Soul Assassin

What I hated most about the film is that the building most of the film is shot in has is located in Amsterdam, but the view is of a bridge in Rotterdam for a resident of Amsterdam this would be his ultimate nightmare.

then in a, i have to say, nicely shot chase on the canals, suddenly, the character played by Skeet Ulrich is in Utrecht. there are too many of these things in the movie to explain.

maybe this is the cause, of the film not getting really good credits in Holland.

An advice to future directors, who want to shoot a film in holland, take notice of the fact, somethings don`t mix, taking the view of the Rotterdam bridge from a Building in Amsterdam as main example.

"Soul Assassin" tries to cover up the absence of substance and bucks with hyperkinetics and effects; nice try but no cigar. Shallow, transparent, contrived, and just plain stupid. Let's hope Malkin gets a real job. Pass. (D-)

If there is a new type of film genre, maybe it should be film bleu, as is the case with this movie. First time director Laurence Malkin must be credited with the idea. He has given the film a blue tint in its entirety. The film tries to do too many things and the plot is a puzzle if one doesn't pay close attention. Also, at times, it feels like a rock video without music.

The film shot entirely in Holland moves at a fast pace. Like other thrillers, this one delivers for those people seeking instant gratification in watching it. Sometimes one wonders how can these people in the action scenes survive being shot at with high powered rifles. On the other hand, the scene at the hotel where Kevin's girlfriend dies, is very real: this is what happens to people when they are killed.

The hero, Skeet Ulrich, is put through a lot in the film. Of course, he survives with only a few scratches after what is done to him, otherwise there wouldn't be a film at all, would it? The bad guys are more interesting. The Dutch actors are very good and the backdrop is Rotterdam, with a few detours to Amsterdam and Uttrecht, posing as the first city.

Derek de Lint plays with gusto. Would have loved to have seen more of Rena Owens, the great New Zealand actress, but alas, it wasn't meant to be. And finally, Nicholas Irons, can't deny he is Jeremy's son. What an uncanny resemblance!

It's not easy to do, but a story that had potential simply sinks under very, very bad direction.

In film one of the director's jobs is to tell the viewer where to look. True that. But it does not mean that he should be shouting "Look at me!" when he should be concentrating on story and characterization.

A reported $7 million goes down the toilet in developing this story of greed, jealousy, and revenge. Actors who have done very fine work in the past are simply stranded on screen. That's bad enough.

But for some reason a great chunk of the action is filmed using a blue filter over the lens. This is understandable for the exteriors at night. But it looks more than slightly stupid for scenes in, say, a living room.

The action is sped up in some scenes for no reason whatsoever. And the fight scenes are edited so incoherently that it's impossible to tell who's who are what's going on.

Watching movies directed by, say, Ed Wood can be a fun experience. Catatonic actors, cardboard sets, special effects that totally fail, it's sort of like watching the community theater group perform on the stage in the American Legion hall. You know that they're genuinely trying to do their best and it's easy to root for everyone involved.

Here, the gimmicks just seem to try to cover up undeveloped story arcs.

There is one very good thing about this, though. Director Laurence Malkin directed exactly one more movie after this, in 2006, and has not worked behind the camera since then although he has remained active in the film business. People seeking proof that God created an orderly universe need look no further.

One of the worst filmed movies i've ever seen. The camerawork was lousy, the screen was tilted to the left _All_the_time_. the colours were awful, there are only one or two scenes that aren't filmed with a blue filter. Even if you can get used to the blue screens, the stroboscopic effects that turn up every action scene (my guess is; lack of budget) _will_ turn your stomach.

Obviously there was _no_ budget for any special effects other than the effects you get if you buy the $100 el-cheapo-fastforward/slomo-mixer.

The fight scenes lack any sense of choreography, i.e. you only see full-scene shots when the 2 "fighters" are walking around each other slowly, the only "contact" shots are extreme close-ups. The same applies for nearly all the stunts/shooting scenes.

At least the story made some sense, in the way that most b-rated action/thriller flics have a story-line. Too bad though that the actors didn't really get a chance to show what they can do (see above.)

In conclusion: If I were you i'd leave this "direct to video production" right down there on the videostore's shelves and rent Jackie Chan's "Who Am I" instead.