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As soon as I walked out of the movie theatre I said to myself I should write something about this film. But, who am I to write about it? I am not a journalist or somebody like that whose opinions are read all over. So, I started to talk about it to all my close friends. At least I could have influenced the people close to me. Then came IMdB to my mind. I sat down to write about it, but then it took me several minutes to hit the keyboard. No, it's not because there is nothing to write about the film. On the contrary, there is just so much to write, I can't figure out how to start.

Let me start to say like this: I watched it last night, and all my day today I have the frames hoovering around my mind, notes of the soundtrack ringing my ears. I spent extra hours in the middle of Istanbul's heavy traffic just get its soundtrack CD, but, my efforts in reaching it resembled Davide's efforts for finding Simone....all sold out.

As they say about some legendary directors, Ferzan Ozpetek's film has something to do with the fragile senses of life, not so much to bring tears into your eyes, but so much to tickle your fragile senses. He never chose to create a full blown drama, he never used cliche Hollywood tactics. In this film, it starts out to be a story of an ordinary middle class Italian family, having the typical life problems. Then, as the time passes, the film grows into itself and turns out to be one of the finest enjoyments of the silver screen. The scenes where Giovanna and Lorenzo chase Davide to the closed shop and then to the little caffee, the seemless changes of characters as the camera moves in circular motion, the dance of Davide with Giovanna, the cake making, all like a gentle hand caressing our fragile feelings. Excellent director of photography, magnificent music, larger than life actings of Mezzagiorno and Girotti were the reminicinces of last night's feast in my mind.

I don't know why, but Ozpetek always have something to say about gay relations. This film could have been as magnificent or may be more in a straight relationship story. Ozpetek moves his camera very gently, use the most relevent music themes to trigger quite elegant feelings of our lives. After seeing this film, I've realised how much I was surrounded by the cliche Hollywood films, all following pretty much the same formula. For those who haven't seen it yet, I guarantee at least that you shall experience a quite a different and interesting enjoyment, may be the most different one.

The film ended, and I stayed to the very end of the credits just to listen more of the great music. The last scene where he zoomed into Mezzagiorno's enchanting eyes was like a Sergio Leone closeup. Leone chose to zoom into his men with no name, Ozpetek chose to zoom into his real life characters...those characters that have the most elegant feelings in their eyes....and Giovanna Mezzogiorno...how can I describe that plain beauty? If I was to encounter somebody like her, I'd undertake all the penalties of life just to look a bit into her eyes. I wouldn't be able cook as good cakes as Davide, but do whatever it takes to make sure she stays there forever.

Go and see this film...make yourself a favor...get your feelings sense some of the most elegant moments of your life

"Facing Windows" 2003 is a very thoughtful, gentle Italian film telling us how frustrating human conditions of the heart can be transformed by one another.

Giovanna Mezzogiorno (also in "Don't Tell" aka Beast of the Heart) plays Giovanna the central 'heroine' - a young woman with plenty of mixed emotions, who is discontented with her (chicken factory accountant) job, mother to two children, wife to a husband who's night shift job schedule frustrates her, and most of time she shouts at him and wouldn't want to listen - yes, she's quite bitchy about herself, though finds brief solace when doing bit of occasional baking. Through the course of meeting the unexpected stranger that Massimo Girotti portrayed - Simone/Davide the old man at a lost, who seems to have amnesiac problem and was temporarily taken in by Giovanna's husband into their home against her wishes, yet her whole world starts to change. Writer-director Ferzan Ozpetek has a way of telling his stories, always full of humanity, foibles and virtues mixed together, turning out a thoughtful film never short of gentleness and the sharing of human kindness.

There are side events, of course: the young man whom she now and then noticed across her kitchen window in the next building, the flashbacks and 'Déjà Vu' storyline that the old man Simone experiences, the delightful turn of events - those attractive delicious-looking display of cakes and cakes - what a baker's dream!

Filmmaker Ozpetek, who was born in Turkey and lived in Italy, includes poetry in his films: he introduced Turkish poet Nâz1m Hikmet through his characters in "His Secret Life." Here, we get to hear Giovanna thinking aloud, talking to Davide: " I feel your gestures in mine, and I recognize you when you speak. Does everyone who leaves you - always leave part of themselves with you? Is this the secret of having memories?"

The cast is just wonderful, of course, Mezzogiorno and Girotti were fascinating to watch. The music by Andrea Guerra complemented the cinematography by Gianfilippo Corticelli. If you'd like more of Ozpetek's work, try "Hamam: A Turkish Bath" 1998 (my first IMDb review posted on 10 January 1999) and "His Secret Life" aka The Ignorant Fairies, 2001.

Having seen all of Ferzan Ozpetek's films, I looked forward seeing this new picture, which just started a commercial run locally. Without a doubt, this is even more complex than the ones before. Mr. Ozpetek is a director that shows great talent. He has worked in the screen play as well.

This is a film that presents two stories that are completely different from one another. The beginning of the movie takes us back to 1943 Rome, at the height of the war. We witness what happens in the opening sequence without any knowledge of how will it play in the total outcome of the picture.

The film then changes to present day Rome. We see Giovanna and Filippo, who are struggling to make ends meet. They meet one day a mysterious old man who is trying to give them money. They end up bringing him home since the local police can't do anything. This man, Simone, has the clue to the puzzle of the first part of the film, but that will come at the end.

Giovanna's marriage to Filippo is in danger of failure. Giovanna suddenly discovers a life in the apartment across the street. Lorenzo, who lives alone, turns out has been spying on Giovanna as well. They get to meet, but common sense prevails and their possible relationship never amounts to anything.

Giovanna Mezzogiorno is one of Italy's leading actresses. Not only is she attractive, but she can act, as well. Miss Mezzogiorno has one of the most expressive and beautiful eyes we have seen in a long time. Not only that, but she expresses so much by looking directly into the camera.

Massimo Girotti, another great figure in the Italian movies is the mysterious Simone, who in reality is Davide, a master dessert chef who owned one of Rome's most prestigious pastry shop. Mr. Girotti's magnificent presence in the film makes the most with his pivotal role.

The film is deeply satisfying. Another great film by Ferzan Ozpetek.

One of the greatest Turkish directors ever, Ferzan Ozpetek has long proved himself as a director who doesn't only make good films but also makes them his own. With the elegant cast, the wonderful soundtrack and a cleverly knit story, La Finestra di Fronte is no exception to his brilliant movie-making.

Beginning with the suffocatingly ordinary life of a young couple in Rome and developing as the couple host a stranger, an old man in their house and the lead actress' "improper" attraction to a stranger about whom she knows nothing; the story unfolds into the impossibility of two parallel love stories. The story of two young men during the Nazi suppression; and that of a man and a married woman; two relations both of which are considered highly immoral in their respective environments.

Through the flashbacks, we are taken back to how love finds a way in a country under occupation and we see how the young woman sees her own love's fate in the old man's sad story.

Worth seeing, and seeing again.

"You must demand to live in a better world... Don't be content to merely survive."

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The warm colors, lovely performances, textured messages and thoughtful ideas that are layered throughout Ferzan Ozpetek's 'Facing Windows' will make you cherish cinema just a little bit more than you already do. It's a romantic treasure about unrequited love, familial responsibility, sexual longing and following the path in life that makes you happiest. The notion that you can really love someone else only when you've learned to love yourself may be a familiar one, but it is nice to be reminded every now and then. 'Facing Windows' is about all those things and the realization that the memories of those who truly touch our hearts can inspire us to live better lives.

Giovanna (Giovanna Mezzogiorno) and her husband Filippo (Filippo Nigro) have settled into life. They both have jobs that make them unhappy. She works as an accountant. He works the graveyard shift because he is too weak to ask his boss for a daytime slot. They argue about money, sex, time and work... There is a subtle sense that this is a marriage whose love is dwindling fast. Perhaps they are only going through the motions for the sake of their kids.

One morning, the two of them are walking home and cross paths with an elderly man (Massimo Girotti). He is utterly disoriented and has lost his memory. And despite Giovanna's protests, Filippo brings him back to their home for the night so that he can take him to the police the next morning in the hopes of unraveling the mystery. As complications ensue, that one night stretches to a few days. The old man experiences strange episodes, flashbacks of sorts, that reveal clues to his mysterious past. His actions lead to a meeting between Giovanna and Lorenzo (Raoul Bova). Lorenzo lives across the street from Giovanna and their apartment windows face each other. The sexual tension between the two is quite palpable as they have both been secretly watching and lusting after each other from their dimly lit windows.

Giovanna and Lorenzo's instant friendship swiftly moves to flirtation and then to a passionate kiss. However, Lorenzo's job is transferring him to another city very soon and Giovanna is put in an awkward spot having to make a very quick decision. Her heart tells her she should act on her feelings. Her mind tells her to be responsible. Nevertheless, the two of them puzzle over the mystery of the old man as they try to come to terms with their feelings for one another.

The beauty of this film is the way in which it balances many layers of story and character. Everyone in the film has something interesting happening in their lives and it all seems to revolve around the influence of the old man. These days, we are lucky if films give us one thing to think about, let alone many things. 'Facing Windows' (aka La Finestra di Fronte) is delightfully stimulating for both mind and heart.

I have to point out the performances in this film. 'Facing Windows' swept the David di Donatello Awards (Italian Oscars) for good reason. The film is brilliant but the performances are spectacular. Giovanna Mezzogiorno has vaulted straight to the top of my list of favorite actresses with her role here and in 2002's lovely film 'The Last Kiss' (L'Ultimo Bacio). She is the most dramatic actress I think I have ever seen, able to combine genuine fragility with a toughness and intensity that will give you goose-bumps. She has the most cinematically beautiful face I think I've seen and a talent that is remarkably rare. In just two films, she has earned my trust entirely... I will be first in line to see anything else she does.

Massimo Girotti is equally powerful as the mysterious old man. He is able to convey every necessary emotion in this tricky role. This was to be Girotti's final role before passing in 2003. It is a performance you won't soon forget.

Raoul Bova and Filippo Nigro are great in the secondary roles and round out one of the best ensemble casts of 2004.

'Facing Windows' is one of those aesthetically marvelous Italian films that sounds as great as it looks. It is fun and surprising, unpredictable and touching. Giovanna Mezzogiorno is a special actress who is fast becoming one of Europe's biggest stars. You will be seeing a lot more from her in the next two decades. I cannot recommend a film much more than this one.

I highly recommend you seek this film out in theatres because it can take forever for these foreign gems to hit DVD (Sometimes up to 2 years). 'Facing Windows' will vie for a slot in my year end top ten list and deserves your time and money. Make an effort to find this great Italian film!

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TC Candler - Critical Mass Movies - www.tccandler.com

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