Un jeune garçon s'embarque dans une aventure magique au Pôle Nord à bord du Polar Express. Au cours de son aventure, il découvrira l'amitié, la bravoure et l'esprit de Noël.Un jeune garçon s'embarque dans une aventure magique au Pôle Nord à bord du Polar Express. Au cours de son aventure, il découvrira l'amitié, la bravoure et l'esprit de Noël.Un jeune garçon s'embarque dans une aventure magique au Pôle Nord à bord du Polar Express. Au cours de son aventure, il découvrira l'amitié, la bravoure et l'esprit de Noël.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 5 victoires et 26 nominations au total
Chris Coppola
- Toothless Boy
- (voix)
- …
Michael Jeter
- Smokey
- (voix)
- …
Leslie Zemeckis
- Sister Sarah
- (voix)
- …
Eddie Deezen
- Know-It-All
- (voix)
Brendan King
- Pastry Chef
- (voix)
Andy Pellick
- Pastry Chef
- (voix)
Mark Mendonca
- Waiter
- (voix)
Rolondas Hendricks
- Waiter
- (voix)
- (as Rolandas Hendricks)
Mark Goodman
- Waiter
- (voix)
Gregory Gast
- Waiter
- (voix)
Sean Scott
- Waiter
- (voix)
Gordon Hart
- Waiter
- (voix)
Julene Renee
- Red Head Girl
- (voix)
- …
Avis à la une
So it was with much trepidation and even utter fear in my heart that I went to see this movie. After all, the last time I went to see a full-length adaptation of a favorite Christmas story, what I got was Ron Howard's absolutely God-awful "The Grinch". Having grown up with the book "The Polar Express" (according to my mom, I cited it as my favorite Christmas present when I was seven), I did not want to see this story bastardized in any way. Honestly, I was prepared for "Polar Express" to be a complete wreck. But instead
It soared. Completely. What makes the film such a success is not so much even the story itself, but an execution which somehow manages to inject every frame of the film with a feeling of childlike wonder and exuberance. In addition, there are so many clever touches and details added throughout that a feeling of mystery and excitement just fills the viewer. Among these are the waiters dancing and singing while serving hot chocolate to the kids on the train (a very funny scene, as well), the factory where the presents are prepared, and a ghost-like hobo who is never really explained, but is incredibly crucial to the feel of the film. At one point, three of the children wander lost through the empty streets of Santa's North Pole town. As they wander, various old Christmas recordings are heard playing on phonographs throughout the town. The music provides a pleasant and nostalgic ambiance to the scene. It's touches like this that absolutely make the film.
I'll never understand why films seem to be required to be at least 90 minutes long. I would pay money to see a 40-minute film, as long as it were good. And even if it sucked, I would have at least wasted less time. What I'm getting at is I have no idea why a 32-page picture book needed to be a 99-minute movie. What this means is that the original story is VASTLY expanded upon. However, what is added in actually fits quite well with the essence and spirit of the book. Some of it is just sheer entertainment; the train track is like a roller coaster, characters ski on top of the cars, danger lurks around every step of the journey to the North Pole (but admittedly fun danger). Other aspects further illuminate and expand upon the book's basic theme of the virtue of belief in the implausible. So I have no idea why this was made into a full-length, but in the end, I'm glad it was. It didn't even feel too long (and I think everything is too long).
Much criticism has fallen on the look of the characters in the movie. I can agree to a point. While there is incredible visual detail in the faces, they usually seem void of expression. In general, a lot of the motion seems rather wooden, as well. The scenery, on the other hand, is gorgeous. Overall, the minor problems in animation (which really boil down to a matter of taste anyway) are certainly not enough to diminish what is an overwhelmingly successful movie. Score: 8/10
It soared. Completely. What makes the film such a success is not so much even the story itself, but an execution which somehow manages to inject every frame of the film with a feeling of childlike wonder and exuberance. In addition, there are so many clever touches and details added throughout that a feeling of mystery and excitement just fills the viewer. Among these are the waiters dancing and singing while serving hot chocolate to the kids on the train (a very funny scene, as well), the factory where the presents are prepared, and a ghost-like hobo who is never really explained, but is incredibly crucial to the feel of the film. At one point, three of the children wander lost through the empty streets of Santa's North Pole town. As they wander, various old Christmas recordings are heard playing on phonographs throughout the town. The music provides a pleasant and nostalgic ambiance to the scene. It's touches like this that absolutely make the film.
I'll never understand why films seem to be required to be at least 90 minutes long. I would pay money to see a 40-minute film, as long as it were good. And even if it sucked, I would have at least wasted less time. What I'm getting at is I have no idea why a 32-page picture book needed to be a 99-minute movie. What this means is that the original story is VASTLY expanded upon. However, what is added in actually fits quite well with the essence and spirit of the book. Some of it is just sheer entertainment; the train track is like a roller coaster, characters ski on top of the cars, danger lurks around every step of the journey to the North Pole (but admittedly fun danger). Other aspects further illuminate and expand upon the book's basic theme of the virtue of belief in the implausible. So I have no idea why this was made into a full-length, but in the end, I'm glad it was. It didn't even feel too long (and I think everything is too long).
Much criticism has fallen on the look of the characters in the movie. I can agree to a point. While there is incredible visual detail in the faces, they usually seem void of expression. In general, a lot of the motion seems rather wooden, as well. The scenery, on the other hand, is gorgeous. Overall, the minor problems in animation (which really boil down to a matter of taste anyway) are certainly not enough to diminish what is an overwhelmingly successful movie. Score: 8/10
Come on, guys. This film was made at a time when these visuals were still groundbreaking. Don't complain now that they were not as far along then as they are today. Thanks to pioneering work like The Polar Express, filmmakers can now create even more beautiful things. A lack of historical perspective is a major shortcoming for the contemporary viewer... And yes, it is always a joy to watch Tom Hanks, whichever movie he's in. Now and back then.
I have to say that I adored 'The Polar Express'. It was just the sort of film I needed to truly get me into the Christmas mood. The story revolves around a young boy, who is coming to an age where he is doubting Santa Claus' existence, until the Polar Express- a magical train destined for the North Pole- takes him and a group of other young children on a journey to Santa and to reaffirm their faith in Christmas.
I had reservations about the use of CGI animation since I felt it really only worked for stories about cute animals but having seen the film, the CGI was the best way to capture the spirit of the film. It really wouldn't have worked as well in live action, the sense of other-worldly magic would have been lost. And as it was, the artwork was beautiful, especially the snowy mountainous scenery that the train passes through.
This film took me back to my childhood and that tingly-feeling every child gets on Christmas Eve in anticipation of Santa's visit. The story was sweet and innocent without being nauseating, and I think every one of us can empathise with the boy who wants to believe in Santa but is growing away from the innocence of early childhood and faith in magic. Much like Raymond Briggs' 'The Snowman', I predict 'The Polar Express' will go down as a Christmas classic. It certainly makes a pleasant change that this year's Christmas film was actually about Christmas and I hope they make the re-release of this film an annual Christmas event.
I had reservations about the use of CGI animation since I felt it really only worked for stories about cute animals but having seen the film, the CGI was the best way to capture the spirit of the film. It really wouldn't have worked as well in live action, the sense of other-worldly magic would have been lost. And as it was, the artwork was beautiful, especially the snowy mountainous scenery that the train passes through.
This film took me back to my childhood and that tingly-feeling every child gets on Christmas Eve in anticipation of Santa's visit. The story was sweet and innocent without being nauseating, and I think every one of us can empathise with the boy who wants to believe in Santa but is growing away from the innocence of early childhood and faith in magic. Much like Raymond Briggs' 'The Snowman', I predict 'The Polar Express' will go down as a Christmas classic. It certainly makes a pleasant change that this year's Christmas film was actually about Christmas and I hope they make the re-release of this film an annual Christmas event.
A simple story . . . beautifully told . . . magnificently visualized.
The IMAX experience was stunning.
I did not expect to enjoy the story as much as I did. Simple but quite heartwarming.
Although it started a bit slow, it continued to gain momentum (no train analogy intended) through its conclusion. I was not a great lover of the animation of the human characters, but the other animation, whether it be the train, the scenery, the reindeer, or the elves (are elves human?) was quite well done.
Perhaps the best review I can provide is that after I watched the Polar Express, I just felt happier.
The IMAX experience was stunning.
I did not expect to enjoy the story as much as I did. Simple but quite heartwarming.
Although it started a bit slow, it continued to gain momentum (no train analogy intended) through its conclusion. I was not a great lover of the animation of the human characters, but the other animation, whether it be the train, the scenery, the reindeer, or the elves (are elves human?) was quite well done.
Perhaps the best review I can provide is that after I watched the Polar Express, I just felt happier.
The Polar Express delivered me all the way back to childhood and my own faith in Santa Claus at the age of five. I could not only hear the bells, I could see his sleigh in the night sky. Chris Van Allsburg is to be commended for writing an excellent fantasy and Tom Hanks for conducting the wonder tour to beat them all. The special effects are just outstanding, the story line credible and heartwarming. The characters are believable and utterly charming. The children depicted are our own. I would recommend this film to any and all who love Christmas and remember what it is to believe. The experience of watching makes you a participant, breathless to see what comes next. I can hardly wait to view it on IMAX and am taking my entire family, including seven grandchildren to the Tulsa Cinemark this season. Let's hope we see more of this quality venue in months and years to come.
Le saviez-vous
- AnecdotesThe film is listed in the 2006 Guinness Book of World Records as the "first all-digital capture" film, where all acted parts were done in digital capture.
- GaffesEarly in the film when Hero Boy is in his room, his robe is seen on the bedpost closest to the bedroom door - when his parents visit the room, that bedpost is bare, then when he goes to see the train, the robe is there again (and he rips the pocket).
- Citations
The Conductor: Seeing is believing, but sometimes the most real things in the world are the things we can't see.
- Crédits fousThe production company credits are covered with snow and ice.
- Versions alternativesThe film's IMAX release presented the film cropped to the Univisium 2.00:1 aspect ratio.
- ConnexionsFeatured in HBO First Look: The Polar Express (2004)
- Bandes originalesThe Polar Express
Written and Produced by Glen Ballard & Alan Silvestri
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El expreso polar
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 165 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 189 528 738 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 323 463 $US
- 14 nov. 2004
- Montant brut mondial
- 318 910 211 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.33 : 1
- 2.39 : 1
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