NOTE IMDb
6,6/10
7,9 k
MA NOTE
Ajouter une intrigue dans votre langueA police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.A police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.A police officer adopts the son and sole survivor of a family he has massacred while pursuing a terrorist. After some time the foster son finds out what the stepfather did.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 7 victoires et 27 nominations au total
Preity G Zinta
- Sufiya Parvez
- (as Preity Zinta)
Memon Mohsin
- Young Altaaf
- (as Mohsin)
Master Yogin Soni
- Irfaan Khan
- (as Yogin Soni)
Avis à la une
"Mission Kashmir" (MK) was one of the most anticipated films of 2000. The film was hyped even before its release and compared to the other big-budget blockbuster of the year - "Mohabbatein". Frankly, I think MK has outdone "Mohabbatein" on most counts. The story of MK is about a Altaf, a small boy orphaned by masked police men headed by a dedicated officer, Inayat Khan (Sanjay Dutt) when they kill Altaf's defenceless family during a firefight with militants. However, Khan tries to make up for this tragedy by adopting Altaf as his son. Just as Altaf is slowly recovering from the terrible shock of losing his real parents, he realises that Inayat Khan is the same masked officer who killed them. In anger and frustration, he flees the house and grows up to be Altaf, the militant (Hrithik Roshan). Altaf is brought up by famed guerilla fighter Hilal Kohistani (Jackie Shroff) and returns to the beautiful valleys of Kashmir 10 years later to perform the top secret 'Mission Kashmir'.
What makes this is a great film to watch is its technical brilliance and good performances by its actors. Sanjay Dutt has given an outstanding performance in the film, supported well by Hrithik Roshan, Jackie Shroff and Sonali Kulkarni. Sanjay Dutt proves his versatility with this film and so does Hrithik Roshan. With just 2 films before this one, Hrithik exudes confidence equal to that of a veteran actor. Sonali Kulkarni, in her cameo role, has done a pretty good job, stressing the fact that if there are good roles in Hindi films, you can expect good performances. Preity Zinta, who plays Sufiya Parvez is also pretty good as Hrithik's childhood sweetheart. But Sanjay Dutt really steals the show. The action scenes are the one of the best I have seen in Hindi films and the film is technically sound. The music is satisfying, but could have been better. Having directed great films in the past (eg. Parinda, Khamosh and 1942: A Love Story) Vidhu Vinod Chopra does a great job once again.
Overall, this film is a welcome break from other Hindi action films. Although it did not do as well as expected at the box-office, I believe "Mission Kashmir" is worth watching!
What makes this is a great film to watch is its technical brilliance and good performances by its actors. Sanjay Dutt has given an outstanding performance in the film, supported well by Hrithik Roshan, Jackie Shroff and Sonali Kulkarni. Sanjay Dutt proves his versatility with this film and so does Hrithik Roshan. With just 2 films before this one, Hrithik exudes confidence equal to that of a veteran actor. Sonali Kulkarni, in her cameo role, has done a pretty good job, stressing the fact that if there are good roles in Hindi films, you can expect good performances. Preity Zinta, who plays Sufiya Parvez is also pretty good as Hrithik's childhood sweetheart. But Sanjay Dutt really steals the show. The action scenes are the one of the best I have seen in Hindi films and the film is technically sound. The music is satisfying, but could have been better. Having directed great films in the past (eg. Parinda, Khamosh and 1942: A Love Story) Vidhu Vinod Chopra does a great job once again.
Overall, this film is a welcome break from other Hindi action films. Although it did not do as well as expected at the box-office, I believe "Mission Kashmir" is worth watching!
To an American, especially a post-9/11 American, the idea of a "terrorist musical" would seem outrageous and naive. It would be grossly unfair to make fun of this film in that way, though; MK defies classification in Hollywood genres. The diapason of themes in this movie is impressive and, to quote Roger Ebert, one actually cares what happens to these people, even the unholy maker-of-fatwas Hilal. A young man's flirtation with extremism is teated, as well as the little-understood Hindu-Moslem, and little-known Russian-Pathan dynamics. I loved the scenery and cinematography, and was very interested to hear about the symbolism from the other IMDb commenter's.
10M. Rishi
Rating: 8.5 out of 10 Reviewed by: Mohammad Ali Ikram
There are certain movies that are inherently difficult to rate. I know I have had this dilemma in the past with movies like Ishq and Dil Kya Kare. The former because the glamour, comedy and the performances were just too fun that I initially forgave all the melodrama and the beaten-to-death story-line. (On repeated viewings, I usually skipped the post-interval proceedings.) The latter suffered from a commercial-look wannabe syndrome, but the performances and the hard to comprehend motivations of the characters were most enticing. Now, Vidhu Vinod Chopra's Mission: Kashmir puts me in the same boat again. Undoubtedly, this is a very good film from one of our top directors, but Chopra's choice of story to complement the magnificence of every other aspect of his movie, brings the film down a few rungs from Classic status.
So first the down-side. The tale commences with Inspector Inayat Khan (Sanjay Dutt) and his wife, Neelima (Sonali Kulkarni) living in eternal bliss amongst the beauty of the disputed territory. Or so it seems until their only child dies of a domestic accident because no doctor is willing to medically attend to him as a result of a fatwa by a radical separatist (Puru Raajkumar). The Inspector is expectedly angered and troubled by his son's "murder" and in his police force's mission to eradicate the separatist clan, they unfortunately let loose also on a family of innocents. Altaf (a young Hrithik Roshan), is orphaned and traumatized in the police act, and Neelima insists Inayat and she adopt the young child to fill the void in their own lives. (And to compensate for the Inspector's guilt.) So far, so good. There's trouble in paradise (pun intended) when Altaf quickly discovers the identity of his family's killer and devotes the rest of his life to the cause of eliminating Inayat Khan from the planet. He joins forces with Hilal Kohistani (Jackie Shroff), a materialistically minded terrorist, who will help the bachcha in exchange for Altaf spear-heading Hilal's treaturous Mission Kashmir, a plan to enable Kashmir become an Independent State.
Now you hopefully see my problem. The movie lapses too quickly into the sub-plot of terrorist without a cause and it dwells on it too long. For a movie about Kashmiriyat, the narrative focus on terrorism is too much. (Yes, terrorism is undoubtedly a problem in the region, but other recent directors have already tackled this topic numerous times in Roja, Maachis, Dil Se, Hu Tu Tu and most recently, Fiza.) So if you can forgive the familiar story-line, you're in for a major treat elsewhere. Vinod Chopra uses enough other pawns to keep you glued to your seat for each and every minute of his ode to Kashmiriyat.
First witness, the unparalleled technical quality of the movie. Symbolism and metaphors (courtesy screenplay assistance of a US university professors and novelist) compliment the visuals, serving as blessings in disguise to the numbed brains of commercial film-goers such as myself. Of course, Binod Pradhan's cinematography of each and every breath-taking crevice of Kashmir helps demonstrate how we South East Asians are destroying one of God's greatest gifts to mankind.
The editing is sharp and quick in The Matrix-inspired action sequences, yet soft and transitory in the more dramatic and emotional moments of the movie. (The action sequences are a major highlight, particularly the awesome and stylized climax-based ones.) And the music, above all, is apparently authentic Kashmiri-folk. (The dances are unique, though I will admit I found some of them a bit too unusual to my naive tastes.) Shankar-Ehsaan and Loy know how important it is to use musical background themes to enhance a scene's mood and punctuate the dialogues.
Performances too, are first rate. I have never seen Sanjay Dutt give such a raw and heart-felt performance. He is the true star of the movie. (Here's an actor who has learned that it is never too late to defy convention and type-casting in his acting career.) Hrithik is raw and effective, excelling most in the action sequences (but most will notice how this role is almost an extension of his angry young man act from the recent Fiza.) Preity Zinta is gorgeous and disarming as always with her natural effervesence in the supporting role of Altaf's childhood love, Sufiya Parvez. And Jackie excels in a brooding and menacing performance which is unfortunately underwritten. (Then again, Jackie always steals the scenery in Vinod's films.) Only Sonali Kulkarni disappointed. What I found distracting about her talent is that her face and body language is most emotive, which is a rare aptitude for even the biggest talents, but her voice is stunningly wooden. She needs a quick course in voice modulation.
What then to conclude about Mission Kashmir? Yes, it is a must see, and likely one I will watch at least a half-dozen times more in the future. And so it will grow on me, a rare quality for movies which usually fade in their appeal over time. I must commend Vidhu Vinod Chopra for always making films from the heart. The problem remains for him that the average filmgoer wants instant gratification, not a movie that takes time to sink into your system. Let's see if this Mission proves me wrong.
There are certain movies that are inherently difficult to rate. I know I have had this dilemma in the past with movies like Ishq and Dil Kya Kare. The former because the glamour, comedy and the performances were just too fun that I initially forgave all the melodrama and the beaten-to-death story-line. (On repeated viewings, I usually skipped the post-interval proceedings.) The latter suffered from a commercial-look wannabe syndrome, but the performances and the hard to comprehend motivations of the characters were most enticing. Now, Vidhu Vinod Chopra's Mission: Kashmir puts me in the same boat again. Undoubtedly, this is a very good film from one of our top directors, but Chopra's choice of story to complement the magnificence of every other aspect of his movie, brings the film down a few rungs from Classic status.
So first the down-side. The tale commences with Inspector Inayat Khan (Sanjay Dutt) and his wife, Neelima (Sonali Kulkarni) living in eternal bliss amongst the beauty of the disputed territory. Or so it seems until their only child dies of a domestic accident because no doctor is willing to medically attend to him as a result of a fatwa by a radical separatist (Puru Raajkumar). The Inspector is expectedly angered and troubled by his son's "murder" and in his police force's mission to eradicate the separatist clan, they unfortunately let loose also on a family of innocents. Altaf (a young Hrithik Roshan), is orphaned and traumatized in the police act, and Neelima insists Inayat and she adopt the young child to fill the void in their own lives. (And to compensate for the Inspector's guilt.) So far, so good. There's trouble in paradise (pun intended) when Altaf quickly discovers the identity of his family's killer and devotes the rest of his life to the cause of eliminating Inayat Khan from the planet. He joins forces with Hilal Kohistani (Jackie Shroff), a materialistically minded terrorist, who will help the bachcha in exchange for Altaf spear-heading Hilal's treaturous Mission Kashmir, a plan to enable Kashmir become an Independent State.
Now you hopefully see my problem. The movie lapses too quickly into the sub-plot of terrorist without a cause and it dwells on it too long. For a movie about Kashmiriyat, the narrative focus on terrorism is too much. (Yes, terrorism is undoubtedly a problem in the region, but other recent directors have already tackled this topic numerous times in Roja, Maachis, Dil Se, Hu Tu Tu and most recently, Fiza.) So if you can forgive the familiar story-line, you're in for a major treat elsewhere. Vinod Chopra uses enough other pawns to keep you glued to your seat for each and every minute of his ode to Kashmiriyat.
First witness, the unparalleled technical quality of the movie. Symbolism and metaphors (courtesy screenplay assistance of a US university professors and novelist) compliment the visuals, serving as blessings in disguise to the numbed brains of commercial film-goers such as myself. Of course, Binod Pradhan's cinematography of each and every breath-taking crevice of Kashmir helps demonstrate how we South East Asians are destroying one of God's greatest gifts to mankind.
The editing is sharp and quick in The Matrix-inspired action sequences, yet soft and transitory in the more dramatic and emotional moments of the movie. (The action sequences are a major highlight, particularly the awesome and stylized climax-based ones.) And the music, above all, is apparently authentic Kashmiri-folk. (The dances are unique, though I will admit I found some of them a bit too unusual to my naive tastes.) Shankar-Ehsaan and Loy know how important it is to use musical background themes to enhance a scene's mood and punctuate the dialogues.
Performances too, are first rate. I have never seen Sanjay Dutt give such a raw and heart-felt performance. He is the true star of the movie. (Here's an actor who has learned that it is never too late to defy convention and type-casting in his acting career.) Hrithik is raw and effective, excelling most in the action sequences (but most will notice how this role is almost an extension of his angry young man act from the recent Fiza.) Preity Zinta is gorgeous and disarming as always with her natural effervesence in the supporting role of Altaf's childhood love, Sufiya Parvez. And Jackie excels in a brooding and menacing performance which is unfortunately underwritten. (Then again, Jackie always steals the scenery in Vinod's films.) Only Sonali Kulkarni disappointed. What I found distracting about her talent is that her face and body language is most emotive, which is a rare aptitude for even the biggest talents, but her voice is stunningly wooden. She needs a quick course in voice modulation.
What then to conclude about Mission Kashmir? Yes, it is a must see, and likely one I will watch at least a half-dozen times more in the future. And so it will grow on me, a rare quality for movies which usually fade in their appeal over time. I must commend Vidhu Vinod Chopra for always making films from the heart. The problem remains for him that the average filmgoer wants instant gratification, not a movie that takes time to sink into your system. Let's see if this Mission proves me wrong.
Overall I really enjoyed the nearly 3 hour epic ride of "Mission Kashmir". But I couldn't help but cringe at times when it took on a bit of a political bent that clearly favored one side over the other in the India-Pakistan battle over Kashmir. It's not that I disagree or agree with the stance, but just that it was a bit heavy-handed at times. The way the heroes and villains were portrayed stylistically gave away the ending. The bad guys looked and acted like monsters, the good guys were smiling family men. And of the bad guys who looked good? Well you just knew it was a matter of time that they would change their ways. The action kept the movie going at a brisk pace, though I found these scenes to be the least exciting. I was more moved by the human interplay between the characters. But the highlight for me were the musical scenes; in particular, I loved one scene where the misguided hero finds his long lost childhood girlfriend on the set of a song and dance performance. It was so electrifying I had a hard time staying in my seat.
Overall, I liked this movie, and as a newcomer to Indian cinema, I look forward to seeing many more. (7 out of 10)
Overall, I liked this movie, and as a newcomer to Indian cinema, I look forward to seeing many more. (7 out of 10)
English Audio dubbing has been made available on the DVDs that can now be rented at Hollywood Video & Blockbuster.
The dubbing is flawless! And I think the movie is a true neutral view of the Kashmir Situation.
Good job!
The dubbing is flawless! And I think the movie is a true neutral view of the Kashmir Situation.
Good job!
Le saviez-vous
- AnecdotesSecurity is always tight in Kashmir, due to the very real threat of terrorist violence. (Which is, after all, what this film is about.) But when lead actor Hrithik Roshan arrived on location to start shooting Mission Kashmir, his first film had not yet released to theatres, so no one recognized his face. Arriving for the first day's shoot dressed as a Kashmiri militant, which he portrays in the film, security thought Hrithik really WAS Kashmiri - because of his fair skin and light colouring - and refused to allow him on set! Shortly thereafter, on 14 Jan 2000 Hrithik's début film Kaho Naa Pyaar Hai turned him superstar overnight, 'Hrithikmania' swept India ... and his face was instantly recognized everywhere.
- GaffesThe eyes of the dead Irfaan are moving.
- Citations
Hilal Kohistani: Time, death, and religion doesn't wait for anybody.
- Versions alternativesThe UK release was cut, dialogue line removed in order to obtain a 12 classification. An uncut 15 classification was available.
- ConnexionsFeatured in Santa Maradona (2001)
- Bandes originalesBumbro
Music by Shankar Mahadevan
Music by Ehsaan Noorani (as Ehsaan) and Loy Mendonsa (as Loy)
Lyrics by Rahat Indori
Performed by Shankar Mahadevan, Jaspinder Narula, Sunidhi Chauhan and chorus
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- How long is Mission Kashmir?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Misión en Cachemira
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 2h 34min(154 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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