Ajouter une intrigue dans votre langueAn art student disappears after murdering his model. Now his friends and family are being haunted by the resurrected woman, Tomie.An art student disappears after murdering his model. Now his friends and family are being haunted by the resurrected woman, Tomie.An art student disappears after murdering his model. Now his friends and family are being haunted by the resurrected woman, Tomie.
- Réalisation
- Scénario
- Casting principal
Yoshi'e Ohtsuka
- Sachiko Kimata
- (as Yoshie Ohtsuka)
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Having watched the first three films (Tomie, Tomie: Replay, and this, Tomie: Re-birth), I can say this is far and away the most accessible and interesting of the group.
For sure, this movie is, like the others, almost glacially paced, but those with the attention spans for it will be rewarded.
It's hard to describe the plot, but it essentially revolves around the effect that the title character - Tomie, the girl who can't die - has on the people around her. Tomie "enchants" men in so much as they become powerless, madly in love with her, to the point where they kill her, and she is reborn.
But the character is so much more complex than that, and this iteration of the series makes her the most accessible and expands her well beyond what the previous films had.
For sure, this is horror, but it's more psychological than anything. There are gruesome scenes, but the whole film is effective because the characters are rich and deep and interesting. While the first two films focused almost entirely on the effects Tomie had on the men she encountered, this one expands beyond that, touching on family and friends, and even deigns to show us what happens when a man resists her charms.
It isn't enough that it's a solid horror film, but the quality of writing on display is outstanding and puts it on par with other classics like Ring and Kairo. This is a matured Tomie film - not dull like the first or overtly Americanized like the second - but raw and intelligent.
Absolute must see.
For sure, this movie is, like the others, almost glacially paced, but those with the attention spans for it will be rewarded.
It's hard to describe the plot, but it essentially revolves around the effect that the title character - Tomie, the girl who can't die - has on the people around her. Tomie "enchants" men in so much as they become powerless, madly in love with her, to the point where they kill her, and she is reborn.
But the character is so much more complex than that, and this iteration of the series makes her the most accessible and expands her well beyond what the previous films had.
For sure, this is horror, but it's more psychological than anything. There are gruesome scenes, but the whole film is effective because the characters are rich and deep and interesting. While the first two films focused almost entirely on the effects Tomie had on the men she encountered, this one expands beyond that, touching on family and friends, and even deigns to show us what happens when a man resists her charms.
It isn't enough that it's a solid horror film, but the quality of writing on display is outstanding and puts it on par with other classics like Ring and Kairo. This is a matured Tomie film - not dull like the first or overtly Americanized like the second - but raw and intelligent.
Absolute must see.
This installment of the "Tomie" series is, well in lack of better words, unnecessary. Why? Well, the story offered nothing new to the series that hadn't already been seen in "Tomie" or "Tomie: Replay". In fact, if you have seen the first "Tomie" movie, you can just as well skip this installment, as it is basically the exact same story, just with different characters and set in a different place.
The "Tomie" series was starting to rise up with "Tomie: Replay", and then this one, "Tomie: Re-Birth", comes along and pushes it right back down the ladder.
There was nothing scary about this movie, just like the previous ones. And the storyline, well basically it is about the undying Tomie girl who comes to torment those who love and kill her. Same old, same old.
The people in the movie did good enough jobs with their given roles, though there was nothing outstanding here.
The only outstanding part of the entire movie, was the crawling head with the weird arm-like appendages. And that was hardly enough to make up for the rest of the movie.
"Tomie: Re-Birth" was plain and rather uneventful at best, and it wasn't really a movie that was necessary in any way to the "Tomie" storyline. After having seen this installment to the series, I am starting to dread how the last ones in the series will turn out to be...
The "Tomie" series was starting to rise up with "Tomie: Replay", and then this one, "Tomie: Re-Birth", comes along and pushes it right back down the ladder.
There was nothing scary about this movie, just like the previous ones. And the storyline, well basically it is about the undying Tomie girl who comes to torment those who love and kill her. Same old, same old.
The people in the movie did good enough jobs with their given roles, though there was nothing outstanding here.
The only outstanding part of the entire movie, was the crawling head with the weird arm-like appendages. And that was hardly enough to make up for the rest of the movie.
"Tomie: Re-Birth" was plain and rather uneventful at best, and it wasn't really a movie that was necessary in any way to the "Tomie" storyline. After having seen this installment to the series, I am starting to dread how the last ones in the series will turn out to be...
If there's one thing that can and should be said for the popular cult- franchise "Tomie", it's this: despite an extremely shaky and underwhelming start, the series does make a noted improvement each time with its first round of sequels. It's a franchise that can be well-worth investing in as a result, despite also being one that has the most extremes of up's and down's throughout it's numerous entries.
Yes, despite being a massive fan of the horror genre and particularly of Japanese creep-shows, I've never been particularly taken with the original "Tomie" movie. Based on a popular ongoing manga of the same name by author Junji Ito, the first entry in the film franchise was a messy swarm of under-developed ideas, sloppy attempts at atmosphere building, trite and hackneyed writing and direction and poorly established rules. It was a fundamental failure both as an example of horror and as a film in general. Thankfully, it's first sequel in "Tomie: Replay" was a marked improvement in virtually every capacity, with fun direction, decent writing and generally strong performances.
And I do think that this third entry, "Tomie: Re-Birth", is another step in the right direction for the franchise. With a nice, slow sense of pacing and a great sense of direction from famed director Takashi Shimizu, this entry has a lot going for it. It stands as one of the better early entries in the series, and can be a great deal of fun.
A young woman named Tomie is modeling for a painting by an artist named Hideo. After she defaces the painting in a jealous fit, Hideo kills her. But, as any fan of the series will know... Tomie will not die. And thus she returns to torment the artist and his friends, leading to an intense and disturbing story filled with twists, turns and subversion of expectation...
I firmly believe the main strength that sets this entry apart is the wonderful direction of Takashi Shimizu, who is best known for creating the very popular haunted-house series "Ju-On" and for also directing the first two entries in its American remake series "The Grudge." Shimizu is a fine director when it comes to slow-build, atmospheric horror, and he excels here with some great, creepy sequences of bodily terror. It's arguably the most disturbing of the first three films, and Shimizu it helps to give it a grand sense of dread and intrigue. Especially in some of the very trippy-yet-grounded visuals that he relishes in. We also have one of the best Tomie's of the series here thanks to actress Miki Sakai, who excels in the role in a way not many of the other actresses to portray the character have.
The film does have some faults to it, however. Much as many entries in the series do. I found that while it is a good time, it can often move a bit slowly. To the point it can be boring even. Some scenes feel a tad out of place and wonkilly inserted into the narrative. And much like virtually every other film in the series, it wrongfully assumes that the viewer is intimately familiar with the source material, causing some confusion with those who aren't. And it is a serious problem- adaptations should be able to stand on their own without knowledge of what came before. The films should try and explain the rules and goings on more than they have been to this point. It causes an unnecessary level of confusion for the viewer, and not in an intentional way.
That being said, I'd rank this one right about on par with the previous entry- the very enjoyable but mildly flawed "Replay." It's a lot of fun. It's very watchable. It runs laps around the sub-par original. But it still has a few faults holding it just shy of being a "great" movie. As it stands, it's merely decent. Worth watching for fans of horror and Asian cinema... but probably not for general movie-goers.
I give "Tomie: Re-Birth" a slightly above average 6 out of 10. Another step in the right direction for the series. But not enough of an improvement for me to call it a great film.
Yes, despite being a massive fan of the horror genre and particularly of Japanese creep-shows, I've never been particularly taken with the original "Tomie" movie. Based on a popular ongoing manga of the same name by author Junji Ito, the first entry in the film franchise was a messy swarm of under-developed ideas, sloppy attempts at atmosphere building, trite and hackneyed writing and direction and poorly established rules. It was a fundamental failure both as an example of horror and as a film in general. Thankfully, it's first sequel in "Tomie: Replay" was a marked improvement in virtually every capacity, with fun direction, decent writing and generally strong performances.
And I do think that this third entry, "Tomie: Re-Birth", is another step in the right direction for the franchise. With a nice, slow sense of pacing and a great sense of direction from famed director Takashi Shimizu, this entry has a lot going for it. It stands as one of the better early entries in the series, and can be a great deal of fun.
A young woman named Tomie is modeling for a painting by an artist named Hideo. After she defaces the painting in a jealous fit, Hideo kills her. But, as any fan of the series will know... Tomie will not die. And thus she returns to torment the artist and his friends, leading to an intense and disturbing story filled with twists, turns and subversion of expectation...
I firmly believe the main strength that sets this entry apart is the wonderful direction of Takashi Shimizu, who is best known for creating the very popular haunted-house series "Ju-On" and for also directing the first two entries in its American remake series "The Grudge." Shimizu is a fine director when it comes to slow-build, atmospheric horror, and he excels here with some great, creepy sequences of bodily terror. It's arguably the most disturbing of the first three films, and Shimizu it helps to give it a grand sense of dread and intrigue. Especially in some of the very trippy-yet-grounded visuals that he relishes in. We also have one of the best Tomie's of the series here thanks to actress Miki Sakai, who excels in the role in a way not many of the other actresses to portray the character have.
The film does have some faults to it, however. Much as many entries in the series do. I found that while it is a good time, it can often move a bit slowly. To the point it can be boring even. Some scenes feel a tad out of place and wonkilly inserted into the narrative. And much like virtually every other film in the series, it wrongfully assumes that the viewer is intimately familiar with the source material, causing some confusion with those who aren't. And it is a serious problem- adaptations should be able to stand on their own without knowledge of what came before. The films should try and explain the rules and goings on more than they have been to this point. It causes an unnecessary level of confusion for the viewer, and not in an intentional way.
That being said, I'd rank this one right about on par with the previous entry- the very enjoyable but mildly flawed "Replay." It's a lot of fun. It's very watchable. It runs laps around the sub-par original. But it still has a few faults holding it just shy of being a "great" movie. As it stands, it's merely decent. Worth watching for fans of horror and Asian cinema... but probably not for general movie-goers.
I give "Tomie: Re-Birth" a slightly above average 6 out of 10. Another step in the right direction for the series. But not enough of an improvement for me to call it a great film.
This is a very creepy horror film/psychological drama starring Miki Sakai as Tomie. In this one Hideo, an aspiring artist, kills his girlfriend/model for the painting girlfriend Tomie. With his friend's help, they bury her in the woods. However, Tomie shows up at a party. Her aim is not only revenge but to haunt the lives of the guys who did this to her. This film is okay, on a par with "Another Face". Not having read the source material of these films, as film value alone it is passable. While the revenge aspect is not only deserved to these guys but necessary to the continuity of the film, the part of her coming back more than once after she has been "re-killed" gets a little tired. So, not bad but not near the best of the series.
After seeing the first Tomie movie i lost all interest in seeing what the sequels in the serial would bring. For a horror movie, there wasn't a single chill or climax in it, which can only leave a horror fan like me very disappointed. But then i saw that Tomie: Re-birth was directed by no other than Takashi Shimizu (The man behind the four Ju-on movies), and i thought, and (i guess) expected, that he would add a lot of his creepy imagination from his former horror movies (i cant praise them enough) to this sleeping pill of a weird love story. I was, again, VERY disappointed. Though, i have 2 good things to say about this movie. First of all, this one IS better than the first. Second, there actually was one scene in Re-birth that made my hair on the neck to stand up, and that is where a girl is sitting in her bedroom in front of a mirror and suddenly sees a girl, white as snow, peeking out of her closet. Uuhhhhhh Mufasa!! It smelled a little like Ju-on, but then the girl turns away from the mirror and the ghostly lurker is gone. BUUUUUUH!! But besides this minor chill that lasts about 3 seconds, its really hard to see that this is a Shimizu creation. Instead of taking Tomie to a new level and making it to a real creep fest, it seems more like he just goes along with the dull and not THAT fascinating theme from the other Tomie movies. And on top of that, i saw interviews with the cast and the director himself describing this movie as a blend of horror and humor? Now, without sounding like a dumb racist, but do you have to be Japanese to notice the humor? It went over my head thats for sure. But maybe some of the moments that i found laughable and not creepy, like the crawling head, wasn't meant to be scary but fun? I guess i never find out and its not important anyway. I mean, Tomie IS a horror movie right? At least, thats what it says on the movie description. But how on earth is it possible to make a horror movie where the so called "monster" dies all the time, killed by all its "victims", and not the other way around? So far Tomie hasn't convinced me that it can be done...
Please Shimizu, stick to the creepy stuff. Thats what you do best.
I gave it 5 out of 10
Please Shimizu, stick to the creepy stuff. Thats what you do best.
I gave it 5 out of 10
Le saviez-vous
- ConnexionsFollowed by Tomie: Forbidden Fruit (2002)
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Détails
- Durée1 heure 41 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was Tomie: Re-birth (2001) officially released in Canada in English?
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