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Good Fences

  • Téléfilm
  • 2003
  • R
  • 1h 59min
NOTE IMDb
5,7/10
962
MA NOTE
Good Fences (2003)
ComédieDrame

Ajouter une intrigue dans votre langueGood Fences is about an upwardly-mobile Black family for whom the American dream becomes a nightmare. In the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed "the... Tout lireGood Fences is about an upwardly-mobile Black family for whom the American dream becomes a nightmare. In the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed "the colored man's losing streak." When his winning of a high-profile case thrusts him into th... Tout lireGood Fences is about an upwardly-mobile Black family for whom the American dream becomes a nightmare. In the 1970s, Tom Spader is an attorney who is determined to end what he has dubbed "the colored man's losing streak." When his winning of a high-profile case thrusts him into the limelight, he decides to move his wife and their two kids out of their mixed lower-middl... Tout lire

  • Réalisation
    • Ernest R. Dickerson
  • Scénario
    • Erika Ellis
    • Trey Ellis
  • Casting principal
    • Danny Glover
    • Whoopi Goldberg
    • Zachary Simmons Glover
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,7/10
    962
    MA NOTE
    • Réalisation
      • Ernest R. Dickerson
    • Scénario
      • Erika Ellis
      • Trey Ellis
    • Casting principal
      • Danny Glover
      • Whoopi Goldberg
      • Zachary Simmons Glover
    • 30avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 9 nominations au total

    Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux60

    Modifier
    Danny Glover
    Danny Glover
    • Tom Spader
    Whoopi Goldberg
    Whoopi Goldberg
    • Mabel Spader
    Zachary Simmons Glover
    • Tommy-Two (age 17)
    Mo'Nique
    Mo'Nique
    • Ruth Crisp
    Ryan Michelle Bathe
    Ryan Michelle Bathe
    • Stormy (age 17)
    Ashley Archer
    • Stormy (age 13)
    Marie V. Cruz
    • Mrs. Suziharo
    • (as Marie Cruz)
    Vincent McCurdy-Clark
    • Tommy-Two (age 12)
    Marlyne Barrett
    Marlyne Barrett
    • Tina
    • (as Marlyne Afflack)
    Alexandra Amini
    Alexandra Amini
    • Governor's Wife
    • (as Alex Amini)
    Barbara Barnes-Hopkins
    • Mabel's Mother
    Matthew G. Brown
    • Tom Spader
    • (as Matthew Brown)
    Sandra Caldwell
    Sandra Caldwell
    • Sylvia Falcon
    Dustin Cass
    • Tom - age 10
    Munro Chambers
    Munro Chambers
    • Billy
    Thomas Chambers
    • Jimmy
    Raquel Christensen
    • Susie
    K.C. Collins
    K.C. Collins
    • Pee-Pie - Age 15
    • (as Chris Collins)
    • Réalisation
      • Ernest R. Dickerson
    • Scénario
      • Erika Ellis
      • Trey Ellis
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs30

    5,7962
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avis à la une

    4fmwongmd

    Disappointing

    Given the two big stars,this was a monumental disappointment. Predictable, stale, and full of cliches Boring!
    BuksNBootz

    A must not-see

    The box description and Blockbuster's categorization of this film made it seem like it would be a comedy -- and what a reasonable categorization with Glover and Goldberg headlining. But it was far from a comedy....sort of a drama, but not interesting at all....just a real stinker. This movie has no point whatsoever, and should definitely be missed.
    nrdean

    Breaking from the mold ..

    I believe some of the past "critics" are delving too deep. I don't believe this movie was supposed to be a upbeat comedy of such. This is a dark comedy/drama and a portrayal of the way a specific family dealt with engaging with the white community in a time when that was not easily done. I believe the scenes with 'Mabel' showing the bored housewife over the course of many years shows how more and more depressed over the situation she has become. She has lost touch with herself, her identity, her roots. She makes a statement saying that all she has to do is "listen to Tom" instead of listening to God. The son feels as if he is out of touch with his "people" and struggles to regain that sense of himself, while the sister shows that in the end, she has rejected all that makes her Black. Tom has let the influence of his childhood (almost getting lynched, struggling against white America) influence how he acts in the present. He rejects the things that make him unique (being Black), even though those things impact everything about him daily. This movie has little to do with "racial motivations" and such. It has more to do with Blacks finding their way while not losing themselves in a predominately white world. This movie is a great movie to show the other side of the coin. Black people (and minorities of color) have to deal with trying to fit in to multiple "lives" and find a way to incorporate all of them without losing a sense of self. Danny and Whoopi did a great job of portraying this, even if it did obviously make others thumb up their noses.
    gimhoff

    Good fences make bad cinema

    Rarely have so many talented people worked together to make movie that is such a mess. Everyone associated with Good Fences -- not just Glover and Goldberg, but also director Dickerson and screenwriter Ellis -- has done much better work in the past, and will do better work again in the future. But this pudding has no theme, as Churchill said. It is neither comedy nor drama, neither funny nor moving. If it has any message, it is that all white people are foolish and that black people are racially inauthentic if they value success, accomplishment, wealth, or even suburban comfort. The movie seems to agree with the character in the Robert Frost poem ("Mending Wall") that "good fences make good neighbors"; its tone argues that integration was a failure, and that blacks should stick to neckbones and avoid brie. But the narrator of Frost's poem is wiser, and says, "Something there is that doesn't love a wall, That wants it down."
    9scentschyc

    Dark Comedy/ Mostly Drama/subtle humor

    There is a lot of undertone and subtle humor that not everyone will pick up in this movie. I found it highly intriguing and I could not help to compare my current situation to theirs, as I am moving to an even less diverse all white neighborhood tomorrow. It helped to be reminded that we shouldn't lose our own identities within the environments we live in. It think ABCs "Blackish" tackles this issue much more humorously. The issue with the patriarch in this movie is that he has internalized racism, which is something that is not talked about enough and is becoming widespread.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      This is the second time Glover and Goldberg played husband and wife; the first was in 'The Color Purple' (1985).
    • Gaffes
      In one scene of the family gathered in front of the TV, daughter Stormy is reading a magazine. On the magazine's front and back covers is a clearly recognizable picture of supermodel Claudia Schiffer (active from 1988 on). The scene was supposed to be taking place around the time of the first airing of the TV series "Roots": 1977.
    • Connexions
      Featured in Identités trans: Au-delà de l'image (2020)

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    Détails

    Modifier
    • Date de sortie
      • 2 février 2003 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Au-delà des barrières
    • Lieux de tournage
      • Toronto, Ontario, Canada
    • Société de production
      • 40 Acres & A Mule Filmworks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 59min(119 min)
    • Couleur
      • Color
    • Mixage
      • Stereo

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