Ajouter une intrigue dans votre langueA struggling musician happens upon a nightclub that's frozen in time.A struggling musician happens upon a nightclub that's frozen in time.A struggling musician happens upon a nightclub that's frozen in time.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Dahlia Waingort Guigui
- Valerie
- (as Dahlia Waingort)
Albert Merriwether
- Funeral Home Director
- (as Albert Merriweather)
Avis à la une
Saw this film Last monday at NY Film Festival. It has 2 very appealing leads and a solid cast. Its a romantic comedy that tugs at the heart strings and serves up some hot swing music. Its a winning combination that is definitely a chick movie and will also pull in the crowd hungry for nostalgia. What more could you ask for?
The few pros? Tom Skerrit and Mindy Cohn do what they can with the meager crumbs of characterization that they are given. The settings, indoor and out are lovely and vibrant. Shots of San Francisco are beautiful, if over used. The indoor sets have good color and period dressing -- with the exception of the cookie cutter performance sets. I think that they were supposed to look like several different gigs, but ended up looking as though they were different POV of the same space.
The many, many cons: The leads lack the skills to carry the movie. The directing and editing are terrible. The scripting feels like it was made up on the spot by an eight year old. The cast mugs and hams and then does what it can to get from one line of the script to another.
Uniformly terrible.
The many, many cons: The leads lack the skills to carry the movie. The directing and editing are terrible. The scripting feels like it was made up on the spot by an eight year old. The cast mugs and hams and then does what it can to get from one line of the script to another.
Uniformly terrible.
I wanted to like this movie. Heck, many of my friends and I performed as background dancers for it. Some of the scenes were shot in our favorite club, Broadway Studios of San Francisco.
The cast was pretty good. Jonathan Winters was hilarious in his supporting role. Sadly, the script was pretty bad. It's basically an ABC After School Special retelling of the Saturday Night Fever story, which doesn't really work. Saturday Night Fever worked as a story because its conflicts felt authentic and had an edge. Swing's conflicts lack the urgency and edge to involve the viewer.
Another puzzling feature of the film is that the main character is entranced by swing dancing and music. However, his own band doesn't play swing and he exhibits no interest in playing any kind of jazz. They play a lot of folk rock.
The only people that have rendered good opinions on this film have a vested interest in it. All of my friends who attended the cast/crew screening were disappointed.
The cast was pretty good. Jonathan Winters was hilarious in his supporting role. Sadly, the script was pretty bad. It's basically an ABC After School Special retelling of the Saturday Night Fever story, which doesn't really work. Saturday Night Fever worked as a story because its conflicts felt authentic and had an edge. Swing's conflicts lack the urgency and edge to involve the viewer.
Another puzzling feature of the film is that the main character is entranced by swing dancing and music. However, his own band doesn't play swing and he exhibits no interest in playing any kind of jazz. They play a lot of folk rock.
The only people that have rendered good opinions on this film have a vested interest in it. All of my friends who attended the cast/crew screening were disappointed.
10rimac-1
I just saw the movie Swing this morning at a showing in Palm Springs, CA. I was surprised at the fine quality of the movie, and the fact I had never heard of it before - since it was made 2 years ago. Fortunately it will be out on DVD in January 2006.
It was a great movie, with great performances. Jaqueline Bissett, Jonathan Winters, Nel Carter, and Barry Bostwick were among my favorites. For an independent film, it was chock-full of veteran actors, each performing at their very best.
I love angel-themed movies, and this was clearly a movie which tugs at one's heart. It sort of reminded me of a sophisticated version of Touched By An Angel - which was a great TV show. It was a movie for all ages, since angels are of course ageless.
I was fortunate in that Jacqueline Bissett & the screen writer did a Q&A after the movie. It really has nothing to do with my impression of the movie, except to say that they were fabulously gracious people.
And speaking of fabulous, the soundtrack is incredible. A combination of old and new songs make for a great soundtrack, and help to weave the fabric of the story between the younger characters and the older characters.
It was a great movie, with great performances. Jaqueline Bissett, Jonathan Winters, Nel Carter, and Barry Bostwick were among my favorites. For an independent film, it was chock-full of veteran actors, each performing at their very best.
I love angel-themed movies, and this was clearly a movie which tugs at one's heart. It sort of reminded me of a sophisticated version of Touched By An Angel - which was a great TV show. It was a movie for all ages, since angels are of course ageless.
I was fortunate in that Jacqueline Bissett & the screen writer did a Q&A after the movie. It really has nothing to do with my impression of the movie, except to say that they were fabulously gracious people.
And speaking of fabulous, the soundtrack is incredible. A combination of old and new songs make for a great soundtrack, and help to weave the fabric of the story between the younger characters and the older characters.
Take 1 part real swing music [Dorsey, Miller], 1 part enthusiastic dance, 1 part veteran talent [Bisset, Bostwick, Winters], 1 part youthful charm [Casey], and mix with a sweet storyline and a lot of San Francisco talent. Season with the late-great Nell Carter and some chocolate chutney. The result is pure magic. This could be the next Indie surprise hit.
Le saviez-vous
- AnecdotesNell Carter's final film.
- Bandes originalesSwing Brother Swing
Written by Lewis Raymond, Walter Bishop, Clarence Williams
Universal/MCA Music Publishing (ASCAP)
Performed by Jellyroll
Courtesy Rubber Box Records
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Détails
Box-office
- Budget
- 2 500 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 2 509 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 509 $US
- 20 juin 2004
- Montant brut mondial
- 2 509 $US
- Durée1 heure 38 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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