L'échine du diable

'El Espinazo Del Diablo' is set in an orphanage (that beautifully symolizes Spain during the civil war) just before the fall of Catalonia. It works both as a gripping political drama and an engaging ghost story. Del Toro brings cleverly brings the elements of both genres together to tell the story, something he also accomplished in his more recent 'El Fauno del Laberinto' (where he amazingly combines fantasy horror with political drama).

Just like with 'El Fauno del Laberinto', Del Toro has taken care that this film isn't neglected in the aspects of film-making. The cinematography stands out. The yellowish tint stresses on the stifling heat and adds to the deserted isolation of the orphanage. The use of symbolism and riddles is remarkable. The details, e.g. flies buzzing around corpses, dusty atmosphere etc are given considerable attention. Visuals are just as impressive e.g. bloody flying in the air like a part of the wing. Del Toro extracts fine performance from all the actors. Seasoned actors like Federico Luppi, Marisa Paredes and Eduardo Noriega (in a menacing role) are superb to say the least but the child actors too hold their own.

The characters in 'El Espinazo Del Diablo' represent very distinct qualities that make a human nature. For example, Jacinto as the greedy one and Carmen's object of lust, Carlos as the innocent but determined one and Casares as the wise and silent one. In addition to that, the film itself is very poetic and metaphorical. There's a beautiful scene where Casares tells Carlos what a ghost is. Well, I won't say what was told but that was a very powerful scene.

In a nutshell, 'El Espinazo Del Diablo' is a horrifying, tragic but beautiful film. It will provide you with more than what you expect...as long as you don't know what to expect.

...An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber."

Often compared to "The Sixth Sense (1999)" and "The Others (2001)", "The Devil's Backbone" is even a better film, the ultimate ghost story that goes beyond the genre and very successfully mixes horror, suspense, and coming of age during the war time story. Written and directed by Guillermo del Toro, the film takes place during the Spanish Civil War in an isolated boarding school for the orphans of the War where a new boy, Carlos encounters the ghost of a murdered child Santi whose body was never found and who warns Carlos that "Many of you will die". How did Santi die? Why does not he leave the school's courtyard, what is the tragedy he is trying to prevent? It is up to Carlos to find the answers to these and many more questions as well as to stand up to the school's bully, Jaime and to find out what is behind the violent hostility of the orphanage's nasty caretaker, Jacinto who himself was and orphan and had been a pupil in the school as a child. The movie is not just beautifully directed – it is very well written and provides the deep insight into each character, including school headmistress named Carmen (Marisa Paredes), kind and brave Professor Casares, vicious bully Jaime who would turn a lonely and scared boy and even the embodiment of evil, Jacinto with his own heartbreaking story. Along with "The Spirit of the Beehive", "Devil's Backbone" is a harrowing exploration of the war and its affect on childhood. It also brings to mind such classic as Bunuel's "Los Olvidados" – and this is the best praise I have for any movie. Highly recommended.

I'm a massive fan of the horror genre, but I don't like ghost stories. To me, ghost stories are a poor manifestation of the genre. It's not the idea of ghosts that's the problem, it's the way the stories are presented; often dull, slow moving and uninteresting, and those are things that do not make a good movie. However, there is an exception to every rule; and this film is the case with that one. The Devil's Backbone is a mesmerising and inventive addition to the ghost story tradition. The film moves slowly, but that is a definite advantage to it. The slow pace allows us to get to know, and even care for the characters before the horror starts, and this makes the horror all the more potent when it does start. The Devil's Backbone has been touted as 'the Spanish Sixth Sense', and although this is unfair as this is hardly a bad film; I can see where that notion is coming from. The main difference between the two, however, and the reason why this film works and Shyamalan's doesn't is that the parts between the horror here aren't boring, are well acted and serve a purpose in that they allow us to get to know the characters; Shyamalan got too caught up in trying to make his twist work and the drama in-between caught the brunt of that, rendering the film boring.

The film can't really be accurately described as a 'horror film', it's more of a drama come character study with horror elements. The horror elements are pronounced, as the ghost is the centrepiece of the story, but the film doesn't focus on them enough for it to be considered horror. Entwined within it's plot is a coming of age tale, a story of revenge and a nice little section on 'what is a ghost'. I like it when a film delves into it's subject material and attempts to give something of an explanation; Return of the Living Dead did it for zombies (albeit comically), and The Devil's Backbone does it here for ghosts. The coming of age side of the story is brought to life brilliantly by some sublime acting courtesy of the young cast. Entwined within the story are themes of the kids being thrust into a situation that requires them to grow up fast, and it also sees them dealing with themes of death and revenge.

One thing you will instantly notice about this film is the fantastic cinematography. The film has a gritty style, but despite this it manages to come off looking crisp and clean. There are some shots that are incredibly beautiful. All shots with the ghost, which is one of the best crafted ever, come to mind immediately but also of note are the underwater sequences, the special effects and the capture of the location. The film is set in an orphanage somewhere the Spanish desert, and this location serves the movie magnificently. The fact that it's a day's walk away from the nearest town makes the film very isolated, which allows the horror more potency. Guillermo Del Toro is an obviously talented director. He has this film under his belt, along with Cronos (which I haven't yet seen, but have heard great things), but after that it's hit and miss. Blade 2 was a good film, and a refreshing one after the lackluster first part; but Mimic wasn't very good on the whole, despite some good moments. More recently he's gone on to direct Hellboy, which again I haven't seen but it looks like another fun film. I hope Del Toro makes a return to art soon, he has the talent and it would be a shame to lose him to 'decent' films.

A beautiful, atmospheric story about a haunted orphanage. To date, I think it's Del Toro's most "complete" film, combining his trademark visuals with a very touching story about war, death, guilt and grief - and ultimately hope.

Like 'Pan's Labyrinth' the story is set against the backdrop of the Spanish civil war (although here the war serves merely as a background noise). The film is so beautifully shot that I would recommend it even to people who don't normally like ghost stories (it does have some scary moments, mind); this one transcends the horror genre. 8 stars out of 10.

In case you're interested in more underrated masterpieces, here's some of my favorites:

imdb.com/list/ls070242495

This is not just an incredibly effective ghost story, but a cinematic masterpiece. Like his "Cronos," Del Toro has created a rich horror fable that is driven by 3-dimensional characters involved in a fascinating plot that leads to a wholly satisfying ending. With many developments along the way that shock, move, and thrill. And of course the political allegory and reality of the film, the Spanish Civil War, all the orphan boys of noble Loyalist fighters fighting their own war against a truly horrifying fascist villain, the young and handsome Jacinto, who is not without a sad ghost in his own past that feeds his destructiveness.

Del Toro is one of the most intelligent and humane directors working today, not something usually said about auteur in the horror genre. I have not seen "Hellboy" but think less of his US endeavors than these two Spanish masterworks...