NOTE IMDb
5,8/10
56 k
MA NOTE
Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.Des frères siamois de Martha's Vineyard déménagent à Los Angeles afin que l'un d'eux puisse poursuivre une carrière d'acteur.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
I went into the cinema with friends and said: "It's a Farrelly Brothers film; you can guess the level of humour." There's Something About Mary I love, but let's face it -- the humour is quite crass, even if the movie does have some heart. So I expected another movie with jokes in bad taste, and lots of humour at the expense of conjoined twins. At least this is how the film has marketed it. However, it couldn't be further from the truth. What has been marketed is quite different to what the film is about.
Whilst the film does have humour -- some movements hilariously funny -- this film is at heart a light drama. And this is by certainly no means a bad thing. When I expected low-IQ humour, what I got was just a really engrossing tale of two brothers who just happen to be conjoined. The chemistry between Damon and Kinnear is just perfect, and the relationship between the brothers (no doubt written from experience by the Farrelly Brothers) was wonderful.
Fox's marketing treatment of the film is appalling. In the trailer, Matt Damon's character says: "We're not Siamese, we're American," and the trailer plays it like he is stupid. Whereas in fact, when watching the film, the context is very different -- he's reacting with indignation, and in defence of their conjoined nature. This is indicative of the entire film. Never is their conjoined-nature used for humour in a bad way.
Throw away what you've seen in the trailers, or what you think the film is about. Go and see this movie that has its heart so very much in the right place -- a great antidote to so many Hollywood films that have the soul of a stone. I don't normally get sentimental with films. I'm the type of viewer that laughs when Jack dies at the end of Titanic. But I went away from Stuck On You knowing I'd seen a very special film indeed. Highly recommended.
Whilst the film does have humour -- some movements hilariously funny -- this film is at heart a light drama. And this is by certainly no means a bad thing. When I expected low-IQ humour, what I got was just a really engrossing tale of two brothers who just happen to be conjoined. The chemistry between Damon and Kinnear is just perfect, and the relationship between the brothers (no doubt written from experience by the Farrelly Brothers) was wonderful.
Fox's marketing treatment of the film is appalling. In the trailer, Matt Damon's character says: "We're not Siamese, we're American," and the trailer plays it like he is stupid. Whereas in fact, when watching the film, the context is very different -- he's reacting with indignation, and in defence of their conjoined nature. This is indicative of the entire film. Never is their conjoined-nature used for humour in a bad way.
Throw away what you've seen in the trailers, or what you think the film is about. Go and see this movie that has its heart so very much in the right place -- a great antidote to so many Hollywood films that have the soul of a stone. I don't normally get sentimental with films. I'm the type of viewer that laughs when Jack dies at the end of Titanic. But I went away from Stuck On You knowing I'd seen a very special film indeed. Highly recommended.
The Farrelly Brothers' "Stuck On You" is sincere drama with lots of heart -- of course, along with their smart quips and earnest observations not diminishing. I even gone teary-eyed towards the end. Bobby and Peter Farrelly brothers wrote, directed and produced this movie and they are never sloppy. There is much attention to detail and exudes empathy and earnestness. (I'd say their 2001 production of "Shallow Hal," with Jack Black and Gwenyth Paltrow, contained moments of poignancy also.)
Watching Matt Damon (as Bob) and Greg Kinnear (as Walt) single-handedly flipping burgers and buns in syncopated rhythm -- 'tis an acrobatic act in itself! (The art of 'Quickie Burgers in less than 30 seconds' is such a theme!) The pairing is godsend. Both Damon and Kinnear are talented actors who had many fascinating roles. Kinnear's portrayal of Bob Crane ("Hogan's Heroes") in Paul Schrader's "Auto Focus" 2002 has pretty much established him -- since his debut role in Sydney Pollack's remake of "Sabrina" 1995 and coming through acting opposite Jack Nicholson in Albert Brooks' "As Good As It Gets" 1997 -- as one who can handle roles in depth. Damon, besides his writing quality, has shown his versatile capability in Ed Zwick's "Courage Under Fire" 1996 (psychological/military), John Dahl's "Rounders" 1998 (intense/suspense), Kevin Smith's "Dogma" 1999 (fun/satire), Anthony Minghella's "The Talented Mr. Ripley" 1999 (multiple personality/mystery), Billy Bob Thornton's "All the Pretty Horses" 2000 (romance/western), Doug Liman's "The Bourne Identity" 2002 (action/thriller), Steven Soderbergh's remake of "Ocean Eleven" (ensemble cast/heist), and Gus Van Sant's "Gerry" 2002 (mystical/hypnotic) which Damon scripted and acted with Casey Affleck -- yes, he can handle any role, indeed.
The story introduces, matter of factly, the things these two stuck together brothers do in their everyday life -- it's down to earth and comes across downright normal. The plot evolves when Walt wants to pursue his acting career, just like any Hollywood dreams and Bob wants his brother to succeed. The Farrelly brothers can sure weave a heartwarming story, and here they follow through the emotional curve and happenings (cause and consequences) between these two brothers, and their friends and neighbors along the way. It's a thoughtful and creative script, and the brothers (almost a pun here) manage to include a musical, too. Cher is in a supporting role playing her fun self. The two corresponding girl friend roles are played delightfully by Eva Mendes as April, and tenderly by Wen Yann Shih as May. Veteran actor Seymour Cassel has a riotous time with his wig. There's a heartfelt cameo by Meryl Streep -- it's beyond being brief. The use of songs and lyrics was complementary to the various moods at hand. (Gilbert O'Sullivan's 1970 hit "Alone Again, Naturally" included.) From the production notes, we learned that the conjoint-ness was made possible by a makeup team led by Tony Gardner, special makeup designer, who collaborated with the Farrelly's before -- he enabled Gwenyth Paltrow's 300-lbs physique in "Shallow Hal". Damon and Kinnear were 'stuck together' 14 hours a day for 3 months. It is amazing how Farrelly brothers and their capable filmmaking friends and collaborators realized this genuinely caring human drama-comedy. It's guaranteed enjoyable movie experience for everyone.
Watching Matt Damon (as Bob) and Greg Kinnear (as Walt) single-handedly flipping burgers and buns in syncopated rhythm -- 'tis an acrobatic act in itself! (The art of 'Quickie Burgers in less than 30 seconds' is such a theme!) The pairing is godsend. Both Damon and Kinnear are talented actors who had many fascinating roles. Kinnear's portrayal of Bob Crane ("Hogan's Heroes") in Paul Schrader's "Auto Focus" 2002 has pretty much established him -- since his debut role in Sydney Pollack's remake of "Sabrina" 1995 and coming through acting opposite Jack Nicholson in Albert Brooks' "As Good As It Gets" 1997 -- as one who can handle roles in depth. Damon, besides his writing quality, has shown his versatile capability in Ed Zwick's "Courage Under Fire" 1996 (psychological/military), John Dahl's "Rounders" 1998 (intense/suspense), Kevin Smith's "Dogma" 1999 (fun/satire), Anthony Minghella's "The Talented Mr. Ripley" 1999 (multiple personality/mystery), Billy Bob Thornton's "All the Pretty Horses" 2000 (romance/western), Doug Liman's "The Bourne Identity" 2002 (action/thriller), Steven Soderbergh's remake of "Ocean Eleven" (ensemble cast/heist), and Gus Van Sant's "Gerry" 2002 (mystical/hypnotic) which Damon scripted and acted with Casey Affleck -- yes, he can handle any role, indeed.
The story introduces, matter of factly, the things these two stuck together brothers do in their everyday life -- it's down to earth and comes across downright normal. The plot evolves when Walt wants to pursue his acting career, just like any Hollywood dreams and Bob wants his brother to succeed. The Farrelly brothers can sure weave a heartwarming story, and here they follow through the emotional curve and happenings (cause and consequences) between these two brothers, and their friends and neighbors along the way. It's a thoughtful and creative script, and the brothers (almost a pun here) manage to include a musical, too. Cher is in a supporting role playing her fun self. The two corresponding girl friend roles are played delightfully by Eva Mendes as April, and tenderly by Wen Yann Shih as May. Veteran actor Seymour Cassel has a riotous time with his wig. There's a heartfelt cameo by Meryl Streep -- it's beyond being brief. The use of songs and lyrics was complementary to the various moods at hand. (Gilbert O'Sullivan's 1970 hit "Alone Again, Naturally" included.) From the production notes, we learned that the conjoint-ness was made possible by a makeup team led by Tony Gardner, special makeup designer, who collaborated with the Farrelly's before -- he enabled Gwenyth Paltrow's 300-lbs physique in "Shallow Hal". Damon and Kinnear were 'stuck together' 14 hours a day for 3 months. It is amazing how Farrelly brothers and their capable filmmaking friends and collaborators realized this genuinely caring human drama-comedy. It's guaranteed enjoyable movie experience for everyone.
Bob (Matt Damon) and Walt (Greg Kinnear) are conjoined twins (joined at their lower trunks--they share a liver) from Massachusetts. They own a burger joint named "Quickie Burger" and Walt has a love of acting. Walt decides to move to California to try his luck at the big time, and although Bob is initially reluctant, he also has a beautiful "Internet pal" in California who he's been talking to for more than three years.
Compared to some of directors Bobby and Peter Farrelly's other films, such as Dumb and Dumber, There's Something About Mary, and Me, Myself And Irene, we could say that the humor in Stuck On You is much more subtle. That fact may be off-putting to viewers who come to Stuck On You primarily as fans of the Farrelly Brothers' previous work. There are still outrageous gags here, but they tend to be funnier if you exercise your intellect a bit, and believe it or not they are more rooted in reality than some other Farrelly Brothers films. If you are familiar with Daisy and Violet Hilton's story, for example--they were infamous sideshow performers who were conjoined twins--you'll note similarities, such as how they approached relationships with persons of the opposite sex.
Like much of the Farrelly Brothers other work, however, Stuck On You is as heartwarming as funny, and on one level, it's primarily a very odd romance film. It also seems that perhaps this is the most personal of their films so far, and it may very well be a depiction of their love for each other as brothers. That also gives Stuck On You a slightly more serious edge, but one that works very well. This is a quality drama in addition to being a comedy leaning towards absurdism. That may sound like a strange combination, but it flowed smoothly for me as a viewer.
The performances by Damon and Kinnear are on target, and their love interests, May (Wen Yann Shih) and April (Eva Mendes) are intriguing and not at all clichéd. The extended cameos by Cher and Meryl Streep, as themselves, are very entertaining, and the supporting cast is excellent.
Compared to some of directors Bobby and Peter Farrelly's other films, such as Dumb and Dumber, There's Something About Mary, and Me, Myself And Irene, we could say that the humor in Stuck On You is much more subtle. That fact may be off-putting to viewers who come to Stuck On You primarily as fans of the Farrelly Brothers' previous work. There are still outrageous gags here, but they tend to be funnier if you exercise your intellect a bit, and believe it or not they are more rooted in reality than some other Farrelly Brothers films. If you are familiar with Daisy and Violet Hilton's story, for example--they were infamous sideshow performers who were conjoined twins--you'll note similarities, such as how they approached relationships with persons of the opposite sex.
Like much of the Farrelly Brothers other work, however, Stuck On You is as heartwarming as funny, and on one level, it's primarily a very odd romance film. It also seems that perhaps this is the most personal of their films so far, and it may very well be a depiction of their love for each other as brothers. That also gives Stuck On You a slightly more serious edge, but one that works very well. This is a quality drama in addition to being a comedy leaning towards absurdism. That may sound like a strange combination, but it flowed smoothly for me as a viewer.
The performances by Damon and Kinnear are on target, and their love interests, May (Wen Yann Shih) and April (Eva Mendes) are intriguing and not at all clichéd. The extended cameos by Cher and Meryl Streep, as themselves, are very entertaining, and the supporting cast is excellent.
This turned out to be a surprisingly effective comedy. Okay, sure, you can say that a movie that pokes fun at conjoined twins is in poor taste, but there's nothing malicious about it -- it feels, if you can believe it, genuine.
You really get a sense of the tenderness and the bond that has developed between the two brothers. Of course, as you'd expect from the Farrelly brothers, it's laugh-out-loud funny. As you might not expect, there's not really any gross-out humor: it's more "Hal" than "Mary". If you can't tell, I was pleasantly surprised by this movie.
Some gag highlights: Cher with her boyfriends, Matt Damon's stage fright, Greg Kinnear in a animal costume.
You really get a sense of the tenderness and the bond that has developed between the two brothers. Of course, as you'd expect from the Farrelly brothers, it's laugh-out-loud funny. As you might not expect, there's not really any gross-out humor: it's more "Hal" than "Mary". If you can't tell, I was pleasantly surprised by this movie.
Some gag highlights: Cher with her boyfriends, Matt Damon's stage fright, Greg Kinnear in a animal costume.
8ivko
To be honest, I am still a little amazed at how much I liked this film. I resisted seeing it for a long time because the concept sounded so offensive. But offensive is the last word I would use to describe this movie. Hilarious would be more accurate. The conjoined twin thing never feels like fodder for cheap jokes. Yes, it plays prominently in the plot, but it just never feels like you are laughing at them, only with them. There is genuine affection for the two main characters, played expertly by Damon and Kinnear, that really shines thru. To be absolutely honest, a lot of what makes this film so incredible is hard (for me, at least) to describe. All I can say is that it's funny, it's touching, it's a bit of Farrelly brothers magic. See it, you won't regret it.
Le saviez-vous
- AnecdotesAt the beginning of the movie, when the twins are getting out of bed, there is a shot that shows their feet on the floor and there appears to be a face under the bed. It's rumored to be baseball equipment, but it's actually the executive producer, hiding to see if directors Bobby Farrelly and Peter Farrelly would notice. They didn't.
- GaffesOn the way to the hospital, when Morty pulls up next to the moving car in his scooter, he is holding a cigar in his hand; the smoke is blowing forward, not backward as it should on a moving vehicle.
- Citations
Doctor 1: I'm afraid... we lost them.
[girls gasp and begin to cry]
Doctor 1: [other doctor enters]
Doctor 2: It's okay, they'd been taken up to the top floor. We found them.
- Crédits fousLate in the end credits Rocket thanks the cast and crew for giving him a chance to act
- ConnexionsFeatured in HBO First Look: Stuck on You (2003)
- Bandes originalesHere Comes Your Man
Written by Frank Black (as Black Francis)
Performed by Pixies (as The Pixies)
Courtesy of 4AD
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- How long is Stuck on You?Alimenté par Alexa
Détails
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 33 832 741 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 411 055 $US
- 14 déc. 2003
- Montant brut mondial
- 65 784 503 $US
- Durée1 heure 58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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By what name was Deux en un (2003) officially released in India in English?
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