Le retour de Cagliostro

Titre original : Il ritorno di Cagliostro

2003
1h 40min

NOTE IMDb

6,9/10

397

MA NOTE

Comedy Drama

Ajouter une intrigue dans votre langueIn the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the ... Tout lireIn the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the othe... Tout lireIn the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have the... Tout lire

Voir les informations de production sur IMDbPro

NOTE IMDb

6,9/10

397

MA NOTE

Voir les informations de production sur IMDbPro

Récompenses
- 2 victoires et 11 nominations au total

Photos6

Avis des utilisateurs3

6,9397

Avis à la une

3sperman

Strange. VERY strange.

I cannot say whether I liked it or not. Or actually I cannot say whether it is a good film or not. I personally liked it, although I cannot say I enjoyed it. It is surely one of the most weird, bizarre, "screwed-up" films I have ever seen in my life. Nothing follows a logical flow, there is basically no plot and no actors, but you inevitably end up laughing about something... and you do not even understand exactly WHY you are laughing, sometimes. but you laugh. Completely absurd, nonsense and pointless, but so strange you will end up feeling strange as well.

7checcocinema

An experiment, with plenty of ideas and few coherence

It is difficult to find innovative approaches to filming and directors who have the courage to explore new routes and who do not feel obliged to respond to the public. Cipri' and Maresco fortunately are not like this, and are convinced that cinema can be made without following the standard manual that you learn at a film school.

Their cinema cannot be described, but it is a new experience, where you are taken and transported together with incredible characters and an intense form of human passion.

It does not follow a coherent route, but imagination is the main vehicle of their cinema. Art is expression, not reproduction of standards, and these directors are walking in that direction.