Spellbound
- 2002
- Tous publics
- 1h 37min
NOTE IMDb
7,6/10
13 k
MA NOTE
Ajouter une intrigue dans votre langueFollows eight teenagers on their quest to win the 1999 National Spelling Bee.Follows eight teenagers on their quest to win the 1999 National Spelling Bee.Follows eight teenagers on their quest to win the 1999 National Spelling Bee.
- Nommé pour 1 Oscar
- 17 victoires et 19 nominations au total
Ubaldo Arenivar
- Self - Angela's Father
- (as Ubaldo)
Jorge Arenivar
- Self - Angela's Brother
- (as Jorge)
Scott McGarraugh
- Self - Ranch Owner
- (as Mr. McGarraugh)
Lindy McGarraugh
- Self - Ranch Owner
- (as Mrs. McGarraugh)
Concepción Arenivar
- Self - Angela's Mother
- (as Concepción)
Neelima Marupudi
- Self - Potter County Champion
- (as Neelima)
Parag Lala
- Self - Nupur's Father
- (as Parag)
Meena Lala
- Self - Nupur's Mother
- (as Meena)
Kuna Lala
- Self - Nupur's Brother
- (as Kuna)
Tim Brigham
- Self - Ted's Brother
- (as Tim)
Earl Brigham
- Self - Ted's Father
- (as Earl)
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Avis à la une
A surprisingly suspenseful and compelling documentary
When one says that they are excited to see a documentary on the 8th graders' National Spelling Bee, that person is met with a look and an `Oooookaaaay
.' I was on the receiving end of these looks for the last two years when I wanted to see `Spellbound', Jeffrey Blitz's 2002 documentary about the `spelling elite'. I finally got my wish recently and was thrilled that it met (and exceeded) my high expectations for the film.
For `Spellbound', Blitz traveled around the United States and chose eight competitors, aged 11-14, to profile before the eventual climax of the actual spelling bee. We see the home lives of the eight students, who range from poverty to upper middle class affluence, single parent families, and two-parent homes. There are even Archie and Edith Bunker reincarnated as the parents of one girl, and another girl whose parents, though having lived in the United States for over twenty years, don't speak English. Though these students come from fairly different backgrounds, they seem to be treated slightly different because of their intelligence, and therefore descend upon Washington D.C. for the Spelling Bee with a commonality.
`Spellbound' is Jeffrey Blitz's first film and he already exhibits a masterful eye for the documentary genre. Though the profiles are fairly routine, the second half of the film, the Spelling Bee itself, is so compelling that I felt the same effect as your average suspense film. The viewer is naturally led to pick a `favorite', though not guided to any specific child. My `favorite' was knocked out fairly early and I truly felt something. There is nothing fancy about the camera work, there are no stark white backgrounds or a Phillip Glass score, or a reactionary topic. What I felt while watching this film was that I was sitting among the audience and letting the camera be my guide one of the most important elements of a good documentary film.
Whether you think the subject matter isn't worthy of an hour and a half treatment, or didn't notice it in the year of `Bowling for Columbine' (which beat `Spellbound' to win the Best Documentary Oscar for 2003) I would recommend picking up this film. It's heart breaking at times, but mostly, inspirational because some of these kids have more maturity in one arm than a lot of adults I know, and their grace under pressure is both awe-inspiring and something to aspire to.
--Shelly
For `Spellbound', Blitz traveled around the United States and chose eight competitors, aged 11-14, to profile before the eventual climax of the actual spelling bee. We see the home lives of the eight students, who range from poverty to upper middle class affluence, single parent families, and two-parent homes. There are even Archie and Edith Bunker reincarnated as the parents of one girl, and another girl whose parents, though having lived in the United States for over twenty years, don't speak English. Though these students come from fairly different backgrounds, they seem to be treated slightly different because of their intelligence, and therefore descend upon Washington D.C. for the Spelling Bee with a commonality.
`Spellbound' is Jeffrey Blitz's first film and he already exhibits a masterful eye for the documentary genre. Though the profiles are fairly routine, the second half of the film, the Spelling Bee itself, is so compelling that I felt the same effect as your average suspense film. The viewer is naturally led to pick a `favorite', though not guided to any specific child. My `favorite' was knocked out fairly early and I truly felt something. There is nothing fancy about the camera work, there are no stark white backgrounds or a Phillip Glass score, or a reactionary topic. What I felt while watching this film was that I was sitting among the audience and letting the camera be my guide one of the most important elements of a good documentary film.
Whether you think the subject matter isn't worthy of an hour and a half treatment, or didn't notice it in the year of `Bowling for Columbine' (which beat `Spellbound' to win the Best Documentary Oscar for 2003) I would recommend picking up this film. It's heart breaking at times, but mostly, inspirational because some of these kids have more maturity in one arm than a lot of adults I know, and their grace under pressure is both awe-inspiring and something to aspire to.
--Shelly
a great film
"Spellbound" is one of those documentaries that isn't soaked with politics or social dilemmas, but it is touches on them indirectly. It's the story of 8 kids from all over the United States, their study habits, lives, relationships with parents and personal beliefs, views and opinions. And how they make it to the National Spelling Bee Contest.
These stories are all incredibly touching - my favorite is about one of the girls' grandfathers who illegally crossed the border into the U.S., got held at a detention center, then, finally accepted into the US, worked really hard and finally now, in his old age is able to say that he is happy. That he saw his kids get great education and good opportunities; essentially that all his hard work didn't go to waste.
The film is also tense - it communicates the tension inherent in any contest quite effectively here. By acquainting the viewer with the children before the contest an empathy is established and you find yourself rooting for them. You may not even realize it until, towards the end of the film, the filmmakers throw in a brief interview with a young, Jesus-freak kid and I didn't care which one of the eight kids featured in the documentary won as long as he didn't. I got what some would call "passionate" about the outcome of the contest.
Needless to say, it's a great story. It explores the tensions of fitting in at school, parental pressure, competitiveness and hobby/interest becoming an obsession. Some have said that it is a film about America, but I wouldn't venture as far. The film says far too little about the origins and history behind the Spelling Bee contest to be about an "American phenomenon," much less about a "phenomenon" of any kind. It's a film about one Spelling Bee, but even more so about eight kids who compete in it. And their parents and siblings and teachers. It's easy as hell to get a rush of memories from childhood watching this film, and it's oftentimes easy to cringe at the intensity of the entire affair. But, all in all, "Spellbound" is a great documentary which doesn't belittle its subject, but gives it its fullest attention - the product is a tense, funny and dramatic film about kids bonding over a common obsession, while aggressively competing. Logorrhea.
These stories are all incredibly touching - my favorite is about one of the girls' grandfathers who illegally crossed the border into the U.S., got held at a detention center, then, finally accepted into the US, worked really hard and finally now, in his old age is able to say that he is happy. That he saw his kids get great education and good opportunities; essentially that all his hard work didn't go to waste.
The film is also tense - it communicates the tension inherent in any contest quite effectively here. By acquainting the viewer with the children before the contest an empathy is established and you find yourself rooting for them. You may not even realize it until, towards the end of the film, the filmmakers throw in a brief interview with a young, Jesus-freak kid and I didn't care which one of the eight kids featured in the documentary won as long as he didn't. I got what some would call "passionate" about the outcome of the contest.
Needless to say, it's a great story. It explores the tensions of fitting in at school, parental pressure, competitiveness and hobby/interest becoming an obsession. Some have said that it is a film about America, but I wouldn't venture as far. The film says far too little about the origins and history behind the Spelling Bee contest to be about an "American phenomenon," much less about a "phenomenon" of any kind. It's a film about one Spelling Bee, but even more so about eight kids who compete in it. And their parents and siblings and teachers. It's easy as hell to get a rush of memories from childhood watching this film, and it's oftentimes easy to cringe at the intensity of the entire affair. But, all in all, "Spellbound" is a great documentary which doesn't belittle its subject, but gives it its fullest attention - the product is a tense, funny and dramatic film about kids bonding over a common obsession, while aggressively competing. Logorrhea.
Fact More Compelling than Fiction
If you need proof that fact is indeed more compelling than fiction, look no further than `Spellbound,' a fascinating and aptly named documentary centered on that great American competition for brainiacs known as the National Spelling Bee.
In designing his film, director Jeffrey Blitz has chosen to focus on eight competitors from widely varying racial, geographical and socioeconomic backgrounds, interviewing them and their families before, during and after the competition. In the first half of the film he introduces us to each of the contestants, giving us behind-the-scenes glimpses into their home lives, their study techniques, their aspirations and their attitudes towards competition and the value of dedication and hard work. The common denominators these eight individuals all share are intelligence, drive, determination and a supportive family structure. Even though the pressure of the experience seems almost too much for any youngster to bear, all of these participants come across as levelheaded, sensible individuals who manage to keep it all in a healthy perspective. The parents, too, seem reasonable in their expectations, encouraging their children without placing undue pressure on them and beaming with justifiable pride at their amazing progeny. Yet, for all their seeming `nerdness' and gift for articulation, Blitz makes it clear that these kids are really just kids (albeit highly gifted ones) after all.
In the second half of the film, we move to the competition itself, watching as all except one of the people we have come to know over the course of the film eventually become eliminated (Blitz had the grand good fortune of choosing the eventual winner as one of his subjects). The scenes at the competition itself provide more edge-of-the-seat suspense than a truckload of fictional Hollywood thrillers. You'll find your mind and heart racing as each child endeavors to spell out the arcane, tongue-tying words chosen by the officials for the competition. Throughout the proceedings, the audience is on as much of an emotional roller coaster as the participants and their families. As a filmmaker, Blitz knows that the human face is really a map revealing what is taking place inside our hearts and minds and this he captures with uncanny precision as the children sweat, tear up, furrow their brows and even in some cases act out their thought processes in humorously absurd muggery while formulating their answers.
`Spellbound' succeeds in its twofold purpose: to honor that commitment to competition that has defined what it means to be an American and to demonstrate that achieving in a competitive field using one's mind can be just as exciting and rewarding as achieving one's greatness on a court, field or gridiron. That's a message all too rarely conveyed by American culture.
Watching this film, you will indeed be spellbound.
In designing his film, director Jeffrey Blitz has chosen to focus on eight competitors from widely varying racial, geographical and socioeconomic backgrounds, interviewing them and their families before, during and after the competition. In the first half of the film he introduces us to each of the contestants, giving us behind-the-scenes glimpses into their home lives, their study techniques, their aspirations and their attitudes towards competition and the value of dedication and hard work. The common denominators these eight individuals all share are intelligence, drive, determination and a supportive family structure. Even though the pressure of the experience seems almost too much for any youngster to bear, all of these participants come across as levelheaded, sensible individuals who manage to keep it all in a healthy perspective. The parents, too, seem reasonable in their expectations, encouraging their children without placing undue pressure on them and beaming with justifiable pride at their amazing progeny. Yet, for all their seeming `nerdness' and gift for articulation, Blitz makes it clear that these kids are really just kids (albeit highly gifted ones) after all.
In the second half of the film, we move to the competition itself, watching as all except one of the people we have come to know over the course of the film eventually become eliminated (Blitz had the grand good fortune of choosing the eventual winner as one of his subjects). The scenes at the competition itself provide more edge-of-the-seat suspense than a truckload of fictional Hollywood thrillers. You'll find your mind and heart racing as each child endeavors to spell out the arcane, tongue-tying words chosen by the officials for the competition. Throughout the proceedings, the audience is on as much of an emotional roller coaster as the participants and their families. As a filmmaker, Blitz knows that the human face is really a map revealing what is taking place inside our hearts and minds and this he captures with uncanny precision as the children sweat, tear up, furrow their brows and even in some cases act out their thought processes in humorously absurd muggery while formulating their answers.
`Spellbound' succeeds in its twofold purpose: to honor that commitment to competition that has defined what it means to be an American and to demonstrate that achieving in a competitive field using one's mind can be just as exciting and rewarding as achieving one's greatness on a court, field or gridiron. That's a message all too rarely conveyed by American culture.
Watching this film, you will indeed be spellbound.
Jon Monsarrat review: flawless
Spellbound is a surprisingly moving film, because it is not really about spelling, but about hopes and dreams. There's a lot of love in the film, and it's interesting how different families have different approaches... all the way from hands-off parents to parents hiring drill coaches. The film does a good job of showing the backgrounds of the kids and presenting their personalities. I found myself trying to spell right along with them (unsuccessfully).
Spelling bees promote the worst kind of rote learning, especially when the kids are faced with words they will never use in real life. That's thousands of hours either totally wasted or to be less critical, hours that could have been put to better use, for example, learning creative writing or public speaking. Even so, as one parent says, this is practice to form a habit of perseverance for the future.
The pacing and music were perfect, the way the challenge was presented was clear and straightforward. Excellent film.
Who should see this film:
-- Kids of all ages
-- Everyone else. It's not at all boring.
I'll give Spellbound a perfect 10 out of 10.
Spelling bees promote the worst kind of rote learning, especially when the kids are faced with words they will never use in real life. That's thousands of hours either totally wasted or to be less critical, hours that could have been put to better use, for example, learning creative writing or public speaking. Even so, as one parent says, this is practice to form a habit of perseverance for the future.
The pacing and music were perfect, the way the challenge was presented was clear and straightforward. Excellent film.
Who should see this film:
-- Kids of all ages
-- Everyone else. It's not at all boring.
I'll give Spellbound a perfect 10 out of 10.
Charming, C-H-A-R-M-I-N-G
A fascinating look at spelling bees that manages to be entertaining and exciting at the same time. You really feel sorry for the poor kids who have to try and spell out words that you've never heard of, while their parents urge them on.
The kids themselves are an interesting mix as well. Every single one looks like every nerd cliché ever put on film, and the children portrayed in the film seem very stereotypical. Obviously, this is a choice made by the makers of the film, but I hope they haven't made them more stereotypical than they really are. Because in the end, what makes this film good is the chance to hear from people that otherwise would never get to tell their stories. [8/10]
The kids themselves are an interesting mix as well. Every single one looks like every nerd cliché ever put on film, and the children portrayed in the film seem very stereotypical. Obviously, this is a choice made by the makers of the film, but I hope they haven't made them more stereotypical than they really are. Because in the end, what makes this film good is the chance to hear from people that otherwise would never get to tell their stories. [8/10]
Le saviez-vous
- AnecdotesIn 2007, it was added to "IDA's Top 25 Documentaries" of all-time by the International Documentary Association ranked #4.
- GaffesWhile interviewing Harry in his room the boom mic is deliberately shown after Harry asks "Is that thing edible?"
- Citations
Harry Altman - Spelling Bee Participant: Does this sound like a musical robot?
- Crédits fousThere is no cast list; a cast member is considered credited if a subtitle or an item in the film prints the name (or partial name).
- ConnexionsFeatured in The 2003 IFP Independent Spirit Awards (2003)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
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- Aussi connu sous le nom de
- Завороженный
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 5 728 581 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 508 $US
- 4 mai 2003
- Montant brut mondial
- 7 457 710 $US
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