Deux en un

The Farrelly Brothers' "Stuck On You" is sincere drama with lots of heart -- of course, along with their smart quips and earnest observations not diminishing. I even gone teary-eyed towards the end. Bobby and Peter Farrelly brothers wrote, directed and produced this movie and they are never sloppy. There is much attention to detail and exudes empathy and earnestness. (I'd say their 2001 production of "Shallow Hal," with Jack Black and Gwenyth Paltrow, contained moments of poignancy also.)

Watching Matt Damon (as Bob) and Greg Kinnear (as Walt) single-handedly flipping burgers and buns in syncopated rhythm -- 'tis an acrobatic act in itself! (The art of 'Quickie Burgers in less than 30 seconds' is such a theme!) The pairing is godsend. Both Damon and Kinnear are talented actors who had many fascinating roles. Kinnear's portrayal of Bob Crane ("Hogan's Heroes") in Paul Schrader's "Auto Focus" 2002 has pretty much established him -- since his debut role in Sydney Pollack's remake of "Sabrina" 1995 and coming through acting opposite Jack Nicholson in Albert Brooks' "As Good As It Gets" 1997 -- as one who can handle roles in depth. Damon, besides his writing quality, has shown his versatile capability in Ed Zwick's "Courage Under Fire" 1996 (psychological/military), John Dahl's "Rounders" 1998 (intense/suspense), Kevin Smith's "Dogma" 1999 (fun/satire), Anthony Minghella's "The Talented Mr. Ripley" 1999 (multiple personality/mystery), Billy Bob Thornton's "All the Pretty Horses" 2000 (romance/western), Doug Liman's "The Bourne Identity" 2002 (action/thriller), Steven Soderbergh's remake of "Ocean Eleven" (ensemble cast/heist), and Gus Van Sant's "Gerry" 2002 (mystical/hypnotic) which Damon scripted and acted with Casey Affleck -- yes, he can handle any role, indeed.

The story introduces, matter of factly, the things these two stuck together brothers do in their everyday life -- it's down to earth and comes across downright normal. The plot evolves when Walt wants to pursue his acting career, just like any Hollywood dreams and Bob wants his brother to succeed. The Farrelly brothers can sure weave a heartwarming story, and here they follow through the emotional curve and happenings (cause and consequences) between these two brothers, and their friends and neighbors along the way. It's a thoughtful and creative script, and the brothers (almost a pun here) manage to include a musical, too. Cher is in a supporting role playing her fun self. The two corresponding girl friend roles are played delightfully by Eva Mendes as April, and tenderly by Wen Yann Shih as May. Veteran actor Seymour Cassel has a riotous time with his wig. There's a heartfelt cameo by Meryl Streep -- it's beyond being brief. The use of songs and lyrics was complementary to the various moods at hand. (Gilbert O'Sullivan's 1970 hit "Alone Again, Naturally" included.) From the production notes, we learned that the conjoint-ness was made possible by a makeup team led by Tony Gardner, special makeup designer, who collaborated with the Farrelly's before -- he enabled Gwenyth Paltrow's 300-lbs physique in "Shallow Hal". Damon and Kinnear were 'stuck together' 14 hours a day for 3 months. It is amazing how Farrelly brothers and their capable filmmaking friends and collaborators realized this genuinely caring human drama-comedy. It's guaranteed enjoyable movie experience for everyone.

This turned out to be a surprisingly effective comedy. Okay, sure, you can say that a movie that pokes fun at conjoined twins is in poor taste, but there's nothing malicious about it -- it feels, if you can believe it, genuine.

You really get a sense of the tenderness and the bond that has developed between the two brothers. Of course, as you'd expect from the Farrelly brothers, it's laugh-out-loud funny. As you might not expect, there's not really any gross-out humor: it's more "Hal" than "Mary". If you can't tell, I was pleasantly surprised by this movie.

Some gag highlights: Cher with her boyfriends, Matt Damon's stage fright, Greg Kinnear in a animal costume.

I was worried with the 5.6 rating this was going to be average at best but it's so well acted and delivered I can't understand who didn't like it. It avoids cheap jokes at the expense of the brother's conjoined condition yet delivers laugh after laugh in a good-natured and fun way. Damon and Kinnear deliver high quality character depth with warmth and charm, well above midnight double feature level and the star cast nods are icing on the cake. The film is just good fun all the way through. Well worth the time to watch it and it seems it is a somewhat overlooked classy film.

I went into the cinema with friends and said: "It's a Farrelly Brothers film; you can guess the level of humour." There's Something About Mary I love, but let's face it -- the humour is quite crass, even if the movie does have some heart. So I expected another movie with jokes in bad taste, and lots of humour at the expense of conjoined twins. At least this is how the film has marketed it. However, it couldn't be further from the truth. What has been marketed is quite different to what the film is about.

Whilst the film does have humour -- some movements hilariously funny -- this film is at heart a light drama. And this is by certainly no means a bad thing. When I expected low-IQ humour, what I got was just a really engrossing tale of two brothers who just happen to be conjoined. The chemistry between Damon and Kinnear is just perfect, and the relationship between the brothers (no doubt written from experience by the Farrelly Brothers) was wonderful.

Fox's marketing treatment of the film is appalling. In the trailer, Matt Damon's character says: "We're not Siamese, we're American," and the trailer plays it like he is stupid. Whereas in fact, when watching the film, the context is very different -- he's reacting with indignation, and in defence of their conjoined nature. This is indicative of the entire film. Never is their conjoined-nature used for humour in a bad way.

Throw away what you've seen in the trailers, or what you think the film is about. Go and see this movie that has its heart so very much in the right place -- a great antidote to so many Hollywood films that have the soul of a stone. I don't normally get sentimental with films. I'm the type of viewer that laughs when Jack dies at the end of Titanic. But I went away from Stuck On You knowing I'd seen a very special film indeed. Highly recommended.

I'm actually a big Farrelly Brothers fan (and not just because they're from Rhode Island). So, it's with great reluctance that I write a less than stellar review of "Stuck On You".

It's not a horrible film, but like many recent Farrelly releases it's muddled and illustrates a tug of war between the movies the Farrellys want to make the and movies the Farrelly's fans want them to make.

"Stuck On You" tells the tale of Bob and Walt Tenor, conjoined twins who live a good, peaceful life on Nantucket Island. That is until Walt (played by Greg Kinnear) catches the acting bug and wants to move to LA. The story and gags from there mostly revolve around a fish-out-of-water story (but two fish joined at the side) and the brothers' ongoing ignorance of their own condition.

At one point, Bob (played by Matt Damon) tells Walt that he'll never make it in acting. Why? Because he needs a better tan. Though these aren't the idiot gags that we all enjoyed in "Dumb & Dumber". In fact, both of the brothers are very bright. Their ignorance is more a function of their being so close (physically and emotionally) for such a long period of time and because back home everyone accepted them completely. They've become blind to their own handicap.

It's a nice message and it is delivered poignantly at times. More often, though, we're hammered with it over and over again while the Farrellys do their best to make the movie look more like one of their more celebrated, more tasteless, and funnier movies like "Dumb & Dumber", "Something About Mary", or "Me, Myself and Irene".

In all of the latter movies, there was no illusion that we were there primarily there for the gutter chuckles, but each movie also had characters we really liked. Let's face it. We were all rooting for Lloyd and Harry in "Dumb and Dumber" even if they were morons.

In "Stuck On You", the main characters are all a lot flatter than what we've seen before. Plus, one of the most disappointing aspects in "Stuck On You" is the poor use of the minor characters. In previous movies we got some of our biggest laughs from the sideline characters, while in "Stuck On You" they're used mostly as window dressing. Eva Mendes is primarily a cleavage delivery device in "Stuck On You", which is a shame because she's not a bad actress and she could have some comedic chops.

How are Greg Kinnear and Matt Damon in this film? They both do as good as can be expected. We're not used to seeing Damon in comedic films (his last was "Dogma"), and I think he does comedy very well. I'm reluctant to comment directly on their performances because it's not fair. The characters are flat and that's not their fault.

Sadly, this isn't a fluke for the Farrellys. It's part of an ongoing trend. Their animated movie, "Osmosis Joe", more closely resembled a feature-length public health announcement starring Chris Rock and Bill Murray. "Shallow Hal" dealt with superficiality in much heavier, dramatic tones than we were led to believe in the movie's trailers.*

In "Stuck On You", the Farrellys try to swerve back to their poop-and-fart-joke roots, but deep down you can tell they want to make more serious, thematic movies.

I would have no problem if the Farrellys decided to do a more serious, dramatic film. I would also have no problem if the Farrellys decided to do more locker-room humor comedies. But I do have a problem with them trying to do both at the same time. It's just not working.

* NOTE - While I'm not shopping for the DVD, I did enjoy "Shallow Hal" once I realized (and accepted) that the movie was a lot heavier than the trailers depicted. That said, there were a lot of people in the cinema who were expecting something like "Dumb & Dumber" and they were plenty unhappy about it. I don't blame them.