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IMDbPro

Et l'homme créa la femme

Titre original : The Stepford Wives
  • 2004
  • Tous publics
  • 1h 33min
NOTE IMDb
5,4/10
72 k
MA NOTE
Nicole Kidman in Et l'homme créa la femme (2004)
Home Video Trailer from Paramount Home Entertainment
Lire trailer2:31
2 Videos
99+ photos
Dark ComedySatireComedyHorrorSci-FiThriller

Le secret d'une femme au foyer modèle se trouve derrière les portes de ce club pour hommes.Le secret d'une femme au foyer modèle se trouve derrière les portes de ce club pour hommes.Le secret d'une femme au foyer modèle se trouve derrière les portes de ce club pour hommes.

  • Réalisation
    • Frank Oz
  • Scénario
    • Ira Levin
    • Paul Rudnick
  • Casting principal
    • Nicole Kidman
    • Bette Midler
    • Matthew Broderick
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    72 k
    MA NOTE
    • Réalisation
      • Frank Oz
    • Scénario
      • Ira Levin
      • Paul Rudnick
    • Casting principal
      • Nicole Kidman
      • Bette Midler
      • Matthew Broderick
    • 471avis d'utilisateurs
    • 141avis des critiques
    • 42Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 victoires au total

    Vidéos2

    The Stepford Wives
    Trailer 2:31
    The Stepford Wives
    The Stepford Wives
    Trailer 2:31
    The Stepford Wives
    The Stepford Wives
    Trailer 2:31
    The Stepford Wives

    Photos148

    Voir l'affiche
    Voir l'affiche
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    + 143
    Voir l'affiche

    Rôles principaux99+

    Modifier
    Nicole Kidman
    Nicole Kidman
    • Joanna Eberhart
    Bette Midler
    Bette Midler
    • Bobbie Markowitz
    Matthew Broderick
    Matthew Broderick
    • Walter Kresby
    Glenn Close
    Glenn Close
    • Claire Wellington
    Christopher Walken
    Christopher Walken
    • Mike Wellington
    Roger Bart
    Roger Bart
    • Roger Bannister
    David Marshall Grant
    David Marshall Grant
    • Jerry Harmon
    Jon Lovitz
    Jon Lovitz
    • Dave Markowitz
    Dylan Hartigan
    Dylan Hartigan
    • Pete Kresby
    Fallon Brooking
    Fallon Brooking
    • Kimberly Kresby
    Faith Hill
    Faith Hill
    • Sarah Sunderson
    Matt Malloy
    Matt Malloy
    • Herb Sunderson
    Kate Shindle
    Kate Shindle
    • Beth Peters
    Tom Riis Farrell
    Tom Riis Farrell
    • Stan Peters
    Lorri Bagley
    Lorri Bagley
    • Charmaine Van Sant
    Robert Stanton
    Robert Stanton
    • Ted Van Sant
    Lisa Masters
    Lisa Masters
    • Carol Wainwright
    Christopher Evan Welch
    Christopher Evan Welch
    • Ed Wainwright
    • Réalisation
      • Frank Oz
    • Scénario
      • Ira Levin
      • Paul Rudnick
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs471

    5,472.2K
    1
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    10

    Avis à la une

    6Sleepin_Dragon

    Light hearted, better then the reviews have you believe.

    I have read plenty of reviews where people are comparing this to 1975's, I don't think that's fair, as the interpretation of the novel is very different. The original film was very much a horror, this is a comedy with virtually no horror at all, but a definite vibe of political correctness.

    It is obviously too sweet and syrupy for many, but it does have good points. It's loaded with irony, it's not laugh out loud humour, it's more tongue in cheek, with some good humour, mainly at the expense of little men. I liked the performances, Glenn Close and Bette Midler especially. It wasn't Kidman's finest hour, although she wasn't bad, just didn't get the best material to work with.

    On the debit side, Matthew Broderick doesn't exactly shine, but worst of all is the lack of any horror vibe, it doesn't really have any suspenseful moments of any note.

    It's a nice vanilla comedy, those looking for horror must avoid. The original movie is way better. 6/10
    sebpopcorn

    A film made by a focus group, rather than anyone artistic

    Standing alongside The Wicker Man as the worst remake ever this really is a pile of utter nonsense. The original had a good story to tell but this one is just a joke.

    Nicole Kidman would seem to be the perfect choice for a robotic woman, I've never seen her show any emotions whatsoever. You can't really blame the cast, the script is so poor that even the best actor would struggle to convey any meaning in their lines.

    The studio weren't too happy with the downbeat ending so ordered a change, and then another, and then another. This ensured that this movie has a happy smiley ending and the fact that it makes NO SENSE whatsoever didn't seem to worry them because in their minds we the viewers are basically vegetables that just need to be exposed to some flickering images for about an hour and a half.

    An entire army of producers cut this one up and made an absolute mess of it, it's barely even a proper film let alone a coherent story. You know what's really frightening though? It still gets a 5 star rating (at the time of writing) so most people think this trash is average.

    Even for bad movie fans there's just nothing to enjoy, the whole film is atrocious and the fact that it is a remake of a good film just plunges the knife in deeper. Deserves a spot in the bottom 100.
    audracaitlyn06

    Quite a Let-down

    I went to see this movie for the sole reason of seeing Glenn Close, whom is a very great actress. Many people had also commented on how great the original was, so I was ready to see this supposedly great film. I was utterly disappointed. Obviously not sticking to the exact script of the original, the whole thing smelled of modern humor gone terribly bad.

    Nicole Kidman's character was, at times, convincing. Bette Midler's character was an obvious replay of her previous roles. Glenn Close's character was absolutely unconvincing. But the worst ever was Matthew Broderick's character. I just wanted to cry after watching him flounder about in the depthless role of the weak-then-suddenly-brave and-bad husband. And I'm quite sure the original Stepford Wives didn't have a gay couple--intended, I guess to put a modern twist on it. The characters didn't have pasts; they didn't have reasons to act the way they did. This small detail drove me up a wall: Faith Hill's character has a "blow out" at the party and sparks fly out of her ears. Another wife spits out money like an ATM. It is later revealed that the wives aren't robots; they're merely brainwashed. So tell me how a normal person shoots sparks out of their ears and money out of their mouths? It doesn't make sense!

    This movie could have been so much better if someone would have actually read the script and then threw it away and wrote something more meaningful. At the end of the movie, I was left there wondering what its point was.

    But there is one redeeming quality in the movie: the 1950s styled costumes. They were bright, well fitted, and the only thing interesting on the show. So if you are really into the costume thing, just grit your teeth and sit through this hopelessly ridiculous movie.
    waylonsmithers9

    Forget this mess and rent the original!

    The original STEPFORD WIVES was a creepy movie with subtle touches of humor. That subtlety allowed the suspense and the sense of danger to build slowly, leading up to a rather disturbing finale. In this version, there is no subtlety or building up. Rather, the tone shifts are as jarring as jump cuts. It's a satire! It's a "campy" comedy! It's a suspense thriller! Look out! Here comes a happy ending! Not to mention the inconsistencies regarding the "Stepfordization" of the wives (discussed in other user comments). It's as if Frank Oz and company threw a bunch of unrelated scenes together and hoped no one would notice.

    As for the cast, it's a disappointment to see such interesting actors and actresses assembled in such a weak film. Blame Paul Rudnick, whose campy-queeny- faggy humor is really wearing thin. (And I can write that because I'm gay!)

    Didn't Bette Midler learn her lesson after ISN'T SHE GREAT????

    I encourage everyone out there to run to the video store and rent the original.
    gosh717

    As Bad As It Gets

    This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.

    The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.

    You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The location used for the rotunda of the Men's Club was the same one used in the original film.
    • Gaffes
      When the family is driving to Stepford, Pete says "But why are we moving?". Kimberly can be clearly seen mouthing his line before saying "to Conneticut?"
    • Citations

      Claire Wellington: I asked myself, "Where would people never notice a town full of robots?"

      [gasps]

      Claire Wellington: Connecticut.

    • Crédits fous
      The opening titles are shown alongside various vintage clips from the 1950s of women operating high-tech (for the time) appliances.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Stepford Wives/Garfield: The Movie/The Chronicles of Riddick (2004)
    • Bandes originales
      A Fifth of Beethoven
      Written and Performed by Walter Murphy

      Courtesy of Thomas J. Valentino Inc.

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    FAQ20

    • How long is The Stepford Wives?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 7 juillet 2004 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Las Mujeres Perfectas
    • Lieux de tournage
      • Lockwood-Mathews Mansion - 295 West Avenue, Norwalk, Connecticut, États-Unis
    • Sociétés de production
      • Paramount Pictures
      • Dreamworks Pictures
      • Scott Rudin Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 90 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 59 484 742 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 21 406 781 $US
      • 13 juin 2004
    • Montant brut mondial
      • 103 370 281 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 33 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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