Lives of the Saints

In Lives of the Saints, Sophia Loren proves why she has remained at the top of her game for over 50 years. Her brilliant performance as Teresa Innocente was nothing short of astonishing. Just watch the scene where young Vittorio and Cristina board the bus, and when the mature Vittorio confronts her about the painting. Loren conveys raw emotion that is gripping and entirely believable. If she doesn't receive a Gemini or Emmy award for this performance, it is an injustice. Fab Filippo also gave a remarkable performance. I haven't seen Filippo in anything else but I hope this film springboards him into higher profile roles. He is a performer to watch.

THE LIVES OF THE SAINTS began as three novels by Nino Ricci and became a television miniseries for Canadian TV with a screenplay by Malcolm MacRury under the direction of Jerry Ciccoritti. It is a sweeping epic that covers Italy, Canada, Alaska and other parts of the US over a number of years in a non-linear fashion that weakens the plot progress. But despite the sudsy aspects of the three-hour plus DVD, there are moments of tenderness and memorable acting that deserve attention.

The story opens in Italy where Vittorio Innocente as a child (Flavio Pacilli and as a teen by Joseph Marrese) observes his mother Cristina (Sabrina Ferilli) in the stables, bitten by a snake but obviously having just had a consignation with a soldier with blue eyes. Vittorio seeks solace from his maiden teacher aunt Therese (a luminous Sophia Loren) who consoles him, protects Christina when she becomes visibly pregnant (her husband Mario - Nick Mancuso - has been absent...), and helps him understand life through the lives of the saints by means of stories in a book she gives him. Vittorio and his mother depart for Canada 'to join Mario', but on the ship Christina dies giving birth to her daughter Rita, an infant protected by the ship's nurse (Valeria Benedetti Michelangeli). Vittorio is eventually separated from Rita and as an immigrant in America he separates himself from his Italian background, becoming a teacher in the Artic (Vittorio is now played with gusto by the talented and hunky Fabrizio Filippo, well known to American audiences from his work on Queer as Folk). Rita (Jessica Paré) is adopted and lives in Canada where she studies art and is stalked by Mario. Vittorio responds to Theresa's calls to protect Rita, the two fall in love, and the complications of the lives of this disseminated immigrant family intertwine in a manner of old-fashioned movies.

The saving grace of this rather saccharine and too long epic is the pleasure of watching Sophia Loren who still commands the screen. It also gives notice of new faces to watch - the gorgeous Sabrina Ferilli and the handsome Fabrizio Filippo. These three are reason enough to watch the movie. It is a long song of familial love/hate relationships, adoration of the simpler past as exemplified by Aunt Therese, and the plight of Italian (and all) immigrants. The photography of the varying locales is lovely and the music matches the changing times and the story. LIVES OF THE SAINTS is another example of how audiences from different countries gain access to 'foreign' TV miniseries. Grady Harp

I say it was a wicked movie because i'm in one of the scene - I'm in the scene with the school kids and i was right next to the camera when the character was asking the class what was a "gibas moon" or something like that. We had to do so many do overs because some of us kept staring at the camera - (I admit i was 1 of them :-) ) and another scene we had to kick the ball what was on the poll thing - i don't really know what it was but it was one of the Inuit sports. I think the movie was great because they took the time and effort to make the movie and i've watched it like 20 times - i was like 7 when me and my brother and some of my friends went to the movie seen and it took like 10-14 hours for us to actually get the perfect clip to put on the movie.

... ... -Ryan Michael _____________ >>>>>>>>>>>>> <<<<<<<<<<<<< -------------

In post war rural Italy, Vittorio Innocente has his headstrong mother and his loving teacher aunt Teresa Innocente (Sophia Loren) while his father Mario (Nick Mancuso) is away in Canada. He witnesses a mysterious incident where a man runs out of the stable leaving his mother inside. He only half remembers the man's bright blue eyes and a snake. His mother gets pregnant and they set off for Canada. His mother dies on the way giving birth to baby sister Rita. Teresa joins her brother Mario's Canadian farm a few years later. In 1969, Vittorio is teaching Inuit kids with his girlfriend Kate. His half-sister Rita Amherst (Jessica Paré) is living with her adopted family and is being stalked by their estranged father Mario. After a devastating incident, Rita is forced to revisit her past. Aunt Teresa reveals that she has known her father to be Matthew Bok (Kris Kristofferson) all along.

Wow. This turns dark. It starts regular dark and then it goes super dark. Vittorio is such a problematic protagonist. One starts out rooting for him but he just rips out your heart. It's in his blood and it's a tragedy built into his genes. That's why the happy ending seems out of place. It's shot almost like a dream which is exactly what it feels like. This needs a full dark ending or else cut out that one incident. This two part Canadian-Italian mini-series is an adaptation of a book series. I don't know anything about the book and changing major aspects of it can be dangerous. The time jumping could be improved a little. It may be better to do the flashbacks chronologically backwards. The acting is solidly anchored by great veterans. Loren brings gravitas all by herself. Fab Filippo as Vittorio has a difficult task and pulls it off well. Paré is all wild sexuality and a fitting successor to Loren. Kristofferson has the eyes but the movie needs the younger version to paint a picture of his relationship with the mother. This is a TV mini-series that could be turned into an epic theatrical movie if a skilled hand can do some major adapting.

"Lives of the Saints" is definitely finer than any of the feature films I have seen in the past year. Yes, those who are expecting CGI spectacles and light-hearted entertainment would be disappointed, but not those who look for something that attempt to confront life with all its confusion and complications, especially for people torn between two cultures. There is no "good guy vs bad guy" in this film, as there is none in real life. Rather, everyone is a full human, flesh and blood, with likable and repulsive character traits. Fabrizio Filippo gave such a solid and charismatic performance in the leading role--I'd definitely like to see him feature in some high profile film. The character of Rita, however, is less convincing I find--a flaw due primary to the script and less to Jessica Paré. Nonetheless, this is definitely one of those films which try to reach out for something more than prescribed clichés on which 95% of movies nowadays are constructed.