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Ajouter une intrigue dans votre languePedro, a gay man with an active social life and many friends, takes in his nephew Bernardo for a couple weeks. When the arrangement becomes permanent , Pedro turns to his friends for guidanc... Tout lirePedro, a gay man with an active social life and many friends, takes in his nephew Bernardo for a couple weeks. When the arrangement becomes permanent , Pedro turns to his friends for guidance as he and Bernardo forge a household together.Pedro, a gay man with an active social life and many friends, takes in his nephew Bernardo for a couple weeks. When the arrangement becomes permanent , Pedro turns to his friends for guidance as he and Bernardo forge a household together.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 2 nominations au total
José Luis García-Pérez
- Pedro
- (as José Luis García Pérez)
Josep Tomàs
- Juan Carlos
- (as Josep Tomás)
Avis à la une
It is good to see a movie neither 'demonize' nor 'victimize' gay people. This is an extraordinary movie about everyday relationships of ordinary person , some of whom happen to be bears.
The characters in this film are flawed one way or another. But that's part of the charm: they all have their own problems like everyone else of us have and they are dealing with these problems like we all have to. Unlike many 'gay-themed' movies which focused on 'shock value', this movie is free from bitter or self-pity. It goes back to the basic friendship and family connection which is so brilliantly portrayed.
I adore the bubbly attitude the movie holds. When bad things happened,drugs, jail, disease, people in this movie just deal with the bad fortune the simplest way. no mess, no fuss.
It's clean and shinny , it's a breathe of fresh air from Europe.
The characters in this film are flawed one way or another. But that's part of the charm: they all have their own problems like everyone else of us have and they are dealing with these problems like we all have to. Unlike many 'gay-themed' movies which focused on 'shock value', this movie is free from bitter or self-pity. It goes back to the basic friendship and family connection which is so brilliantly portrayed.
I adore the bubbly attitude the movie holds. When bad things happened,drugs, jail, disease, people in this movie just deal with the bad fortune the simplest way. no mess, no fuss.
It's clean and shinny , it's a breathe of fresh air from Europe.
"Bear Cub" (Cachorro) has been shown at several film festivals since it was first released in its native Spain in early 2004. I saw the movie on Opening Night at the ImageOut Film Festival in Rochester, NY. The near-capacity crowd was very receptive to the film.
The story, about a gay man who finds himself taking care of his young nephew for an unexpectedly extended period, has been done before in different variations ("About a Boy", "Three Men and a Baby", television's Bachelor Father, etc.). Compared with other movies, "Bear Cub" stands out by not compromising the depiction of the main character's social life especially with the explicit and what will be a very controversial opening sequence. (Note: the opening scenes and a few other scenes were edited for general release in the U.S. I saw the unedited version at the film festival I attended.)
I'm happy of the decision by co-writer/director Miguel Abaladejo (with co-writer Salvador García Ruiz) to present to the moviegoers a subculture of the gay population called Bears. It might open a few people's minds. Pedro, the lead character (well-played by José Luis García Pérez) and his circle of friends do not fit the dominant depiction of what gay men look like especially in movies: bearded and husky.
Another thing that impressed me was the performance of David Castillo. He plays Bernardo, the precocious nephew who is mature way beyond his years but, in one of the many plot twists that propel the film, there are reasons why he is that way.
I almost forgot to mention how funny and touching this film is. Bear Cub is a very well-balanced dramedy. The comedy comes out of the unusual familial situation and when complications arise in the guise of Bernardo's estranged paternal grandmother Doña Teresa (Empar Ferrer), it made for a very compelling drama.
The decision to change the aspect of the movie from just observing the characters to having some of the characters talk to the camera in the final 20 minutes was not a good idea. Despite that flaw, I found Bear Cub to be a timely, well-performed and memorable film.
P.S.: I would bet a few dollars that a production company in Hollywood would be too cowardly to remake a film like this much less buy the rights to make the movie. The movie's honest depiction of a man having a social gay life without making value judgments might be too much for some viewers or, for that matter, some members of the Hollywood community to tolerate.
The story, about a gay man who finds himself taking care of his young nephew for an unexpectedly extended period, has been done before in different variations ("About a Boy", "Three Men and a Baby", television's Bachelor Father, etc.). Compared with other movies, "Bear Cub" stands out by not compromising the depiction of the main character's social life especially with the explicit and what will be a very controversial opening sequence. (Note: the opening scenes and a few other scenes were edited for general release in the U.S. I saw the unedited version at the film festival I attended.)
I'm happy of the decision by co-writer/director Miguel Abaladejo (with co-writer Salvador García Ruiz) to present to the moviegoers a subculture of the gay population called Bears. It might open a few people's minds. Pedro, the lead character (well-played by José Luis García Pérez) and his circle of friends do not fit the dominant depiction of what gay men look like especially in movies: bearded and husky.
Another thing that impressed me was the performance of David Castillo. He plays Bernardo, the precocious nephew who is mature way beyond his years but, in one of the many plot twists that propel the film, there are reasons why he is that way.
I almost forgot to mention how funny and touching this film is. Bear Cub is a very well-balanced dramedy. The comedy comes out of the unusual familial situation and when complications arise in the guise of Bernardo's estranged paternal grandmother Doña Teresa (Empar Ferrer), it made for a very compelling drama.
The decision to change the aspect of the movie from just observing the characters to having some of the characters talk to the camera in the final 20 minutes was not a good idea. Despite that flaw, I found Bear Cub to be a timely, well-performed and memorable film.
P.S.: I would bet a few dollars that a production company in Hollywood would be too cowardly to remake a film like this much less buy the rights to make the movie. The movie's honest depiction of a man having a social gay life without making value judgments might be too much for some viewers or, for that matter, some members of the Hollywood community to tolerate.
A movie who makes you cry, laugh and recognize yourself its a movie you should see. Tenderness, paternal feelings, and a show of the madrid bear scene are enough to make any one, regardless sexual orientation, understand some bits more of the world, and feel it like theirs.
The music its too fine, the bears are too handsome, director chooses not to avoid real issues in gay life, like sex, cruising, dark rooms, baths... But he does it like they are as usual as going to cinema, showing clearly that what we do in bed doesn't makes us better or worse.
The story or the movie its a story of feelings, between a father and his son, uncle and nephew who learn to be with each other, showing the world that raising a children its only love, not being a non sexual being. that first and foremost, trust, love, care and tenderness are the stuff a boy its raised on.
in few words, its my movie :)
The music its too fine, the bears are too handsome, director chooses not to avoid real issues in gay life, like sex, cruising, dark rooms, baths... But he does it like they are as usual as going to cinema, showing clearly that what we do in bed doesn't makes us better or worse.
The story or the movie its a story of feelings, between a father and his son, uncle and nephew who learn to be with each other, showing the world that raising a children its only love, not being a non sexual being. that first and foremost, trust, love, care and tenderness are the stuff a boy its raised on.
in few words, its my movie :)
BEAR CUB introduces many to the concept of the non-traditional gay male: the hairy and chunky variety. It also artfully presents real-life situations for the characters. The relationship between a 'bear' uncle and his young nephew is the main focus, but the film also embraces the concept of male to male relationships (sexual and otherwise), HIV, and extended families. It manages to do all this without becoming maudlin or overly busy. The storytelling aspects of BEAR CUB are sharply honed. The performances are also quite good, especially from the central figures. There is, however, a somewhat lethargic feeling to the proceedings as well. I'm not sure if it is the unremarkable scoring and editing, but the film feels every bit it's 100 minutes. The characters are sometimes painfully earnest and the tone tips towards the self-important a bit too often. Perhaps it was reading the 'Director's Message' about the film that predisposed me toward this view. Also, the pacing of the movie feels a bit too 'even keel' - lacking a sense of momentum to carry us through to the final credits. The DVD 'extra scenes' reveal a highly comic scene at the film's core that might have pepped things up a bit. Whether it was excised for length or sexual content is not made clear. For those who think of Smokey and Yogi at the mention of 'bears' this film will be a real eye-opener. For the bear community it is at least a step (or two) forward.
It appears to be a trend in the cinema by presenting the "bear" gay subculture. We already saw it in John Waters' "Dirty Shame" in the summer, although it's not the main idea of that picture. Of course, the John Waters' movie has nothing to do with Luis Miguel Albaladejo's superior film where we are presented with the Spanish version of this sub group of the gay culture where overweight men, usually hairy and cuddly tend to get together in bars, or other places where they can feel comfortable with one another.
In a way, it's a refreshing way to watch a film like this one that deals with that type of individuals, as they are presented leading normal lives without any hangups or other moral problems. In fact, the dialog is quite explicit as the people in the movie are not ashamed of their sexual preference and even those that aren't gay, keep an open mind about what is going on with Pedro, the man at the center of the story.
We get to know Pedro and his circle of friends. They all are normal people and well adjusted. Pedro is a loving man facing the dilemma of being a role model for his nephew, who has come into his life quite suddenly and without warning. Bernardo, the young boy, is wiser for his years as we get to know him better. This youngster, while being curious about his uncle's love life, is never a brat, as he takes everything in stride.
The film is a lot of fun for those that will watch it with open eyes. They will be rewarded to a fun time with a touch of reality at the end.
In a way, it's a refreshing way to watch a film like this one that deals with that type of individuals, as they are presented leading normal lives without any hangups or other moral problems. In fact, the dialog is quite explicit as the people in the movie are not ashamed of their sexual preference and even those that aren't gay, keep an open mind about what is going on with Pedro, the man at the center of the story.
We get to know Pedro and his circle of friends. They all are normal people and well adjusted. Pedro is a loving man facing the dilemma of being a role model for his nephew, who has come into his life quite suddenly and without warning. Bernardo, the young boy, is wiser for his years as we get to know him better. This youngster, while being curious about his uncle's love life, is never a brat, as he takes everything in stride.
The film is a lot of fun for those that will watch it with open eyes. They will be rewarded to a fun time with a touch of reality at the end.
Le saviez-vous
- AnecdotesJose Luis Garcia Perez gained over 26 pounds for his role, mainly by eating cheesecake.
- Versions alternativesThe unedited version was shown at various film festivals. An edited version of the movie is in general release in the U.S.
- ConnexionsFeatured in 2005 Glitter Awards (2005)
- Bandes originalesHombres
Written by Luis Prósper, Alaska (as Olvido Gara) and Nacho Canut (as Ignacio Canut)
Performed by Fangoria
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 100 133 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 002 $US
- 7 nov. 2004
- Montant brut mondial
- 389 486 $US
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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