NOTE IMDb
6,1/10
3,6 k
MA NOTE
Un homme a le pouvoir de voir le sort des personnes disparues - à l'exception de sa propre épouse bien-aimée.Un homme a le pouvoir de voir le sort des personnes disparues - à l'exception de sa propre épouse bien-aimée.Un homme a le pouvoir de voir le sort des personnes disparues - à l'exception de sa propre épouse bien-aimée.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
Maria Canals-Barrera
- Esme Palomares
- (as Marí'a Canals)
Anthony Diaz-Perez
- Policeman 1
- (as Anthony Díaz Pérez)
Carlos Kaniowsky
- Rubén Mendoza
- (as Carlos Kaniowski)
María Nydia Ursi Ducó
- Plaza Mother 1
- (as Maria Nydia Ursi)
Histoire
Le saviez-vous
- AnecdotesWhen it became clear that two additional scenes would help the script, a) the quarrel about whether Cecilia should publish her article and b) the flashback scene why Cecilia and Carlos got married, there was a little competition going on between Writer and Director Christopher Hampton and Dame Emma Thompson, who wrote their versions of those scenes. Thompson's version of the flashback scene was finally agreed on.
- GaffesWhen Cecilia is seen by Carlos in the roof of "Casa Rosada", there is a modern surveillance camera near the characters. Those cameras were not available in 1976.
Commentaire à la une
This was truly enjoyable movie in many ways.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
The acting was great all around. Powerful emotions were realistically portrayed by seasoned actors, relative newcomers and unknown extras alike. Direction, filmography and locations really come together to set a scene more realistic than most films even aspire to.
This film succeeds in projecting, through the characters, the full range of emotions that any individual must feel when their freedoms are seriously undermined by a corrupt ruling power, the same power that they would normally look to to resolve such issues.
This is not a feel-good movie, and anyone expecting comic relief at any time may be disappointed. This movie sets out to instill feelings in the audience that may help them to relate to the people in the story. It does not abuse concepts such as violence in order to get a kick out of the audience.
Unfortunately, many of those who have posted comments on this movie have failed to grasp part of the point. This is not merely a movie designed to remind the viewer of the past. It intends to remind the viewer that such actions continue to occur worldwide, and that it is only the people themselves who can keep their governments from resorting to such inhumane measures, by reminding their rulers repeatedly that they will not stand for it, in their country or any other.
Frankly, it disturbs me that films this deep go virtually unnoticed by the masses, while flashy but hollow explosion-fests receive awards.
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- How long is Imagining Argentina?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Imagining Argentina
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 8 899 $US
- Week-end de sortie aux États-Unis et au Canada
- 3 752 $US
- 13 juin 2004
- Montant brut mondial
- 383 106 $US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Disparitions (2003) officially released in Canada in English?
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