventurous. Some of the scenes of peril are frightening, intense, and very, very serious. The PG-rating is the not the thing you're used to seeing on a Disney film, and because of that, this found itself a bit blacklisted.
Because of all the uncertainty of where a project like this go, Atlantis's gross was a modest one, especially for animated films, and failed to drum up a significant amount of revenue. Because of this failure, a sequel, titled "Shards of Chaos," a spin off series titled "Team Atlantis," and a water-ride at Disneyland were all canceled. Disney was clearly anticipating a breakthrough success, but sadly, it all vanished before their eyes, and Atlantis: The Lost Empire would bring one word to people's minds; underwhelming.
Despite a few things lacking, like credible character development of Milo's crew, Atlantis is a wonderful adventure. It almost reminds me of a more attractive, animated Pirates of the Caribbean before the films even came out. The risk of releasing the film was high, but Disney took the chance, and as a result, created an attractive animated film with style, wit, and action galore. How many failed risks can one say that about? Voiced by: Michael J. Fox, Jim Varney, Cree Summer, Claudia Christian, James Garner, Corey Burton, John Mahoney, Phil Morris, Leonard Nimoy, Don Novello, Jacqueline Obradors, and Florence Stanley. Directed by: Gary Trousdale and Kirk Wise.
We'll discuss that later. The film centers around Milo Thatch (voiced by Michael J. Fox), a brainy cartographer and linguist who works for the Smithsonian Institution studying the language and the environment that existed in the lost continent of Atlantis. He believes he possesses directions to the underwater world of Atlantis, in a book called "The Shepherd's Journal." After getting shut down by the museum board to pursue the costly adventure, Milo conveniently meets Preston B. Whitmore (Mahoney), a millionaire who offers to send Milo and an already organized crew down to the depths of the oceans to search for Atlantis, all expenses paid.
Milo accepts and goes on to meet his band of misfits. They are gentle giant Dr. Sweet (Morris), explosives expert Vinny (Novello), teenage mechanic Audrey (Obradors), crabby Mrs. Packard (Stanley), chef Cookie (the late Jim Varney), and quirky Mole (Burton), whom are all lead by Commander Rourke (Garner). Together, they plumb the depths to search for the continent of Atlantis, and get more than they bargained for along the way.
The film's animation is lively, bright, and visually intelligent. It almost looks like scattered scenes from a comic book, that have come to life. The film was released in 2001, and unfortunately, found itself caught in the awkward time where animation was beginning to change drastically. Just one month before the release of Atlantis, came Shrek, a runaway hit shooting Dreamworks' popularity up to the stars. Not to mention, just a few years before that, we had A Bug's Life, Toy Story, and its sequel - all CGI animated features. Hand drawn animation was quickly decimating, and kids and parents blamelessly began looking elsewhere. That elsewhere was the brighter, more sophisticated color scheme of CGI; a method that would eventually transform animation forever.
Atlantis: The Lost Empire was victim of poor timing and unfair judgement, when in reality, it's a breathtaking adventure. It's not perfect, but it's a great leap from traditional Disney clichés such as soft music, cheery characters, and sing-a-longs. That might also be the reason why many parents were turned off as well. The film is very swashbuckling and adventurous. Some of the scenes of peril are frightening, intense, and very, very serious. The PG-rating is the not the thing you're used to seeing on a Disney film, and because of that, this found itself a bit blacklisted.
Because of all the uncertainty of where a project like this go, Atlantis's gross was a modest one, especially for animated films, and failed to drum up a significant amount of revenue. Because of this failure, a sequel, titled "Shards of Chaos," a spin off series titled "Team Atlantis," and a water-ride at Disneyland were all canceled. Disney was clearly anticipating a breakthrough success, but sadly, it all vanished before their eyes, and Atlantis: The Lost Empire would bring one word to people's minds; underwhelming.
Despite a few things lacking, like credible character development of Milo's crew, Atlantis is a wonderful adventure. It almost reminds me of a more attractive, animated Pirates of the Caribbean before the films even came out. The risk of releasing the film was high, but Disney took the chance, and as a result, created an attractive animated film with style, wit, and action galore. How many failed risks can one say that about? Voiced by: Michael J. Fox, Jim Varney, Cree Summer, Claudia Christian, James Garner, Corey Burton, John Mahoney, Phil Morris, Leonard Nimoy, Don Novello, Jacqueline Obradors, and Florence Stanley. Directed by: Gary Trousdale and Kirk Wise.
So I had the privilege of attending last night's New York City premiere of Disney's new feature lenght film "Atlantis: The Lost Empire". It was my first premiere and I loved it! It was such a thrill.
Now, onto the review. Disney is taking a huge chance on this movie for a number of reasons. First of all, it is NOT a musical. Much of the Disney name is based on the legendary soundtracks. Initially, I thought that the lack of music would make the movie seem a bit longer and not so Disney. But after seeing it, I thought that the absence of music was a great move. Even though I love such classic songs as "Under the Sea" and "A Friend Like Me", music might have made it a bit too kiddy. Nice job Disney.
Secondly, this movie is PG. It is NOT G and with good reason. There is a good deal of action (and those scenes are better than any part of "Pearl Harbor"). The partially CG, partially animated "Star Wars"-esque dogfights and chases truly are breathtaking, even to an adult. Yes, this movie might frighten some small kids, especially the scene with Leviathan and some of the climactic rumble(s). But overall, the kids in the audience weren't too frightened. The nice mix of humor for kids (and some for the adults too) helped to keep the balance of intense action and light hearted fun.
Lastly, this movie is not "Sleeping Beauty". This is not "Snow White". It isn't "Beauty and the Beast" or "Aladdin". But this is not nessesarily a bad thing. This is like the dark side of "The Little Mermaid." Disney pulled out a couple of the stops but for a reason. Yes, there is a bit of blood. It's not a gauging like the over pretentious "Gladiator", it's enough to convey real emotion. (Milo Thatch, "Atlantis'" main character, has more dimension as a 2-D cartoon than any scene involving Russell Crowe in "Gladiator"). This movie isn't the vibrant end of "Be Our Guest". The darker nature almost made you forget that this was an animated feature. It was very effective and finally someone at Disney realized it isn't all about selling t-shirts and plush toys. Bravo Disney, "Atlantis" surely won't sink
BTW, I got to meet Marty McFly himself, Mr. Michael J. Fox. Great guy, and the premiere did benefit his Parkinson's reasearch Center. Again, bravo to Disney, this was an incredibly generous move on their part.
Now, onto the review. Disney is taking a huge chance on this movie for a number of reasons. First of all, it is NOT a musical. Much of the Disney name is based on the legendary soundtracks. Initially, I thought that the lack of music would make the movie seem a bit longer and not so Disney. But after seeing it, I thought that the absence of music was a great move. Even though I love such classic songs as "Under the Sea" and "A Friend Like Me", music might have made it a bit too kiddy. Nice job Disney.
Secondly, this movie is PG. It is NOT G and with good reason. There is a good deal of action (and those scenes are better than any part of "Pearl Harbor"). The partially CG, partially animated "Star Wars"-esque dogfights and chases truly are breathtaking, even to an adult. Yes, this movie might frighten some small kids, especially the scene with Leviathan and some of the climactic rumble(s). But overall, the kids in the audience weren't too frightened. The nice mix of humor for kids (and some for the adults too) helped to keep the balance of intense action and light hearted fun.
Lastly, this movie is not "Sleeping Beauty". This is not "Snow White". It isn't "Beauty and the Beast" or "Aladdin". But this is not nessesarily a bad thing. This is like the dark side of "The Little Mermaid." Disney pulled out a couple of the stops but for a reason. Yes, there is a bit of blood. It's not a gauging like the over pretentious "Gladiator", it's enough to convey real emotion. (Milo Thatch, "Atlantis'" main character, has more dimension as a 2-D cartoon than any scene involving Russell Crowe in "Gladiator"). This movie isn't the vibrant end of "Be Our Guest". The darker nature almost made you forget that this was an animated feature. It was very effective and finally someone at Disney realized it isn't all about selling t-shirts and plush toys. Bravo Disney, "Atlantis" surely won't sink
BTW, I got to meet Marty McFly himself, Mr. Michael J. Fox. Great guy, and the premiere did benefit his Parkinson's reasearch Center. Again, bravo to Disney, this was an incredibly generous move on their part.
Maybe it's because it doesn't follow the typical Disney formula, but this fun, interesting, and hits on some relevant points about dreams, ambitions, and human greed. If you're looking for a dashing prince to save a beautiful princess, go watch another movie. If you want a movie that is enjoyable to watch again and again, watch this one. While character development varies, it's not hard to like the characters. Even the antagonists are likable, in the way that only villains can be. The animation style is different than most other Disney films, and personally, I like it.
This is one of those movies Disney has kind of swept under the rug and forgotten about, for reasons I don't understand. Kida is not featured with the rest of the Disney Princesses, (even though she is one of many who are actually princesses within their world of origin). This is another nuance I don't understand, and it, sadly, only serves to prove just how under-appreciated this movie is.
This is one of those movies Disney has kind of swept under the rug and forgotten about, for reasons I don't understand. Kida is not featured with the rest of the Disney Princesses, (even though she is one of many who are actually princesses within their world of origin). This is another nuance I don't understand, and it, sadly, only serves to prove just how under-appreciated this movie is.
Le saviez-vous
- Anecdotes(at around 1h 25 mins) Jim Varney (Cookie) died just before finishing the film. The "I ain't so good at speechifying" line near the end is the only line not spoken by Varney. Steven Barr did the voice for that scene.
- Gaffes(at around 53 mins) Cookie tells Audrey that he has 'all 38 United States' as a tattoo. In 1914 the United States consisted of 48 states, but Cookie probably got his tattoo years before, maybe when the United States did consist of 38 states - between 1877 and 1890.
- Crédits fousThe Walt Disney Pictures logo is embossed onto steel.
- Versions alternativesEven though Chayanne sang "Where the Dream Takes You" in both Spanish dubs, the Latin Spanish track on Netflix and Disney+ retain Mya's version, while the Castilian Spanish track keeps Chayanne's version.
- ConnexionsEdited into Zenimation: Cityscapes (2020)
- Bandes originalesWhere the Dream Takes You
Lyrics by Diane Warren
Music by Diane Warren and James Newton Howard
Performed by Mya
Mya appears courtesy of A&M Records
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Atlantis: El imperio perdido
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 120 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 84 056 472 $US
- Week-end de sortie aux États-Unis et au Canada
- 329 011 $US
- 10 juin 2001
- Montant brut mondial
- 186 053 725 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What is the streaming release date of Atlantide, l'empire perdu (2001) in India?
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