Le battement d'ailes du papillon
- 2000
- Tous publics
- 1h 30min
NOTE IMDb
6,7/10
4 k
MA NOTE
Le hasard farceur fait se croiser des âmes soeurs dans un métro sans qu'elles se reconnaissent, joue des destins sur de petits riens ou des coïncidences improbables ; ablation, scions du boi... Tout lireLe hasard farceur fait se croiser des âmes soeurs dans un métro sans qu'elles se reconnaissent, joue des destins sur de petits riens ou des coïncidences improbables ; ablation, scions du bois, boit-sans-soif. Fatalitas ! Mais parions ici sur un happy end. [255]Le hasard farceur fait se croiser des âmes soeurs dans un métro sans qu'elles se reconnaissent, joue des destins sur de petits riens ou des coïncidences improbables ; ablation, scions du bois, boit-sans-soif. Fatalitas ! Mais parions ici sur un happy end. [255]
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Lily Boulogne
- Luc's Mother
- (as Lili Boulogne)
Deen Abboud
- The S.A.V. Salesman
- (as Nor-eddin Abboud)
Avis à la une
The fluttering of butterfly wings in the Atlantic can unleash a hurricane in the Pacific. According to this theory (somehow related to the Chaos Theory, I'm not sure exactly how), every action, no matter how small or insignificant, will start a chain reaction that can lead to big events. This small jewel of a film shows us a series of seemingly-unrelated characters, most of them in Paris, whose actions will affect each others' lives. (The six-degrees-of-separation theory can be applied as well.) Each story is a facet of the jewel that is this film. The acting is finely-tuned and nuanced (Audrey Tautou is luminous), the stories mesh plausibly, the humor is just right, and the viewer leaves the theatre nodding in agreement.
Films that crisscross different stories are no novelty (Short Cuts, Magnolia, Iossellani's "Favoris de la lune"...) but few of them have dared go as far as "Le battement d'ailes...". It would take a good deal of thinking and remembering to tell just HOW MANY stories are embedded in this wonder. And it would be pointless because, precisely, the object of the film is to show that it is not possible to separate one individual story from another.
One day in the life of so many people, characters that can be in turn charming, infuriating, lovable... And, on top of that, you get the feeling the director really loves them all (or, at any rate, most of them because some are frankly off-putting. That's life, here, just for you, on the screen.
One day in the life of so many people, characters that can be in turn charming, infuriating, lovable... And, on top of that, you get the feeling the director really loves them all (or, at any rate, most of them because some are frankly off-putting. That's life, here, just for you, on the screen.
The mystery here is why this delightful, small comedy has been ignored by most critics and has failed to find the audience it deserves. Simply showcasing the budding talent of Audrey Tautou should be enough to generate greater recognition from the cognoscenti.
Lacking in pretension and relying on quirky characterizations, itÕs rumination on the interconnection of human behavior manages to be both amusing and life affirming and, unlike some of itsÕ more critically acclaimed competition in the genre, such as The Taste of Others, it actually entertains.
Lacking in pretension and relying on quirky characterizations, itÕs rumination on the interconnection of human behavior manages to be both amusing and life affirming and, unlike some of itsÕ more critically acclaimed competition in the genre, such as The Taste of Others, it actually entertains.
An admirable attempt that winds up about as charming and magical as calculating a checksum. Still to create a "love story" wherein the main characters never speak to each other was an interesting feat. Ultimately I got the sense that the director didn't want us to attach to any one character too much for fear that we would lose track of the plight and the path of the cosmic pinball connecting them all.
Other films have traced the vagaries of existence, I'll never forget "Slacker" and its camera-as-transmittable-disease approach. That film, and others had characters that drew you in with more than a powerful pout and a pop star. Also the idiots in that film were more reckless than wretched. Here we have some despicable folks...
One of them is, pardon my (lack of) french, a dick. Indeed that is how he is introduced to us, full frontal and head on. We've also got a heartless mother, a selfish roommate, a compassionless store clerk, a petty thief and a liar. Well at least the liar does have a bit of reckoning, and provides some humor along the way.
At various points in the film, popular methods of charting the fates are engaged. A horoscope, tarot cards, a palm reading, a strange scrambling of the letters of a name, I don't think there were any tea leaves to be read. These methods are generally dismissed, but the intricate criss-crossing of the crasser crowd does help to guide our stars towards a more star-crossed pairing.
Will they meet or miss by the width of a butterfly's wing??
More importantly, will the audience care? At the end of the film, I found myself more intrigued by a bald character who we meet during another game of chance in a park (when "le penis" stakes his actions to the toss of a pebble). His bald comments and clear voicing of intention make him stand out like a lucid dream.
What the hell is he doing? Is his act of volition meant to taunt us, the invisible voyeurs in every scene? Or is he god...not playing dice with the universe, but loading the pebble? I'm afraid I'm making this film seem more interesting than it was...the battle of will versus fate versus karma versus various crystal balls, like the depth of the characters never quite gets to the foreground.
But perhaps by my not enjoying this film so much, I will not tip as much the next time I go out to eat, so your roommate will come home in a crabby mood, so you'll not go out to the Bottom of the Hill together, instead you'll rent a movie from the bald incarnation of Zeus at your local video store who *intentionally* will slip this DVD into the "Slacker" box you thought you were going to rent.
And you'll love it...
But in case that doesn't happen...
5/10
Other films have traced the vagaries of existence, I'll never forget "Slacker" and its camera-as-transmittable-disease approach. That film, and others had characters that drew you in with more than a powerful pout and a pop star. Also the idiots in that film were more reckless than wretched. Here we have some despicable folks...
One of them is, pardon my (lack of) french, a dick. Indeed that is how he is introduced to us, full frontal and head on. We've also got a heartless mother, a selfish roommate, a compassionless store clerk, a petty thief and a liar. Well at least the liar does have a bit of reckoning, and provides some humor along the way.
At various points in the film, popular methods of charting the fates are engaged. A horoscope, tarot cards, a palm reading, a strange scrambling of the letters of a name, I don't think there were any tea leaves to be read. These methods are generally dismissed, but the intricate criss-crossing of the crasser crowd does help to guide our stars towards a more star-crossed pairing.
Will they meet or miss by the width of a butterfly's wing??
More importantly, will the audience care? At the end of the film, I found myself more intrigued by a bald character who we meet during another game of chance in a park (when "le penis" stakes his actions to the toss of a pebble). His bald comments and clear voicing of intention make him stand out like a lucid dream.
What the hell is he doing? Is his act of volition meant to taunt us, the invisible voyeurs in every scene? Or is he god...not playing dice with the universe, but loading the pebble? I'm afraid I'm making this film seem more interesting than it was...the battle of will versus fate versus karma versus various crystal balls, like the depth of the characters never quite gets to the foreground.
But perhaps by my not enjoying this film so much, I will not tip as much the next time I go out to eat, so your roommate will come home in a crabby mood, so you'll not go out to the Bottom of the Hill together, instead you'll rent a movie from the bald incarnation of Zeus at your local video store who *intentionally* will slip this DVD into the "Slacker" box you thought you were going to rent.
And you'll love it...
But in case that doesn't happen...
5/10
Charming little movie about a girl on her way to work on the Metro who has her horoscope told and is informed that today she will meet the man she will fall in love with. The story then divides into a bunch of individual tales about the people on the Metro platform, with each tale in one small way moving the girl closer to meeting her intended. A lot of hilarious and unexpected belly-laughs. A movie one has to trust in as the payoff is uproariously funny. Along the way one wonders how some of the stories will affect the outcome but inevitably they do. The meaning of the title in French - "The beat of a butterfly's wings?" When a butterfly beats its' wings on one side of the Pacific it creates a tidal wave on the other side. A very funny charmer with the gorgeous Audrey Tautou who has all of the delightful screen persona of that other unforgettable Audrey.
Le saviez-vous
- AnecdotesThe original French title translates as "the flapping of a butterfly's wings". In Hong Kong it was titled Amelie 2, to capitalise on the success of Audrey Tautou's breakout movie Le Fabuleux Destin d'Amélie Poulain (2001). Although Le battement d'ailes du papillon (2000) predates Amelie by a year, the two were released in reverse order in most non-French markets.
- GaffesWhen the old lady takes the faulty coffee machine back to the store it is seen in a Phillips box, when she arrives back home with the same faulty machine it is in a Moulinex box.
- ConnexionsReferences Austin Powers : L'Espion qui m'a tirée (1999)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Happenstance
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 251 444 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 777 $US
- 4 nov. 2001
- Montant brut mondial
- 251 444 $US
- Durée
- 1h 30min(90 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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