The Invitation

This movie must have grown out of the near death experience of the writer or a close relative of the writer. When the experience happens and a person gets another chance at life, everything changes and with it the urge to let our loved ones know about the secret. A secret so hard to explain that it can only be heard in the mind's eye by going through the door of knowledge that brings many things into a clearer perception. The urge for Roland takes us viewers on a journey to educate not only us, but the characters in the movie and all of those involved in it's creation as well. I think that this visual story teller will inspire many to think.

Do not be fooled by the poster and cover art or by the trailer for this film, it is not a horror film. It is a morality play, and a pretty intriguing one at that.

The basic plotline: Roland (Henriksen) invites his six best friends to his island estate for a getaway. He tricks them into taking a poison and tells them that the only way he will give them the antidote is if they tell their greatest secrets, if they atone for their sins.

This film is actually quite well done, with the characters each struggling with their own demons, wondering whether their secrets are worth dying for. Henriksen is excellent as always, and relative unknowns Christopher Shyer (Joel) and David Livingstone (John) stand out from the rest of the cast by giving fantastic performances.

The Invitation is not a horror film by any stretch of the imagination, but it is a very intriguing morality play with solid acting from an ensemble cast of anonymous unknowns, with the exception of Henriksen. Well worth a watch. 7/10.

This film had a great premise, and it just goes to show you that an idea IS NOT EVERYTHING.

I don't know if the script was good and they killed it, but from what I watched, NOTHING MADE ANY SENSE.

Instead of setting it up in a believable way, we never find out who the people are or how they connect. Then instead of starting off in a normal way and then saying, oh by the way, you know that little story I told you, well I did the same to you, they just some how guess that they have been poisned. Joke about it for 10 minutes and barely react when they find out it is true.

If your friend told you they just poisoned you, first thing you do, is KICK THE SH%% T OUT OF THEM. Second, you ask, WHY. And third, TRY TO FIND THE CURE. I don't think anyone did any of these things in the movie.

This movie made me sick it was so bad.

When reading Lance Henriksen's biography "Not bad for a human" (Highly recommended btw), I was sure to make some discoveries here and there. Amongst the more obscure titles was "The invitation", though he talks about it in high praise. He does in fact note that the American DVD Cover leads you on a wrong track, giving the vibe of a cheap horror flick. Well, it isn't. It's a film with less of a narrative structure, but analyzing its characters piece by piece. As the story progresses, a lot of background stories are thrown in. Not to explain you everything in detail, but enough for you to puzzle together the pieces about everyone's motivation and intentions. Produced by a noticeable small budget, the locations are limited and the cinematography is spare, yet creative. But that's not the focus anyway.

What drive me to it, was the reference to the Millennium series. And while the plot and style of the film differs to a great extend, there are certain scenes which give you that unnerving and surreal atmosphere. It's one of the rare experiences where you cannot predict what's coming next.

I doubt a lot of people will discover this film and I doubt a lot of people will get into it. It's no life-changing experience whatsoever but if you are willing to expose yourself to it's rough premise, you'll get one of Lance's finer performances and a film that will surprise you and make you reflect. It echoed with me still days after I watched it.

Didn't know what this was about. Radom click on Netflix. It was a shock to watch the story unfold and the last scene was really a surprise. It was unsettling and indicative of a world gone a bit wild. Like the one we live in now. Up is down. In is out and yes is no. I like movie makers who take risks.