Iris

Dench and Broadbent do a fantastic job charting the devolution of Iris' faculties as she struggles with Alzheimer's; the problem with this film is during the flashback scenes. Winslet is average, not great in her portrayal, but that's partially because the script doesn't present Iris Murdoch in her early days as a very sympathetic character. Instead of coming off as a free spirit she's far more of a sexually confused egotistical dilantette who uses everyone around her. Scenes where Iris is supposedly revealing her shady past and her motivations fall completely flat...there's not enough of a sense of vulnerability or that she really NEEDS her husband. Ultimately that takes away from the Dench-Broadbent storyline. I felt badly for Broadbent's character as he clearly was in way over his head trying to take care of Iris, but I was puzzled as to why he stayed with her in the first place as she treated him so awfully when they were young.

The flashbacks also aren't handled quite right, the interaction between the "present" and past scenes is too jarring. I suspect that it was a conscious choice to do it that way in an attempt to describe the ravages of Alzheimer's, but the film really suffers as a story because of it. This film would have been better served as a straight linear narrative without the constant flashbacks, focusing on either the young or old stage of Iris' life.

"Iris" is an intense character-study that is full of bravura performances, but is also a film that struggles for greatness and never quite reaches the mark. Iris Murdoch was a great English novelist, arguably the greatest of her time, but Alzheimer's would strike the writer and eventually take away everything needed to continue her literary work. The film splits in two between Murdoch's early life (played by Oscar-nominee Kate Winslet) and her latter life (Oscar-nominee Judi Dench). What we see is Murdoch's relationship with her true love and future-husband John Bayley (Hugh Bonneville in the early sequences and Oscar-winner Jim Broadbent in the latter stages). "Iris" struggles as it goes back and forth between the early years and the latter years of Murdoch's life. This makes the film like a jumping-jack that just does not know when to quit. The film is not complimentary to Murdoch in her early years as she is shown as a teasing bi-sexual who basically uses men and women for her own personal gain. She is also shown as a somewhat cruel person who intentionally and unintentionally hurts those closest to her. Dench, on the other hand, plays Murdoch as a woman slowly losing control of those things most important to her. There are definitely flashes and similarities between the four actors who play the two characters flawlessly. Broadbent is best, but his Oscar win is not dominant by any stretch of the imagination. The film also looks somewhat cheap and rushed at times. It is just so British and the production values are not near as high as they really should have been. However, the film does show the Alzheimer's Disease in a very accurate way. Those who have seen it firsthand (I have) will find the film very difficult to get through because the research done for the movie is second-to-none. Those who are not familiar with the disease will find the film intriguing and interesting. "Iris" is a fine effort and the performances save the day on more than one occasion, but overall the film is not quite what the film-makers had hoped it would be by the final act. 4 stars out of 5.

This movie has an all-star cast -- Judi Dench as Iris Murdoch, Jim Broadbent as her husband, John Bayley, Kate Winslet as the young Iris Murdoch, and Hugh Bonneville as the young John Bayley. The actors have physical appearances that makes it easy to believe we are seeing the same characters young and old. The editing is interesting, often cutting back and forth between the young and old characters within a scene.

I am not familiar with any of her works, but I have learned that Iris Murdoch was a very fine and prolific writer. She loved the language, and had a very unconventional outlook on life. This film seems to be more about her onset of Alzheimer's and her husband's trying to deal with it, rather than a story about Iris and how she came to be who she was. The story they chose not to explore I believe would have made a more interesting movie. For me Kate Winslet was the real star of the film, playing the younger Iris, and I came away wishing the film had spent much more time on her story. While the later Alzheimer years are important and interesting, too much of the film dwelled on these latter years.

This episodic story of Iris Murdoch, best selling novelist, and her husband John Bayley, is not for the faint-hearted. There are no illusions here, and those that seem to exist are shattered by grim reality.

The film pulls no punches, showing Iris as a self-absorbed, stream-of-consciousness woman who becomes ill with Alzheimer's disease. Her husband, in sickness and in health, seems to always be a step behind her. However, he is enthralled with her - totally devoted and ultimately alone.

Yet, this portrait is beautiful and episodic, filled with symbolism, wonderful flashbacks, and the threads of a relationship built and undone. The four leads are just wonderful, with Jim Broadbent deservedly receiving an Oscar for his performance. Superb cinematography, editing, and direction support the actors and the great script.

Highly recommended. I give it 9 out of 10.

Judi Dench's performance as Dame Iris Murdoch was not only flawless, pitch-perfect, and deeply moving, but it was also the performance of a lifetime. The Academy was ridiculous in overlooking her lost gazes, her subtle inflections in voice, her trembling hands, her puzzled mouth. Kate Winslet lost herself inside the young Iris, developing an entirely new set of facial expressions and voice tones. The movie accurately captures the intense passion for life and love that John Bayley describes in his novel, "Elegy For Iris." Altogether, a brilliant film, concise, humurous, terribly sad--and enhanced by four brilliant performances.