Ajouter une intrigue dans votre langueA talented pool hustler who has stayed out of the game for years must return to his old ways when his little brother gets involved with his enemy--the very man who held him back from greatne... Tout lireA talented pool hustler who has stayed out of the game for years must return to his old ways when his little brother gets involved with his enemy--the very man who held him back from greatness.A talented pool hustler who has stayed out of the game for years must return to his old ways when his little brother gets involved with his enemy--the very man who held him back from greatness.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Brad
- (as Rick Schroder)
Avis à la une
The writing on the whole is about as high school calibre as you'd expect, from the hip smack talk posturing which reaches eye-rolling heights at times, to each and every poor female characters, risibly written as 'Male Love Interest Validation Device 101' (Alison Eastwood - yes, Clint's daughter - gamely shoulders the worst of this). Still, some exchanges are goofy enough to genuinely raise laughs, and the cast are all so visibly relaxed and cheery it's hard not to take to them. Callahan himself aces the cocksure swagger, which is enough to carry him through his less impressive melodramatic asides, and he shares some good banter with his younger brother, played by Smallville's Michael Rosenbaum, who, with hair, recalls the wholesome cheekiness of a young Paul Rudd.
Chazz Palminteri's thuggish backer-turned-mortal enemy and Christopher Walken's 'Daddy Warbucks deus ex-machina' may be dopily motivated plot devices rather than characters, but they're both hugely charismatic enough to make it worth the while. Palminteri may be the most stereotypical mobster actor in the industry, but he pours on the threat here, while Walken matches him with enough sly jubilance to reaffirm him as the coolest cat around, owning two characteristic monologues, and nailing an impossibly hard trick shot in one take. Finally, Rod Steiger is delightfully gruff as the pool hall owner with a heart of gold in his final film appearance here.
There are few surprises here as the plot doles out, but the hustling extends beyond the narrative: Poolhall Junkies is too jaunty and enjoyable not to take to. It's not as thought out or engaging as The Hustler (or even The Colour of Money), but Callahan keeps things energetic throughout, and benefits from going shot for shot between pool and drama. Whenever the balls are racked and James Brown blares, Poolhall Junkies has too much moxie not to drink the kool aid, and soak up the sweat of the pool hall anew.
-7/10
Martin plays Johnny Doyle, a poolroom hustler who after being controlled by a gangster (Palminterri) for fifteen years, breaks away in a sudden movie to go for bigger money. Unfortunately, his movie isn't helped by his cocky little brother (Rosenbaum) and friends who try to hustle the money for themselves only to get in deeper trouble with a semi-pro player.
The story and twists may have been seen in similar poolhall movies, yet the quick wit and even quicker style is on the mark. Lest I not forget, Steiger and Walken turn in two grand performances - Steiger, in his last film, as a weary poolroom worker, and Walken, who is very often both creepy and exceptional, gives fans a treat with a monologue that can only be compared to the one he gave in Pulp Fiction. Not everyone may follow this film, and it'll probably be out of theaters very soon, however it remains a treat for those who like quirky indie gangster movies. A-
As a pool player, it's fun to see pool on film. Two caveats though. First, most of the pool footage is so zoomed-in that the shots are obviously being done by someone else in a different location, and it's jarring and distracting. Of course the actors can't all be expert pool players but it would be nice to see some of the clothing and scenery that you would expect, and not just balls on tables. Second, the characters are almost always playing 9-ball but also almost always trying to pocket all the balls, which is unrealistic. This may be a concession that a general audience will not know the rules of 9-ball but to anyone who does, it makes the pool scenes surreal.
Overall though I appreciate movies about pool and this movie is a solid effort, particularly at its relatively low production cost of $4M, so, a strong 7/10.
Director Mars Callahan successfully made this a film about achieving greatness. Throughout the film, we know Johnny has possibly missed his chance to be great. A chance many get once in a lifetime. But throughout the film, we see that Johnny is a great person, sticks to his morals (although they are a bit hazy), is a true friend, and always has some goodness at heart. At one point, Johnny swears off of the game, but returns when the stakes involve getting his girlfriend Tara (Alison Eastwood) her dream job in the law firm she happens to be interning at. In doing this, he meets and befriends her Uncle Mike (Christopher Walken), who backs him and gives him the money he needs to possibly win his final game.
The pivotal choice in music for this film is very original. It went very well with the key moments it was placed in. At one point in the final pool game, the two competitors pass by one another, and right at that point there is a howl in the music that has been playing throughout the game. This makes the meeting that much more exciting. This film was excellently pieced together, and probably both under credited and under viewed.
Le saviez-vous
- AnecdotesChristopher Walken made the difficult trick shot to win the match against Tara's (Alison Eastwood) boss on the first take. He was supposed to make a "trial run" for the scene, but he asked that the cameras go ahead and roll, in case he happened to make it on his first try, and he did.
- GaffesWhen Nick is talking to Johnny after Tara kicks Johnny out of the apartment, one shot of Nick is flipped. This is obvious by the New York Yankees symbol on his hat and his jacket.
- Citations
Mike: You watch those nature documentaries on the cable? You see the one about lions? You got this lion. He's the king of the jungle, huge mane out to here. He's laying under a tree, in the middle of Africa. He's so big, it's so hot. He doesn't want to move. Now the little lions come, they start messing with him. Biting his tail, biting his ears. He doesn't do anything. The lioness, she starts messing with him. Coming over, making trouble. Still nothing. Now the other animals, they notice this. They start to move in. The jackals; hyenas. They're barking at him, laughing at him. They nip his toes, and eat the food that's in his domain. They do this, then they get closer and closer, bolder and bolder. Till one day, that lion gets up and tears the shit out of everybody. Runs like the wind, eats everything in his path. Cause every once in a while, the lion has to show the jackals, who he is.
- Crédits fousDuring the end credits, a brief scene is played where Danny and Max bet Chris and Tang that Scarlet's breasts are fake.
- ConnexionsFeatured in The JACK Show: JACK Show! (9/21/23) (2023)
- Bandes originalesPayback
Written by James Brown, John Starks and Fred Wesley
Performed by James Brown
Unichappell Music, Inc. o/b/o Dynatone Publishing Company (BMI)
Courtesy of Polydor Records
Under license from Universal Music Enterprises
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Détails
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 563 711 $US
- Week-end de sortie aux États-Unis et au Canada
- 301 856 $US
- 2 mars 2003
- Montant brut mondial
- 563 711 $US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1