Ajouter une intrigue dans votre langueAfter miners disappear in the Namib Desert, scientists find their remains and seek to find what killed them.After miners disappear in the Namib Desert, scientists find their remains and seek to find what killed them.After miners disappear in the Namib Desert, scientists find their remains and seek to find what killed them.
- Réalisation
- Scénario
- Casting principal
Brian Claxton Payne
- The Creature
- (as Brian Claxton-Payne)
Nicola Jackman
- Mel
- (as Nikki Jackman)
Avis à la une
This horror tale takes place in the Namib Desert of Africa. A Canadian systems analyst, Zach Straker(Scott Bairstow)is sent on an assignment for a diamond mining company. Although he hates field work, he finds himself in a truck with a rescue unit in the open desert fighting sand flies and whipping, blowing sand. Four diamond prospectors are found...well whats left of their scattered bones are discovered. During a long cold desert night a shape-shifting monster makes its appearance. Zach and his colleagues are terrified when their truck is stranded and members of the unit are dying horribly one by one. There is no character development; let alone dialogue to speak of. The desert set in its own way is beautiful and without giving anything away... the creature is as old as the desert sands. Also in the cast are: Rachel Shelley, Warrick Grier and Patrick Shai.
Dr. Zack Straker (Scott Bairstow) is a laboratory scientist sent to a work in the field, more precisely in a diamond mining company in the Namid Desert, in Africa. His first assignment is to participate of a rescue mission of three missing prospectors, who are lost in the desert. The rescue team finds the bones separated from the completely destroyed bodies of the prospectors. The African Titus (Andre Weidman) explains that the slaughter was carried out by the Sandmother, a sort of evil being that was part of the African belief. His colleagues do not pay much attention on his faith. Meanwhile, their truck has an electrical problem and they have to spend the night in the desert, when they face the horrible monster that snatches the bones of its victims. Zach and the other survivors conclude that sometimes pray isn't enough, and decide to fight against the destructive creature. "The Bone Snatcher" is another variation of the storyline of "Alien". However, this story takes place in great locations in the desert and the special effects are reasonably good, and this horror movie is above the average of this genre. There are the usual clichés, but it is not a bad movie. My vote is six.
Title (Brazil): "Caçador de Ossos" ("Bones Hunter")
Title (Brazil): "Caçador de Ossos" ("Bones Hunter")
I expected very little going into this movie but came away feeling satisfied that I'd finally seen somebody do something different and new with the horror genre. If you're bored of slasher movies, torture porn, carbon copy creature features and the whole 'college kids spend the weekend in a cabin in the woods' rubbish that passes for a plot hook these days, The Bone Snatcher will give you a very pleasant surprise.
The acting isn't Oscar quality but it's really not half bad at all. The South African desert rats displayed a subtle Mad Max-ian quality, their rough and rugged nature neatly underlying a disconcerting sense of chaos and brutality that never quite rears its head but often threatens to do so. Other reviewers may see this as a wasted opportunity but I see it as crucial in juxtaposing the 'fish out of water' element of the main protagonist - the nice guy with whom we, the viewer, must relate if we're to give a damn what happens - compared with the environment, people and situations with which he is entirely unfamiliar. And that's before all the horror kicks in! This is, ultimately, a monster movie and there are a million of those. But Bone Snatcher takes an intelligent line, shuns the status quo and offers up something we can really get our teeth into. You'll be simultaneously convinced and disturbed, which is a great feeling for a true horror fan. As Doctor Zack Straker (the hugely watchable Scott Bairstow) asserts when faced with Karl's (Warrick Grear's) lack of reason: "there's method in this system". And though Straker never really engages scientific method, the line does throw a few hints the way of the viewer. And if brain cells are engaged (which, shock of shocks, they can be in this movie) the twist in the tale can be predicted.
Plot and monster aside, you'll also want to watch for the delicious Rachel Shelley, a British actress known more here in the UK for her modelling roles in advertisements than her filmography. But don't let that put you off. She's a decent actress and brings some aesthetic interest to this movie.
Negatives are obvious and should fall squarely on the shoulders of the director. The potentially incredible set location is squandered. Not once does the desert turn its murderous, bone-parching attention on our group of heroes. They always have plenty of supplies, lots of water, ample support from nearby bases. Where the film lacks severely is in its utter failure to mix the merciless horror of being stranded in the middle of a wasteland with no food, no water and no hope of rescue with the presence of a determined enemy.
But what there isn't is hard to miss if you're not concentrating too hard and what there is more than makes up for the missing aspects. Somewhere, in a parallel universe, somebody is enjoying the movie I know this could have been, but for us it is what it is. An enjoyable, entertaining and surprisingly clever creature feature that takes the genre and gives it a good hard shake.
The acting isn't Oscar quality but it's really not half bad at all. The South African desert rats displayed a subtle Mad Max-ian quality, their rough and rugged nature neatly underlying a disconcerting sense of chaos and brutality that never quite rears its head but often threatens to do so. Other reviewers may see this as a wasted opportunity but I see it as crucial in juxtaposing the 'fish out of water' element of the main protagonist - the nice guy with whom we, the viewer, must relate if we're to give a damn what happens - compared with the environment, people and situations with which he is entirely unfamiliar. And that's before all the horror kicks in! This is, ultimately, a monster movie and there are a million of those. But Bone Snatcher takes an intelligent line, shuns the status quo and offers up something we can really get our teeth into. You'll be simultaneously convinced and disturbed, which is a great feeling for a true horror fan. As Doctor Zack Straker (the hugely watchable Scott Bairstow) asserts when faced with Karl's (Warrick Grear's) lack of reason: "there's method in this system". And though Straker never really engages scientific method, the line does throw a few hints the way of the viewer. And if brain cells are engaged (which, shock of shocks, they can be in this movie) the twist in the tale can be predicted.
Plot and monster aside, you'll also want to watch for the delicious Rachel Shelley, a British actress known more here in the UK for her modelling roles in advertisements than her filmography. But don't let that put you off. She's a decent actress and brings some aesthetic interest to this movie.
Negatives are obvious and should fall squarely on the shoulders of the director. The potentially incredible set location is squandered. Not once does the desert turn its murderous, bone-parching attention on our group of heroes. They always have plenty of supplies, lots of water, ample support from nearby bases. Where the film lacks severely is in its utter failure to mix the merciless horror of being stranded in the middle of a wasteland with no food, no water and no hope of rescue with the presence of a determined enemy.
But what there isn't is hard to miss if you're not concentrating too hard and what there is more than makes up for the missing aspects. Somewhere, in a parallel universe, somebody is enjoying the movie I know this could have been, but for us it is what it is. An enjoyable, entertaining and surprisingly clever creature feature that takes the genre and gives it a good hard shake.
What looks like an Australian movie starring non-stars keeps you in suspense to find out what the bone snatcher really is. The desert locale helps to bring that other-worldly scene missing in so many of today's horror movies. Fairly well done cinematography; acting could have been better, and the script. Still, I think it's worth watching. (Unfortunately I saw it on the SCIFI channel so it was cut to shreds.) The "creature" may seem too fantastic to some, but its actually a play on the creatures in Michael Crichton's book PREY (nano-monsters!). I've wasted time on far worse!
I was very excited to watch this movie for two reasons. 1) I read multiple positive reviews. And 2) It was never in at the video store (which obviously means it's a good movie!). Well I'll start off being nice. This movie was too slow... far too slow to sustain any sort of viewer interest for more than 4.9 minutes at a time. But I am a patient man, and I figured that in this case, my patience would pay off. Oh how I was wrong my friends. The "suspense" lead to absolutely nothing in the end, and the creatures were not scary at all. This movie raped my intelligence from all angles, and left me to rot. It simply had no remorse fort the damage it did to its viewers both mentally and physically. Why Bone Snatcher, why??? What I did enjoy about the movie was the scenery, however this was not a redeeming factor. In conclusion, this movie was terrible. If you would like to see horror at it's best, check out The Lost Skeleton of Cadavra!
Le saviez-vous
- AnecdotesThe trucks used in the film are Bedford MKs.
- GaffesMikki leans on a desk before the office fight, then she has mysteriously moved.
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- How long is The Bone Snatcher?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Bone Snatcher
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 000 000 $US (estimé)
- Durée1 heure 29 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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