Ajouter une intrigue dans votre langueAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselvesAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselvesAn exuberant, sharply satirical comedy about two parentally neglected teenagers who find the courage to believe in themselves
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 12 nominations au total
Yesse Spence
- Jenny
- (as Jesse Spence)
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Characters are believable, yet stretched to be perfectly bizarre. I saw the film at an Indie Film Fest at a college where my mum works and the whole room just kept laughing. I thought my sides were going to burst!
This is definitely on my list of favorites now.... I just want to give it a hug.
Oh... you have to see the movie. You just have to. You will be laughing so hard throughout you won't be able to hear half of the lines and you will have to see the whole thing over again. I think i might re-watch it tonight and then have a bunch of people over to watch it again.
This is definitely on my list of favorites now.... I just want to give it a hug.
Oh... you have to see the movie. You just have to. You will be laughing so hard throughout you won't be able to hear half of the lines and you will have to see the whole thing over again. I think i might re-watch it tonight and then have a bunch of people over to watch it again.
10data3
I went into this film knowing very little apart from that the main character had an unusual name, and it had Ben Lee and Rose Byrne in it. I came out the other end knowing quite a bit more, and feeling very positive about the whole experience!
This is not your typical Australian film, for example, it doesn't resort to having characters with really strong 'Ocker' accents, and not everyone is wearing stubbies and a singlet. It represents, i think, the more real Australia than is normally shown, and it does it so with quirky, original characters. Placid's (Ben Lee) journey in this film is interesting and funny to watch, as we see a young man searching for more stability to his life, while Gemma (Rose Byrne) tries to show him that stability isn't what he needs.
All in all, I enjoyed this film immensely and I know that certain scenes will be sticking in my head for a long time yet. Excellent work by newcomer Ben Lee, and the expected great work by Rose Byrne and Garry Mcdonald help this film to stand head and shoulders above a lot of the fare coming out of Australia these days. Top Effort.
(Note to those who like useless trivia/details - watch out for Ben's girlfriend Claire Danes' cameo around half way through the film. Blink, and you'll nearly miss it!)
This is not your typical Australian film, for example, it doesn't resort to having characters with really strong 'Ocker' accents, and not everyone is wearing stubbies and a singlet. It represents, i think, the more real Australia than is normally shown, and it does it so with quirky, original characters. Placid's (Ben Lee) journey in this film is interesting and funny to watch, as we see a young man searching for more stability to his life, while Gemma (Rose Byrne) tries to show him that stability isn't what he needs.
All in all, I enjoyed this film immensely and I know that certain scenes will be sticking in my head for a long time yet. Excellent work by newcomer Ben Lee, and the expected great work by Rose Byrne and Garry Mcdonald help this film to stand head and shoulders above a lot of the fare coming out of Australia these days. Top Effort.
(Note to those who like useless trivia/details - watch out for Ben's girlfriend Claire Danes' cameo around half way through the film. Blink, and you'll nearly miss it!)
Despite the misleading title, The Rage in Placid Lake is not some ropey horror movie sequel about teenagers being chomped to death by a malformed alligator. It is a semi-satirical, light-hearted but intelligent coming-of-age comedy following the exploits of the cruelly named Placid Lake. Placid did not have a 'conventional' upbringing. His parents are two of the most over-the-top, but yet entirely believable hippies ever committed to celluloid. Their 'new age' methods of child rearing subject young Placid to humiliation time and time again, but un be known to him, give him an inner wisdom and strength to deal with life's little problems. Unfortunately, Placid doesn't concern himself with life's little problems, he rises above them. Placid leaves school and begins to worry about life's bigger problems, such as what to do with his life. Without giving away too much of the story, Plaicd formulates a plan which involves re-inventing himself in the quest to fit in, lead a conventional life and annoy the hell out of his parents in the process. Of course Placid is far from conventional and it seems the harder he tries to be 'normal' the greater the challenge becomes. The gags in this film are a mix of satirical jibes at the modern society we live in, observational humor about the trials of growing up, and some good old fashioned slapstick that the Aussies do so well.
Ultimately, this film is a great coming of age tale of a young man coming to terms with the world and himself. The acting is fantastic, Ben Lee is entirely convincing as the dead-pan and slightly unhinged Placid. His parents are over-the-top caricatures, but do a splendid job of convincing us just how well meaning (but entirely mad) they are. Rose Bryne is fantastic as Placid's foil/love interest/best friend/sole mate, and really doesn't get the screen time she really deserves. There a plenty of smaller character parts which also stand out, all contributing to this wacky, but believable film. This is a film for anyone who ever felt they didn't quite fit in, or anyone who didn't want to fit in. 8.5/10
Ultimately, this film is a great coming of age tale of a young man coming to terms with the world and himself. The acting is fantastic, Ben Lee is entirely convincing as the dead-pan and slightly unhinged Placid. His parents are over-the-top caricatures, but do a splendid job of convincing us just how well meaning (but entirely mad) they are. Rose Bryne is fantastic as Placid's foil/love interest/best friend/sole mate, and really doesn't get the screen time she really deserves. There a plenty of smaller character parts which also stand out, all contributing to this wacky, but believable film. This is a film for anyone who ever felt they didn't quite fit in, or anyone who didn't want to fit in. 8.5/10
Aha! After last week's debacle with American Wake, I was starting to worry that the Reel 13 Indies were going to be a series of below average films that didn't receive more significant distribution for a reason (i.e. they stunk). But HERE - here they have found a diamond in the rough that long lost indie gem that slipped through the cracks and failed to reach a wider audience. This, of course, leads me to two questions: 1) Who at Fox Searchlight or Focus Features went to somebody's bar mitzvah instead of a screening of this film allowing Film Movement to pick it up? and 2) Why in the hell didn't Reel 13 debut with this film instead of American Wake? (Sidenote: Another option would have been to air it on 2/2/08 when Reel 13 is showing Rebel Without a Cause this would have been a PERFECT companion piece for that why aren't they looking at content when pairing these films???) The first thing you need to know about The Rage in Placid Lake is that it's an Australian film. The second thing you need to know is that it stars that country's quirky rock/folk icon, Ben Lee (you may have noticed that I recently added one of his songs to the MySpace page it's pretty good
). The film starts out with a five year-old Placid Lake being sent to school in a dress by his granola, new wave bisexual mother (Miranda Richardson) to challenge the other students' preconceived notions of sexuality or something like that. It's a very clever idea and very efficient with a few simple images, it establishes Placid, his family and the series of problems he is likely to have when he grows up into Ben Lee.
The film is full of moments like this visual, clever ideas that optimize screen time to push the story forward (There is a great dream scene in which Placid plays his own therapist and they discuss his life predicament and action steps to resolve it more films need to be creative like this when it comes to exposition). There are not many belly laughs, per se, but the film is consistently amusing, often inspired and always irreverent. The script is really strong structured without feeling manipulative and resisting the urge for sitcom-type "set-'em-up, slam it home" humor. There are a few minor contrivances (Placid's corporate job interview is a bit too easy) and there is a heavy reliance on voice-over, especially in the beginning (I am particularly biased against the over usage of VO that and dissolves but I won't get into that here. We could be here all day ), but on the whole, the film works on many levels.
Ben Lee is amiable and pleasant as the titular character. He has the charm, if not the chops. If you're looking for chops, look no further than Miranda Richardson as Sylvia Lake, reminding us why she was the Brit femme du jour of the early 90's when she received two Oscar nominations in a three year period (for Damage and Tom and Viv) before she faded into occasional obscure roles on BBC TV movies. Hopefully that won't be the same fate for Rose Byrne, who has the unique distinction of being the best thing in two very bad movies (Troy and Wicker Park). Byrne gives her best performance to date as Placid's genius best friend, Gemma. Byrne can't hide her sexiness (she was innocuously sexy as both a spunky slave girl and a psychotic stalker in the previously mentioned films), but she can (and does) layer it with intelligence, wit, (appropriate) pathos, and an emotional confusion that, to some degree, stems from her inability to reconcile her smarts with her sexuality.
The most memorable part of the film for me, though, involves the performance of Christopher Stollery as Joel, Placid's supervisor at his corporate insurance job. This has as much to do with Stollery's impeccable delivery and timing as it does the very concept behind the role itself. Joel becomes an unwitting, somewhat accidental surrogate father/big-brother to Placid - almost like a corporate soothsayer, whose advice is generally as much a surprise to the giver as it is to the recipient. This is a great, original narrative device invented by writer/director Tony McNamara who uses it consistently and effectively to steer the story in one direction or another.
As excited as I am that Reel 13 discovered and aired this film, I am somewhat appalled that it didn't receive domestic theatrical distribution. This isn't just a good little indie film this is a good film in general and had it been released in 2003, it would have stood a good chance of making a few top ten lists that year, including my own. I understand that Ben Lee was less of a sell-able commodity at the time and that Australian films are not in high demand, but successes like My Big Fat Greek Wedding, Bend it Like Beckham and Napoleon Dynamite prove that there is a market for more varied entertainment. We can only hope that the next hidden gem like The Rage in Placid Lake gets the kind of attention it deserves.
The film is full of moments like this visual, clever ideas that optimize screen time to push the story forward (There is a great dream scene in which Placid plays his own therapist and they discuss his life predicament and action steps to resolve it more films need to be creative like this when it comes to exposition). There are not many belly laughs, per se, but the film is consistently amusing, often inspired and always irreverent. The script is really strong structured without feeling manipulative and resisting the urge for sitcom-type "set-'em-up, slam it home" humor. There are a few minor contrivances (Placid's corporate job interview is a bit too easy) and there is a heavy reliance on voice-over, especially in the beginning (I am particularly biased against the over usage of VO that and dissolves but I won't get into that here. We could be here all day ), but on the whole, the film works on many levels.
Ben Lee is amiable and pleasant as the titular character. He has the charm, if not the chops. If you're looking for chops, look no further than Miranda Richardson as Sylvia Lake, reminding us why she was the Brit femme du jour of the early 90's when she received two Oscar nominations in a three year period (for Damage and Tom and Viv) before she faded into occasional obscure roles on BBC TV movies. Hopefully that won't be the same fate for Rose Byrne, who has the unique distinction of being the best thing in two very bad movies (Troy and Wicker Park). Byrne gives her best performance to date as Placid's genius best friend, Gemma. Byrne can't hide her sexiness (she was innocuously sexy as both a spunky slave girl and a psychotic stalker in the previously mentioned films), but she can (and does) layer it with intelligence, wit, (appropriate) pathos, and an emotional confusion that, to some degree, stems from her inability to reconcile her smarts with her sexuality.
The most memorable part of the film for me, though, involves the performance of Christopher Stollery as Joel, Placid's supervisor at his corporate insurance job. This has as much to do with Stollery's impeccable delivery and timing as it does the very concept behind the role itself. Joel becomes an unwitting, somewhat accidental surrogate father/big-brother to Placid - almost like a corporate soothsayer, whose advice is generally as much a surprise to the giver as it is to the recipient. This is a great, original narrative device invented by writer/director Tony McNamara who uses it consistently and effectively to steer the story in one direction or another.
As excited as I am that Reel 13 discovered and aired this film, I am somewhat appalled that it didn't receive domestic theatrical distribution. This isn't just a good little indie film this is a good film in general and had it been released in 2003, it would have stood a good chance of making a few top ten lists that year, including my own. I understand that Ben Lee was less of a sell-able commodity at the time and that Australian films are not in high demand, but successes like My Big Fat Greek Wedding, Bend it Like Beckham and Napoleon Dynamite prove that there is a market for more varied entertainment. We can only hope that the next hidden gem like The Rage in Placid Lake gets the kind of attention it deserves.
i have been in love with Australian cinema for years. it all started with "The Adventures of Priscilla, Queen of the Desert" & "Muriel's Wedding". it then continued with films like "Love & Other Catastrophes", "Hotel De Love", "Cosi" & "Garage Days". (not sure if those were the Australian titles for all of these films or not.) the problem is that America doesn't get a lot of Australian films to choose from. even American made independent films have a hard time making it to theatres. the overload of bad Hollywood films makes it hard for anything to make it to the screen. we have to either rent them on DVD or watch them on channels like IFC or Sundance, and now we have Logo. i know Ben Lee is a household name in Australia, but in America he is still relatively unknown. (which is just unfortunate for America.) i recently saw him in concert opening for Aimee Mann. he blew me away. once i got home i checked out his website and that's when i learned about "The Rage in Placid Lake". i rented it thinking that he would have just enough charisma as an actor to make it entertaining. instead he blew me away again. i was also pleased to see Miranda Richardson in this also. she is such an incredible actress. i would love to find out about more great Australian films that i should see. so if anyone out there can recommend some, please do. and as far as recommendations go, it said somewhere on here if you liked "The Rage In Placid Lake" that you should see "Kindergarten Cop". wow, i am not sure how that conclusion was made. if you did see this and liked it, check out some of the titles i mentioned above instead. some similarly themed American films you might check out are "The United States of Leland", "Garden State", "The Battle of Shaker Heights" and yes even "Napoleon Dynamite". and if you like good music check out Ben Lee in concert (i get to see him again soon, with Ben Folds & Rufus Wainwright) or get his CD "Awake is the New Sleep".
Le saviez-vous
- Citations
Sylvia Lake: He used to live between my legs! Live there!
- ConnexionsFeatured in Getaway: Getaway to the Music (2007)
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- How long is The Rage in Placid Lake?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Placid Lake
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 284 808 $US
- Durée
- 1h 29min(89 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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