Conspiracy of Silence

I saw this film on holiday in Galway. It was a headliner at the Galway Film Fleadh. The experience was rather surreal because most of the starring cast were present for the premiere.

John Deery examines the question of celibacy in the Catholic church with pride and skepticism. The viewer doesn't quite know which side he stands on, but he is clearly a devout Catholic as well as a fighter for a more just way of treating priests. Although a much less controversial treatment, this film is in the same vein as 1994's Priest. This film may be a little more universal and pleasing to one's own beliefs, though.

Actors Jonathan Forbes and Brenda Fricker have many pointed moments together on screen, but frankly that should come as no surprise. After all, what has Brenda Fricker ever been in that has been bad? All of the other actors do a fine job, as well.

I recommend that if you come across a screening of this film, to see it...especially if you are Catholic. If not, rent it.

In the last decade or two a lot of news has come out about the Catholic Church's cover-up of pedophilia. John Deery's "Conspiracy of Silence" isn't about that but about something similar: the church's policy of celibacy. In this case, the suicide of a gay priest living with HIV and the expulsion of some students suspected of a same-sex relationship prompt an article questioning the rightness of the church's celibacy policy.

It seems very likely that forcing priests to be celibate increases the risk of the priests' molesting children. Relationships are natural among all species, and not letting people be in relationships can only damage them. This is not to be confused with pedophilia, which is a disease. But either way, the Catholic Church has had a history of suppressing all news of the molestations, as well as a history of homophobia.

"Conspiracy of Silence" isn't a great movie but does a good job looking at these different topics. It's all the more impressive considering that the director was a first timer. I recommend it.

I was lucky enough to be invited to a cast screening of the film at the Empire in Leicester Square, (my dad has a small part - he sings the Wild Colonial Boy in a pub scene). I really enjoyed the film as it struck a number of chords with me having been brought up a Catholic, taught by priests and Irish (at least Irish descent). The film has the same well observed quality as Alan Parkers film of Roddy Doyle's The Committments. The topic is a serious one about Aids and Homosexuality in the Catholic Church but don't let that put you off, the film is full of funny interactions that are typically Irish and will appeal to many people. I didn't think that the message of the film was clear it covered the Church's attitude to aids, homosexuality, harshness of the regime in a seminar and corruption. So something for everyone. A well acted and entertaining film with a number of well known stars in fairly minor roles.

I am going to watch this movie in the next day or so. Preliminary to that, I scanned a few reviews here. I want to say, if you cannot write a film review without making your political views the centerpiece of your review, as at least one person did here, then please don't write a review, and if you are that person here, take your review down. I am sick and tired of having every politically relevant film ... or book .. be treated as a reason to get up on a personal political soapbox. I don't give a rat's you know what, what your political views are. I am not here for political commentary. I want to know about the film, and only the film. If you can't write about that, then go away. I will be back with my review of this film in the next day or so after I have seen it. Meanwhile I am giving it the average number of stars it has now, so as not to skew the aggregate rating. You're welcome.

CONSPIRACY OF SILENCE is a moody, dark, probing inquiry into the concept of celibacy of priests in the Catholic Church in Ireland and all the way to the Vatican. The concept, story and script by Writer/Director John Deery are tight, arrow sharp in aim, but ultimately unresolved issues cloud the success of what could have been a pungent movie.

Set in a seminary in Ireland for preparing young men for the priesthood, we are introduced to some warmly human characters such as Daniel McLaughlin (Jonathan Forbes), a squeaky clean lad who gave up a girlfriend Sinead (Catherine Walker) to follow his (and his family's) life ambition to become a priest. Naive, warm, loving, athletic and bright, he is the seminary poster boy - until one evening after hours he innocently visits a fellow seminarian's room and is the focus of seduction by the student who kindly says 'we're all only human and have our needs'. Daniel gently declines the advances, leaves the student's room but is observed by an old priest with demons of his own. The priest reports the incident and Daniel is abruptly thrown out of the seminary by the evil Rector Cathal (Sean McGinley) for being homosexual - a charge that couldn't be farther from the truth.

At the same time in another part of the seminary the fine Father Sweeney dresses in all his priestly regalia and commits suicide is a gruesome way. His suicide is threatening to the staff of the seminary and a cover-up is immediately put in place. It seems Father Sweeney some four years ago had stirred controversy in the Vatican by publicly exposing his HIV status, alerting the Church and the world that HIV was rampant in the world wide Church. His partner left the priesthood, disillusioned, but following FR Sweeney to the seminary in Ireland.

An earnest reporter David Foley (Jason Barry) begins the investigation of the suicide and in doing so finds the reason for Daniel's expulsion as well as the myriad dark secrets being covered by the Church - all to do with the concept of celibacy and the inevitable sequelae of sensual deprivation on priests. One Father Jack Dowling (Hugh Bonneville) supports David and Daniel and is disenchanted with the behavior of the Church against its own priests. Then, without resolving any of these fascinating strings of thought the movie ends, leaving many questions unanswered - as though there are no answers.

The acting is uniformly strong (including the likes of Brenda Fricker as Daniel's mother et al), for once giving a spectrum of the priesthood that is not favoring bad or good. These characters are men with convictions and none can be faulted for their stances. The setting in Ireland is magnificently captured by cinematographer Jason Lehel, and Francis Haines and Stephen W. Parsons provide a hauntingly beautiful musical score. As far as it takes us this is a fine film. Perhaps Deery is planning Part II to finish this story! Grady Harp