Ajouter une intrigue dans votre langueAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselvesAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselvesAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselves
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 12 nominations au total
Yesse Spence
- Jenny
- (as Jesse Spence)
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10tac-12
I can't believe I didn't hear about this film when it was released. I must have missed The Movie Show that particular week. I saw the DVD on the shelf of my local video shop, while it was in the New Releases section. I saw the cover, loved the word-play in the title, and, thinking it was American, I told myself I would get it out when it gets moved to the weekly section.
I saw it, in the weekly section, some time later, and I read the blurb on the back and thought, 'that sounds really interesting, I'll get it out someday'. Then last week, I picked it up again, and noticed the Australian Film Finance Corporation named on the back. I was in. I hired it, took it home, and loved every minute.
From the first scene, 'The Rage in Placid Lake' sets itself up to be taken only semi-seriously. The parents of Placid Lake, our hero, are, as his name would suggest, extreme New Agers. We first meet Placid at primary school, where his mother drops him off in a dress, admonishing him to challenge the other children's pre-conceived notions of sexuality. Between flashbacks to his childhood, the film follows Placid's transition from school to work, which is fraught with stresses. Having failed to achieve happiness following his parents' advice, Placid takes a new tack: he gets his hair cut like George W. Bush, buys a suit, and lands a job with an insurance company. All of which is most distressing to his best friend Gemma, and his parents, who go to great lengths to shake him out of this Capitalist madness.
Writer and Director Tony McNamara has worked primarily in theatre, and has also written for television, including Southern Star's magnificent 'The Secret Life of Us'. His background in the theatre, however, lends this film a very intimate and human touch. He had originally thought of this story as a play, but rightly judged it to be more suited to film, and made adjustments accordingly. The result is a film that stands out as something fresh, something that takes old ideas and stereotypes, and employs them to great effect.
While the characters in this film can be described as caricatures, Placid's journey into adulthoodhis discovery of himself and of his relationshipsresonates with such humanity that the suspension of disbelief is no effort. The pathos with which the characters are written boldly emphasises McNamara's assertion that we must be true to ourselves.
The most remarkable aspect of this film, however, remains the sad fact that so few people have seen it or even heard about it. It is an example of the magnificent films being produced in this country, and highlights the miserable plight of Australian filmmakers, overshadowed by the monstrous marketing ploys of their American counterparts. 'The Rage in Placid Lake' may not quite be as noteworthy in the history of Australian film as 'Jedda' or 'Mad Max' or 'Romper Stomper', but it makes a profound statement about humanity that sits somewhat uncomfortably in a world of Free Trade Agreements and 'Wars on Terror'. What's more, it makes that statement beautifully.
I saw it, in the weekly section, some time later, and I read the blurb on the back and thought, 'that sounds really interesting, I'll get it out someday'. Then last week, I picked it up again, and noticed the Australian Film Finance Corporation named on the back. I was in. I hired it, took it home, and loved every minute.
From the first scene, 'The Rage in Placid Lake' sets itself up to be taken only semi-seriously. The parents of Placid Lake, our hero, are, as his name would suggest, extreme New Agers. We first meet Placid at primary school, where his mother drops him off in a dress, admonishing him to challenge the other children's pre-conceived notions of sexuality. Between flashbacks to his childhood, the film follows Placid's transition from school to work, which is fraught with stresses. Having failed to achieve happiness following his parents' advice, Placid takes a new tack: he gets his hair cut like George W. Bush, buys a suit, and lands a job with an insurance company. All of which is most distressing to his best friend Gemma, and his parents, who go to great lengths to shake him out of this Capitalist madness.
Writer and Director Tony McNamara has worked primarily in theatre, and has also written for television, including Southern Star's magnificent 'The Secret Life of Us'. His background in the theatre, however, lends this film a very intimate and human touch. He had originally thought of this story as a play, but rightly judged it to be more suited to film, and made adjustments accordingly. The result is a film that stands out as something fresh, something that takes old ideas and stereotypes, and employs them to great effect.
While the characters in this film can be described as caricatures, Placid's journey into adulthoodhis discovery of himself and of his relationshipsresonates with such humanity that the suspension of disbelief is no effort. The pathos with which the characters are written boldly emphasises McNamara's assertion that we must be true to ourselves.
The most remarkable aspect of this film, however, remains the sad fact that so few people have seen it or even heard about it. It is an example of the magnificent films being produced in this country, and highlights the miserable plight of Australian filmmakers, overshadowed by the monstrous marketing ploys of their American counterparts. 'The Rage in Placid Lake' may not quite be as noteworthy in the history of Australian film as 'Jedda' or 'Mad Max' or 'Romper Stomper', but it makes a profound statement about humanity that sits somewhat uncomfortably in a world of Free Trade Agreements and 'Wars on Terror'. What's more, it makes that statement beautifully.
When Placid Lake was a little boy, his mother sent him to school wearing a dress, just so he could experience sexuality from a different point of view. As a result, he had the snot punched out of him and for years is constantly the victim of bullies, though he found a soul-mate in the nerdy/studious Gemma. Gemma loses her mother at 8 and her father, not quite sure how to deal with children, wants her to be a scientist. Years pass - Placid still lives with his Mum and Dad, ageing hippies with an eccentric outlook on the world and is about to finish school. Placid's idea of rebellion is to make a prize winning video of school life which will net him $10,000 and help him achieve his dream of fishing in Montana. At the official screening which turns out to be a little disasterous he falls from the school roof and undergoes a life change. This is a quirky "coming of age" flick - with a relatively unknown cast (to those outside Australia). Ben Lee in the title role is well cast as the slightly nerdy but intelligent Placid, Rose Byrne's Gemma is terrific and Garry McDonald and Miranda Richardson as Placid's hippy parents are brilliant. Take the time to see this film - it's worth it!
10data3
I went into this film knowing very little apart from that the main character had an unusual name, and it had Ben Lee and Rose Byrne in it. I came out the other end knowing quite a bit more, and feeling very positive about the whole experience!
This is not your typical Australian film, for example, it doesn't resort to having characters with really strong 'Ocker' accents, and not everyone is wearing stubbies and a singlet. It represents, i think, the more real Australia than is normally shown, and it does it so with quirky, original characters. Placid's (Ben Lee) journey in this film is interesting and funny to watch, as we see a young man searching for more stability to his life, while Gemma (Rose Byrne) tries to show him that stability isn't what he needs.
All in all, I enjoyed this film immensely and I know that certain scenes will be sticking in my head for a long time yet. Excellent work by newcomer Ben Lee, and the expected great work by Rose Byrne and Garry Mcdonald help this film to stand head and shoulders above a lot of the fare coming out of Australia these days. Top Effort.
(Note to those who like useless trivia/details - watch out for Ben's girlfriend Claire Danes' cameo around half way through the film. Blink, and you'll nearly miss it!)
This is not your typical Australian film, for example, it doesn't resort to having characters with really strong 'Ocker' accents, and not everyone is wearing stubbies and a singlet. It represents, i think, the more real Australia than is normally shown, and it does it so with quirky, original characters. Placid's (Ben Lee) journey in this film is interesting and funny to watch, as we see a young man searching for more stability to his life, while Gemma (Rose Byrne) tries to show him that stability isn't what he needs.
All in all, I enjoyed this film immensely and I know that certain scenes will be sticking in my head for a long time yet. Excellent work by newcomer Ben Lee, and the expected great work by Rose Byrne and Garry Mcdonald help this film to stand head and shoulders above a lot of the fare coming out of Australia these days. Top Effort.
(Note to those who like useless trivia/details - watch out for Ben's girlfriend Claire Danes' cameo around half way through the film. Blink, and you'll nearly miss it!)
Characters are believable, yet stretched to be perfectly bizarre. I saw the film at an Indie Film Fest at a college where my mum works and the whole room just kept laughing. I thought my sides were going to burst!
This is definitely on my list of favorites now.... I just want to give it a hug.
Oh... you have to see the movie. You just have to. You will be laughing so hard throughout you won't be able to hear half of the lines and you will have to see the whole thing over again. I think i might re-watch it tonight and then have a bunch of people over to watch it again.
This is definitely on my list of favorites now.... I just want to give it a hug.
Oh... you have to see the movie. You just have to. You will be laughing so hard throughout you won't be able to hear half of the lines and you will have to see the whole thing over again. I think i might re-watch it tonight and then have a bunch of people over to watch it again.
7kcdl
I really enjoyed this movie. I won't lie to you though it isn't uber-brilliant, deep or ultra-funny. It is the sort movie you watch late at night when your expectations are low. If you're looking for a movie that doesn't make you think too much this is it.
That being said I did find it funny, if somewhat puerile at times. I could relate to the main protagonist. The story moved along at a good pace and didn't get bogged down. I really wanted to see how it would end up.
I like that it didn't suffer from the usually Australian movie problem of "lets show you how uniquely Australian we can make this film" it just let itself be. It showed a side of Australia that wasn't purely rural or suburban.
Also Rose Byrne is absolutely gorgeous. I think I want to marry her!
That being said I did find it funny, if somewhat puerile at times. I could relate to the main protagonist. The story moved along at a good pace and didn't get bogged down. I really wanted to see how it would end up.
I like that it didn't suffer from the usually Australian movie problem of "lets show you how uniquely Australian we can make this film" it just let itself be. It showed a side of Australia that wasn't purely rural or suburban.
Also Rose Byrne is absolutely gorgeous. I think I want to marry her!
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Placid Lake
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 284 808 $US
- Durée1 heure 29 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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