After the Deluge

A Dad estranged from his three sons, suffers from Alzheimer's and enters a nursing home. As we relive his old memories good and bad, the boys deal with major turning points in their own lives. This is a pretty sad movie and it has it's moments. Overall it has a good cast and they do well.

I have to state at the outset that I have only seen the shortened DVD version of After the Deluge, so that's all I can comment on.

I've just watched this made for TV mini series for the third time, gaining something new from each screening, and I think it will stand up to many further viewings too, because of the depth of the work. It may have been edited down (perhaps "distilled" would be a kinder way of putting it) from a much longer piece, but believe me it still works extremely well. What a truly excellent piece of creative TV, beautifully written, convincingly acted and genuinely moving. I just wish TV of this caliber were more widely available where I live on the American west coast.

The story revolves around an elderly father and his three adult sons who have all, in their own ways, failed to live up to the expectations of those around them. Cliff, the father, now vanishing into the fog of Alzheimer's, survived trauma and near death in WW2, but after losing the love of his life, he gave up on the promising musical career he should have had and became instead a bitter and bullying dad, arguably betraying the people who sacrificed so that he might live. We see his life in flashback as he retreats mentally into the past, and it's as good a portrayal of Alzheimer's as you are likely to see anywhere soon. Alex, with a high achieving career and two kids he hardly sees, has sleepwalked into the failure of his marriage, Toby doesn't have the children he and his wife so much long for, and Marty can't readjust to the demise of his life as a rock and roll star, and has lapsed into cynical dissolution.

They each have good reason to dislike their father, Marty the most. The story follows their individual struggles with the disappointments of their own lives, while also trying to sort out their relationship with each other and their father. It's not a feel good movie, but the resolutions are real and satisfying.

It's really unfair to pick out any one performance as they are all excellent, without exception, a great cast. But I really enjoyed Hugo Weaving's turn as the old rocker and Rachel Griffiths as the woman he falls for. David Wenham shone as Alex, showing realistic emotions and frustrations as he tries to come to terms with his marriage disintegrating, and Samuel Johnson was wonderful as nice-guy Toby. But for me the greatest pleasure was to see Ray Barrett as old Cliff. Here is an actor I remember from my childhood, playing an oilman in The Troubleshooters and, of course, Tracy Senior in Thunderbirds! How wonderful to see him working still. I wish I could find the full length version of this series.

Addendum: I just revisited this film after some months. That's something I like to do with favorite pieces. My membership of that excellent online DVD rental service is almost equally divided between watching stuff I missed on cinema release, and revisiting old friends. This time around it was even more compelling, and I picked up nuamces I missed before. Hugo Weaving continues to impress me with his range since I watched V for Vendetta. And each time I watch it, David Wenham's performance here looks better and better. It's very subtle. I think he is really at his best portraying ordinary blokes coping with unexpected circumstances. Nothing flashy or over the top. Just real.

If you only have 8 reviews of this, I'll add a ninth, just to tell the rest of the world that this is a movie to see if you ever get the chance. A psychological drama full of real people, coping with the real world difficulties of life, with the tragedy of their father's Alzheimers juxtaposed with the dramas the three sons are living through. A terrific cast, wall-to-wall quality performances, with Ray Barrett taking the honours as the old man battling the infirmities and indignities of his helplessness, and clinging on to the memories he most treasures. Rachel Griffiths was also at her best in this one. It's so absorbing, the three hours pass all too quickly. Loved it.

"After the Deluge" has to be the pinnacle of Australian television. Bringing together an impeccable cast which includes Hugo Weaving, Rachel Griffiths, David Wenham, Samuel Johnson, Catherine Clements and Ray Barrett the show seems set for acting brilliance. But Australian productions have brought together amazing acting talent such as this in the past and failed to deliver.

Fortunately, here we not only have brilliant acting but writing talent that defies words. Moving and inspirational comes close. Andrew Knight who has been responsible for a lot of what is good about Australian TV (Simone de Beauvoir's Babies, My Brother Jack, Kangaroo Palace and Sea Change) has brought it all together with "After the Deluge". Here is an intricate weaving together of the lives of three brothers trying to come to terms with their own failures and the destruction of their hopes and dreams, as their father slips further into his past life via the White Rabbit hole of Altzheimers. What they can never know and what the audience is privileged to be allowed to see, is that their father also suffered through the destruction of his hopes and dreams. To them he was just a cantankerous, domineering father who never showed them or their mother any love. But the audience knows the truth and all the characters are portrayed sympathetically despite their faults.

The imagery of water reflected in the title is used to represent birth, death and rebirth. The score is superb. A combination of classical violin and contemporary rock guitar, it reflects not only the musical generation gap represented by the struggle between patriarch Cliff Kirby (Ray Barrett) and his oldest son Martin (Hugo Weaving), but the movement between the eras as Cliff slips in and out of the past.

`After the Deluge' is superb Television and in this era when Reality TV and lifestyle programs dominate the ratings and Australian production companies, it's so good to see quality dramatic television still getting commercial attention. Kudos to Channel Ten for producing what is usually left up to the beleaguered ABC.

Don't watch a lot of TV, nor bother to rate movies, but this was exceptional.

It's a deep and complex analysis of three brothers, and the effect that their father had on their lives - a warts and all production portraying humanity in its raw form.

Perhaps it spoke to me because I'm sharing the same stage of my own lifecycle with one of these people (guzzling from the corporate trough with my own young family) - but colleagues felt similarly, and its definitely worth a look...