Les divins secrets

My wife loves this film. This is a woman whose favorite films include any woman whose last name is Hepburn. Yes, she is a romanticist from the past — understandable since she has a Ph.D. in medieval history.

Because she's played the film enough times, I've had the opportunity to watch it both in its entirety and in bits and pieces. And there's really a lot to it that most viewers are missing.

Why?

I think it's because it grows on you. The parts are all incredibly well played — certainly expected of mature actors like Maggie Smith, Fionnula Flanagan and Ellen Burstyn. But here even Sandra Bullock is enticing not just in her looks but in her expression of her character.

Some films you like right out of the gate. We all know which ones they are. Others have to grow on you. And unfortunately too many films are never given a second chance. YA-YA SISTERHOOD is one.

Watching it a second or third time is like sitting around a campfire and telling the same story over for the umpteenth time. We've all heard it before, but we still want to hear it again.

For those who have dissed this film, give it another chance. Perhaps when you're older. Perhaps when you're in a romantic mood. Perhaps when you're tired of stupid comedies, disgusting horror films and over-the-top action thrillers. Then I'm sure you'll see it in a different light and think, "Well maybe YA-YA SISTERHOOD is indeed a little hidden gem."

`The Divine Secrets of the Ya-Ya Sisterhood' is about a mother/daughter conflict and then friends come to the rescue. A simple plot about some of our society's unimaginably complex unwritten and unspoken rules.

Ya-Ya is a wonderful cinematic experience. The acting and dialog are absolutely first rate and every major role is virtually perfect. They will be throwing darts at the cast credits to pick award winners. The movie is worth the price of admission just to see Maggie Smith perform even when she has no dialogue.

The movie's most remarkable aspect is what happens when it is viewed through a testosterone filter. It is illuminating to look at the IMDB voting demographics. One quarter of the males voting on this movie have given it a `1' out of 10 while only about 3% of the females gave it a `1'. Considering that there always appears to be a 3-5% background noise on any voting this an astounding gender discrepancy. As a 56 year old male it has only been in the last decade that I've had any inkling of the intricacies of female interactive dynamics. I suspect that puts me ahead of the curve as far as males go. As a society we indoctrinate our young females into the issues of the emotional power struggle, the dynamics of the `pecking order', and day-to-day collegial help and support at a level far removed from that which most males experience. I won't argue whether or not this is sexist but I believe the observation to be valid. This movie deals with these issues and, as such, I suspect the fundamental substance of the movie is illusive for much of the male audience.

At its heart this is not a chick movie. A `chick movie' is about things that female moviegoers like. This movie is about what it is to be raised a female in our society. Ya Ya 9/10

A chick flick for chicks of all ages, "The Divine Secrets of the Ya-Ya Sisterhood" tells of four Louisiana ladies who establish their secret Ya-Ya sisterhood, bound by blood and oath and honor, at a young age and who remain friends over the years providing each other with friendship and support. The film's thin storyline is about one such "sister" (Burstyn/Judd) who has issues with her adult daughter (Bullock) and her sister Ya-Ya's who come to her rescue much to her dismay. What ensues is a warmly funny kind of jambalaya which makes up for its gaping plotholes with personality, charm, and rambunciousness as it stumbles through it story finally arriving gasping and wheezing at its feel good conclusion. Gagging material for grinches, most will find the "Ya-Yas" are just too damned much fun not to like on some level. (B)

What a shame!!! This is the worst excuse for an adaptation of a novel I have ever seen. Nothing is explained about Siddalee, Shep, Vivi, the Ya-Yas, the younger siblings, Buggy, etc. No one will understand fully the anguish that the children went through as children or the anguish that Vivi went through in her own childhood. Shortcuts were taken left and right in this film, much to the detriment of the storyline. For instance, Shep is not a living saint, Vivi did not simply beat her children because of dexamyl, Teensy's mother is barely mentioned, Vivi's stay at the boarding school was left out, and where is Aunt Jezie, grownup Lulu, Little Shep, and Baylor? I realize that it was a two hour film, but an adaptation should never have been attempted if it wasn't going to be done faithfully. Everything in this film was explained away too easily. Sidda needed much more than a sob story about her mother's loss and use of dexamyl to explain her behavior. Too easy, too simple, too cheesy. No one could possibly come away with a clear understanding and resolution of the plot.

My recommendation: SKIP IT and read the fabulous books this was supposedly based on: Little Altars Everywhere and The Divine Secrets of the Ya-Ya sisterhood.

I sat down on a Saturday night at 9:30 to watch this movie. I watched it through twice before I went to bed that night, twice again on Sunday, and now it's Monday night and I've just watched it all the way through again. And I NEVER do that!

I came to this movie with little or no expectations. I had not read the book (but I will!), although I knew it had been a bestseller for awhile, and was on Oprah's list. I hadn't even paid any attention to who was in it, so was thrilled to see one of my very favorite actresses, Ellen Burstyn.

I can't really tell you what made this movie speak to me the way it did. I had a very happy childhood, and so couldn't relate on that level at all. The cast was phenomenal, particularly Sandy Bullock as Siddalee.

All I can say is what someone before me already said - this is one you should judge for yourself, not by what others say.