Ajouter une intrigue dans votre langueA series of horrible murders prompts a massive police investigation. Inspector James Cameron, a two-fisted roughneck with his own philosophy on handling crime, heads the investigation. A gro... Tout lireA series of horrible murders prompts a massive police investigation. Inspector James Cameron, a two-fisted roughneck with his own philosophy on handling crime, heads the investigation. A group of lepers living in the Long Island wastelands have created a terror network, killing a... Tout lireA series of horrible murders prompts a massive police investigation. Inspector James Cameron, a two-fisted roughneck with his own philosophy on handling crime, heads the investigation. A group of lepers living in the Long Island wastelands have created a terror network, killing and feeding off the flesh of innocent victims. Their leader has mutated into an invulnerabl... Tout lire
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And really that's about the only reason you'd ever sit down to watch this. B/c you're a sick depraved bastard who can't get enough of animal intestines being ripped out of a young girl's body and chainsaws ripping through deranged psychos' chests. Yum.
Either way, as a filmmaker myself, I have a huge amount of respect for Schiff and his feature film. As a high schooler, he managed to make what some might consider a cult classic. Good for him. But, make sure you're ready.
Nathan Schiff's enthusiasm and dedication to his art is admirable: armed with nothing but a Super 8mm camera, a bucket or two of offal, and a gang of amateur 'actors', he has thrown together several no-budget gorefests that have, over the years, garnered something of a cult following (in contrast, my own home-made horror, Farnham Flesheaters, has wallowed in development hell for 25 years, due to my general apathy—although I did get as far as designing the poster).
Unfortunately, Schiff's devotion to his work is a lot more impressive than the finished product.
The cheapo splatter, which includes a cheerfully crap lawnmower murder, a couple of juicy disembowelments, assorted flesh tearing, two head crushings, and a pretty impressive chainsaw dismemberment, is admittedly fun and the film occasionally displays some ingenuity (such as Jack's crazy conversation with a bin bag full of body parts), but the negatives easily cancel out the positives.
Inane dialogue, awful acting, lousy picture quality, clumsy editing, and dreadful sound (the whirr of the camera motor being clearly audible in many scenes) all mar the production: there are endless bland shots of cars, trees, and scenery that serve no purpose; the script features boring conversations that do nothing to further the plot; logic takes a serious nosedive with the idiotic revelation of the pillow-case wearing killer's true identity; and for a trashy horror, there's a distinct lack of nudity (I suppose it's easier to talk your friends' sisters into getting their heads bashed in than it is to get them to take their kit off).
Still, I suppose there's always the unintentionally funny bits to enjoy: Jack's monstrous father, who talks like he's gargled glass and uses outmoded words such as 'thy', 'thine' and 'thou'; the goof where cop Dave (Michael Siegal) calls his friend Jim (John Smihula) by his own name; and the leprosy guy who looks like he's had his face pushed in manure.
Le saviez-vous
- AnecdotesThe gore effects were created using pig intestines, fish heads, and condoms.
- GaffesIn several scenes, the shadow of the camera man can be seen, as well as the boom mic.
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Détails
Box-office
- Budget
- 1 200 $US (estimé)