NOTE IMDb
6,2/10
49 k
MA NOTE
Ben doit choisir entre sa vie privée et sa passion.Ben doit choisir entre sa vie privée et sa passion.Ben doit choisir entre sa vie privée et sa passion.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 nominations au total
Scott Severance
- Artie
- (as Scott H. Severance)
Jessamy Finet
- Teresa
- (as Jessamy R. Finét)
Avis à la une
7imxo
My daughter gets really put out at me when I refer to Drew Barrymore as looking as if she'd been hit in the face with a frying pan, not to mention her Dudley Dooright chin that Jay Leno would die for. How wonderful, then, when I discovered in "Fever Pitch" that I really like Miss Barrymore; and Jimmy Fallon; and the Red Sox; and Boston! This film is probably best characterized as a sweet, light comedy. To be absolutely stereotypical, the girls will like the movie for its romantic charm and Jimmy Fallon's vulnerability, and the boys will like it for all the male bonding and the depiction of sports mania.
My sports-hating wife, my teenage daughter, and I all found something to like in the film. That says something in itself. It's a pleasant way to spend an hour and a half or so, and is probably a really good date flic, too.
My sports-hating wife, my teenage daughter, and I all found something to like in the film. That says something in itself. It's a pleasant way to spend an hour and a half or so, and is probably a really good date flic, too.
"Fever Pitch" is supposed to be an adaptation of Nick Hornby's book "Pitch Fever". Only in the book Hornby himself is the main character. And he hasn't got an obsession with baseball, but with soccer. The rest is the same as in the movie, though. Or is it? The truth is "Fever Pitch" has almost nothing to do with the book. It has not so much been based on as it has been inspired by Hornby's novel. On its own "Fever Pitch" is a pretty romantic movie that tries to avoid going over the top with its humor most of the time. Jimmy Fallon and Drew Barrymore try their best not to be unbearable and succeed more or less. The Farrelly brothers clearly took the Weitz brothers as an example for how to get out of the dick joke business into more mature movies. Of course, "Fever Pitch" doesn't hold a candle to the wonderful "About A Boy", but you have to say that the Farrellys were given weaker material to work with in the first place. In its best moments the movie makes you chuckle and in its worst it makes you yawn and look at your watch. Yep, the big problem with "Fever Pitch" is that it drags on too long. Stripped from Hornby's hilarious observations on his favorite sport and its connections to his own life the story just isn't very interesting (which has also already been the problem with the first adaptation of the novel). What do we learn from that? Just because an author is popular doesn't mean that all his novel translate well to film. J.D. Salinger had a reason why he denied film makers to ever adapt his stories, you know?
Fever Pitch is a fun enough movie. It has a lot of funny moments (including a hilariously disturbing shower scene). Like most romantic comedies, it has a "dead zone" in the middle where all the heavy, "she's breaking up with me" stuff happens, but other than that it continues to be funny until the end.
Even though the plot revolves around fanaticism towards the Red Sox, it's not overloaded with sports. You don't have to be a fan to enjoy this film.
Of course that's easy for me to say: I've been a Red Sox fan since I was a boy, too.
7 out of 10.
Barky
Even though the plot revolves around fanaticism towards the Red Sox, it's not overloaded with sports. You don't have to be a fan to enjoy this film.
Of course that's easy for me to say: I've been a Red Sox fan since I was a boy, too.
7 out of 10.
Barky
"Fever Pitch" is a sweet and charming addition to the small genre of sports romances as date movies or movies a son could be willing to go to with his mother (though the guys in the audience got noticeably restless during the romantic scenes).
I have lived through a milder version of such a story, as my first exposure to baseball was dating my husband the spring after the Mets first World Series win and then I watched the Mets clinch their next one because I was the one still up in the wee hours with our two little sons, who have grown up to teach me more about baseball through our local neighborhood National League team's other heartbreaking failures to win it again (and it was me who took our older son to his only Fenway Park game as I caught a bit of Red Sox fever as a graduate student in Boston).
So compared to reality, the script believably creates two people with actual jobs. It is particularly impressive that Drew Barrymore's character is a substantive workaholic who has anti-Barbie skills, though she pretty much only visits with her three bland girlfriends during gym workouts that allow for much jiggling and the minor side stories with her parents don't completely work.
It is even set up credibly how she meets Jimmy Fallon's math teacher and how she falls for his "winter guy" -- though it's surprising that his Red Sox paraphernalia filled apartment didn't tip her off to his Jekyll-and-Hyde "summer guy." Their relationship crisis during the baseball season is also played out in a refreshingly grown-up way, from efforts at compromise to her frank challenges to him, centered around that they are both facing thirty and single. Fallon surprisingly rises to his character's gradual emotional maturity.
While the ending borrows heavily from O. Henry, the script writers did a yeoman job of quickly incorporating the Sox's incredible 2004 season into a revised story line (with lots of cooperation from the Red Sox organization for filming at the stadium).
The script goes out of its way to explain why Fallon doesn't have a Boston accent, as an immigrant from New Jersey, but that doesn't explain why his motley friends don't. The most authentic sounding Boston sounds come from most of his "summer family" of other season ticket holders, who kindly kibitz the basics of Sox lore to neophyte Barrymore (and any such audience members).
The song selection includes many Red Sox fans' favorites, from the opening notes of the classic "Dirty Water," though most are held to be heard over the closing credits as if you are listening to local radio and are worth sitting through to hear.
I have lived through a milder version of such a story, as my first exposure to baseball was dating my husband the spring after the Mets first World Series win and then I watched the Mets clinch their next one because I was the one still up in the wee hours with our two little sons, who have grown up to teach me more about baseball through our local neighborhood National League team's other heartbreaking failures to win it again (and it was me who took our older son to his only Fenway Park game as I caught a bit of Red Sox fever as a graduate student in Boston).
So compared to reality, the script believably creates two people with actual jobs. It is particularly impressive that Drew Barrymore's character is a substantive workaholic who has anti-Barbie skills, though she pretty much only visits with her three bland girlfriends during gym workouts that allow for much jiggling and the minor side stories with her parents don't completely work.
It is even set up credibly how she meets Jimmy Fallon's math teacher and how she falls for his "winter guy" -- though it's surprising that his Red Sox paraphernalia filled apartment didn't tip her off to his Jekyll-and-Hyde "summer guy." Their relationship crisis during the baseball season is also played out in a refreshingly grown-up way, from efforts at compromise to her frank challenges to him, centered around that they are both facing thirty and single. Fallon surprisingly rises to his character's gradual emotional maturity.
While the ending borrows heavily from O. Henry, the script writers did a yeoman job of quickly incorporating the Sox's incredible 2004 season into a revised story line (with lots of cooperation from the Red Sox organization for filming at the stadium).
The script goes out of its way to explain why Fallon doesn't have a Boston accent, as an immigrant from New Jersey, but that doesn't explain why his motley friends don't. The most authentic sounding Boston sounds come from most of his "summer family" of other season ticket holders, who kindly kibitz the basics of Sox lore to neophyte Barrymore (and any such audience members).
The song selection includes many Red Sox fans' favorites, from the opening notes of the classic "Dirty Water," though most are held to be heard over the closing credits as if you are listening to local radio and are worth sitting through to hear.
If you enjoy romantic comedies then you will find this tale of two 30 year old singles who fall in love during the American League pennant race satisfying. On the other hand, if you are hanging around waiting for Kill Bill Volume 3 or Sin City 2 then you probably should stay away. The plot contains the obligatory guy meets girl's friends, girl meets guy's friends, and guy meets girl's parents scenes. There is even a guy meets girl's pet dog scene. That's all par for the course in a movie like this. However, what I liked about it was that the plot delved into the decision making process people make as they begin to realize that their romantic interest is not perfect and is in fact a bit quirky. The plot centers around answering the questions; how much quirkiness is too much and how much love does it take to trump those quirks? It is interesting to see the characters work that out because deep down (if we admit it) we all have quirks. Barrymore does a very good job in her role and Fallon sorta surprised me -- he's good as well. I rate it a 7 out of 10 as a romantic comedy. Add one point if you are a baseball fan or romantically involved with one. Add another point if you are a Red Sox fan and subtract two points if you are a Yankees fan.
Le saviez-vous
- AnecdotesThe Opening Day sequence was filmed on September 4, 2004 with Stephen King throwing out the first pitch; the Red Sox lost that game, ending a 10-game winning streak and King was blamed for it in the Boston Globe.
- GaffesRight before the scene where Lindsay gets hit with the ball, the legend on the screen says it's July. The ball Miguel Tejada of the Orioles hits into the stands, which hits Lindsay, is thrown by Mike Myers of the Red Sox. Mike Myers wasn't picked up by the Red Sox until August 6, 2004.
- Citations
Lindsey Meeks: You love me enough to sell your tickets, I love you enough not to let you. What do you say we try to do all of it. Let's try to jerk one out of the park.
- Crédits fousFollowing the credits, there is a short home-video-like clip of 4 children cheering on the Red Sox.
- Versions alternativesThe DVD editon of the film dubbed the "Cursed Reversed Edition for Boston Red Sox fans" by Fox contains the alternate ending of the film that was actually shot during the 2004 playoffs and World Series. In the original ending of the film scripted by Lowell Ganz and Babaloo Mandel, "The Curse of the Bambino" dubbed by die hard Red Sox fans would have continued "if" the Yankees had beaten them in the playoffs. The Red Sox, who were down by three games, had come back and beaten the Yankees which was the first time a pro-sports team had ever come back from such a defeat and eventually won the World Series, sweeping the St.Louis Cardinals. The moment that it had happened, Drew Barrymore and Jimmy Fallon in character, ran onto the field and celebrated with the team. This ending was edited in the film as a montage with narration by actor Jack Kehler.
- ConnexionsEdited into Fever Pitch: Red Sox Alternate Ending (2005)
- Bandes originalesDirty Water
Written by Ed Cobb
Performed by The Standells
Courtesy of Geffen Records
Under license from Universal Music Enterprises
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Fever Pitch?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Amor en juego
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 071 069 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 400 125 $US
- 10 avr. 2005
- Montant brut mondial
- 50 605 163 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Rapport de forme
- 2.35 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant