Phileine zegt sorry

I have read the book and I laughed. I saw the movie on the Dutch Film Festivl and I laughed. I'm thinking back to the scene where Phileine is intending to give Max the pleasure of his life and I'm laughing. This is by far the most humoristic Dutch movie I saw in my life!

Sex sells. That is something Dutch author Ronald Giphart is very well aware of. This was evident in the first filmed novel by the author: 'Ik Ook Van Jou' but even more in 'Phileine Zegt Sorry' (Phileine Says Sorry).

The original novel is hilarious, quick, witty, from a female perspective, but written by a heterosexual male author. The novel is full of quick one-liners and so is this move ('I believe in sex at first sight' and 'We don't care you have a low self-esteem, just don't bother us with it').

The thing is a quite weak story as 'Phileine' demands a quick witty approach, which Robert-Jan Westdijk (the director) seems to be perfectly able at. He seems to have understood what the story is all about: Phileine, a super-bitch, follows her boyfriend Max to New York, where she finds out about the rather exclusive approach he's giving to Shakespeare's 'Romeo and Juliet'.

Although the movie is quick it has quite some flaws. Westdijk doesn't take enough time to finish off some crucial scenes. The final scene has been handled off quite fast and almost messy and the movie really lacks emotion at times. Westdijk doesn't seem to wanna fall in the pit called 'false sentiment' but in stead of carefully avoiding it he doesn't seem to use any of it in 'Phileine'. To be perfectly honest one wouldn't care less whether or not Phileine regains the love of Max or how she handles it. She's a bitch, so she'll survive and go on with her live.

Kim van Kooten however is perfectly cast and throws in the one-liners one at a time from scratch. Michiel Huisman may be nice to look at (all pumped up) but is rather disappointing as the flat character of Max. This is also due to his rather poor acting qualities. Roeland Fernhout's part as the androgynous Jules is unforgettable and could have used deserved more screen time.

The novel already makes use of too many character with their individual story-lines that push away the main story-line: the one between Phileine and Max, but in the movie this gets annoying at points.

Fortunately Westdijk's quick approach makes up for a lot but not for everything. 'Sometimes the movie is just better than the movie', says author Giphart in a cameo (please no more cameos in any of his movies!). I am afraid I have to disagree with him. But then again: is the movie ever better than the novel?

Still 'Phileine Zegt Sorry' speeds up hope for the Dutch movie industry (especially now that governmental finance has been abolished) and especially for Dutch rom-coms.

This was the first Dutch movie I've ever seen in the theaters. I've got the book, though I've only read the first couple of chapters. I suppose I really should go back and read it further, because it started out cool, I just got distracted.

The author of the book actually says in the movie that he likes the book better than the movie, and oh can I believe it! I really didn't expect anything like this... one of the main reasons I went was because a friend of mine wanted to go and stare at Michiel Huisman. I was seriously impressed. It had everything from fun to anger to.. how the actors dealt with the final scenes was absolutely breathtaking, sitting on the edge of your seat drama. Let's just say this movie has everything from throwing rocks through windows (don't ask) to pretending to come in a classy New York restaurant (as I said, don't ask) and a pornographic version of Romeo and Juliet (I think the only lines in it were: "Where for art thou, Romeo?" and a whole lot of groans...) and an absolutely beautifully shown character development.

Right. I'm practically rambling. I'll make my point. I enjoyed this movie. It had a bit of everything and I left the theater happy. I gave it an 8/10.

This film is rather absurd and weird at times, having opposite effects. At some moments the absurdness of the film, works in it's favor and at other moments it clearly does not. The introduction sequence, for instance, which at first seems to be an homage to James Bond, quickly becomes strange (maybe unappetizing) for many people and if you ask me, there is no sense in that scene with the ‘oldies' whatsoever. Another perfect example is the scene in which Phileine is in outer space ‘dancing' to some music. This scene does make a bit more sense than the one described before, but is just too lengthy as are other scenes in the film and as a matter of fact, the ending as well. But no feat, not everything is bad in this film. The film is pretty good, until Phileine (Kim van Kooten) meets Joanne (Leona Philippo). From that point on there appear the first signs of weakness, the mentioned lengthy and sometimes unnecessary scenes. From that point on the film manages to go on on a pretty good level, but I found it to be less than the first bit and the film actually hits rock-bottom in it's end, which is way too lengthy. If it wouldn't have been for the ‘screamer' ending, this one would have gotten a 7 out of 10. But the way it is it does not deserve it. Sure the film delivers some laughs, sure there is a lot of female sex talk, but in the end it is only moderately enjoyable, due to the unsatisfying ending that remains in mind. Even females, who are in fact the target audience, should see that.

6,75 out of 10

PS: At least it COULD have been better

'Phileine zegt sorry' is an adaptation of a Ronald Giphart novel (he's in the film, praising the film as better than the book). His novels are notorious for sexual explicitness, humor and lightness of tone. The film manages to capture this tone. This makes it an entertaining film with Ally MacBeal-like effects to emphasize the emotions of the lead character (Phileine). The cosmopolitan attitude of the characters, the sexual explicitness and the place of action (New York) gives it a Sex and the City touch. So the atmosphere is OK. However the film just doesn't give enough story to make it great. In the book this lack isn't a problem, however film is (as we all know) a different medium. The story line is too thin and sometimes not very credible. This is also due to the the low level performance of some the actors (especially the 'American' characters). Kim van Kooten however gives a superb performance and is a good enough reason to go and see it.

So 'Phileine zegt sorry' is not a memorable meal but a nice expensive snack.