Baghban

Last week I watched BAGHBAN and I found film based on truth. Sir Amitabh with his legendary performances has once again proved that he is the star of all the times and the legend of the new millenium. What should I say about Madam Hema Mailini, she really knows the magic how to grasp time in her hand and as time has passed she has really become more beautiful. Madam Hema Malini's performances were also fabulous. And about Salman Khan, this is the first film where I have liked his performances.

Okay, the movie has a good theme--people should not forget their parents and discard them when they get old. However, I don't see some of the things happening in real life, especially things like Amitabh's glasses not being repaired. Sometimes the anger was also justified such as the late-night typewriter incident and the daughter coming back home at 3 AM (since they didn't know the true story). Somethings were just over-doing it, such as Salman and Mahima literally worshiping Salman's parents. The ever-growing love between Amitabh and Hema was really sweet. It was nice to see elderly, true love after watching cliched perfect 20s romance in every movie. What I especially didn't like about this movie is that it put women back in the 19th century where they are supposed to sit on the edge of their chair every evening, waiting for their husband to open the door; they should live in the kitchen. Hema's dialogue, "Times may change, but a woman's role never changes" ticked me off. However, this whole movie was made up by the climax, which was one extraordinary speech by Amitabh. His perfect eloquence is unmatchable by any other orator in Indian cinema. His words envelope you and take you on an emotional roller coaster.

I watched the movie again after about two decades. Some things slipped from mind. The highlight was however was cast of Alok. I somehow felt he is first introduced while the scene involving test drive.

If we see the script, that introduction of Alok seem overdone. They could have done it better but that could have not been that entertaining.

I just pray a loving couple is never separated and funds never become as issue.

Music is good that goes well along with the movie.

Acting is justified. The grand children were great. Characters alongside café, bank, and rented house did well. Salman as Alok slightly overdone as I want to ask is Salman really that polite in real life?

Final Verdict: Do watch it, it's available on YouTube. You will love it if you are in right relationship with your parents.

OMG, what a terrible movie! I could never imagine the great actor would have signed up to play this father/husband/grand father/retiree role, because the screenplay is so bad, so phony and the director of this movie, in my opinion, should be banned from directing any movie from 2003. Yes, that's how bad this movie is.

I just don't know how could this poor screenplay would be made into movie. From the very beginning, the loving husband and loving wife were so poorly acted and performed as a couple. All the scenes from the very beginning were just so overdone and so pretentious. All the characters, old or young, male or female, were just thoroughly ruined by this pathetic screenplay and the director. This is the first Bollywood movie that has made our watching a complete disgusting experience. It's more like a typical Korean TV drama, everybody had to murmur to herself or himself, with exaggerated gestures, expressions.

Amitabh Bachchan is one of the greatest Hindi actors, maybe the best of the bests, a Hindi Clark Gable + Gary Cooper + Marlon Brando, but...

Baghban is generally good, thought-provoking and moving, but it's never outstanding. This is the story of Raj and Pooja (Bachchan and Malini) who are married for over 40 years and have four sons living in India and one adopted son living abroad. The first half portrays the love of the entire family and particularly the longstanding love of the elderly parents. But then, when Raj retires and asks their children to take care of him and his wife, they get a shocking reply. The sons offer them to live separately, each spouse with another son, and change residence every half a year to another son. This is quite unbelievable and unrealistic. Would any child have had enough courage to act so cheap with their parents and separate them despite knowing how much they love each other? I don't think so. I was surprised that after all, the parents decided to accept their children's senseless conditions. I wonder, how is it possible? Why wouldn't they have stayed together in their house and forgot about their children? Well if they had done this, this film probably wouldn't have been made, so that's pretty sums it up.

And that's the particular period on which the story focuses: the first six months they live separately, Raj in the house of the second son, and Pooja in the house of the elder son. The film portrays their loneliness and suffering without each other, but most importantly shows how they discover the true colours of their children. Their children don't care for them, treat them badly and don't show any respect. Their daughters in-law are even worse. This part of the film is only reasonably well-done. The main problem with this entire concept is that you wonder how come they never get to meet during these six long months. Before they moved, they always had parties and dinners with the entire family and now they suddenly don't? Are they in prison or what? The saviour comes in the form of Salman Khan, their adopted son who literally worships them. I did not really understand the need to show such an enormous love from Salman to his parents. It was, though ironic, extremely cheesy and hard to believe.

In spite of the many of its flaws, the film does have its moments and it manages to touch your heart on more than one occasion. For instance, the Diwali phone conversation between the couple; there is nothing to eat in the fridge and Raj pretends to be eating, yet his wife understands that he is lying. The scene is moving (although it is, again, hard to believe that a common family's fridge would be completely empty). I loved the scene in which Hema asks her son how he can be moved by his wife's tears but doesn't give a damn for his mother's tears. Hema Malini was spectacular in both of these scenes. What I particularly liked, however, is the nice interaction between Raj and the new people he meets in a nearby restaurant in which he spends most of his time, including its young clients and particularly its owners, a childless couple played by Paresh Rawal and Lillete Dubey.

Amitabh Bachchan and Hema Malini, who have worked together many times, totally rise above the script and bring so much experience, sensitivity and depth to their respective roles that the otherwise poorly-handled portrayal of their love becomes convincing. Paresh Rawal and Lillete Dubey play their roles to perfection and make for an extremely sympathetic couple. Salman and Mahima are wasted, and all the four sons, their wives and children, are strictly average. The film belongs to the main lead and it's nice to see an out-and-out commercial Hindi movie in which the lead pair are 60 years old.

Baghban works in parts. Sometimes it's exciting, but sometimes it's boring and unwatchable. It generally works as typical Bollywood entertainment. The story had been tackled in Bollywood too many times before in films like Avtaar. Yet there is something very refreshing and new about the way it's presented in a modern-day India, even if it's not completely convincing. The irony conveyed through this film is too evident: strangers treat them better than their own children. I guess this was made to shock the audience and convey a striking message. The music is average, but the fact that Bachchan performs his own songs is good for the film. The ending is dramatic, overdone, but still somehow works on you. Maybe it's the best thing about this film; the moral taught in it and the good acting are stronger than any of its weaknesses.