Proteus

This film connected me to my anger. It reminds us how the evil of the establishment of monotheism and its cultural imperialism have been used to murder us and perpetuate racism. This film is a deeply moving experience.

The acting and writing are very good. One feels the tension among the characters and they are all believable. The tacit communications are palpable.

The film also addresses the absence of terms in the language for the love and relationship between the protagonists -- a problem that resonates to the current day.

This film, based on a true story tells of Rijkhaart Jacobsz and Claas Blank two men who were imprisoned and met on Robben Island 1718 and 1735. These two men met and fell in love on the island that would, many years later become the site of Nelson Mandela's life sentence.

Rijkhaart Jacobsz was a Dutch sailor that had been sentenced there for homosexuality. It is there that he met Claas Blank, a aboriginal (Hottentot) who had run afoul of the law and was acquitted of any crime because there was insufficient evidence of his committing any crime but was sentenced to 10 years hard labor because he had been accused.

The story also tells us of Virgil Niven a Dutch plant biologist who had come to South Africa to classify the plant life there but was afraid to return home after the Dutch in Amsterdam began a pogrom of homosexuals.

While this story is NOT well known in South Africa today one hopes that with this film it will become more widely known. South Africa has one of the most enlightened constitutions in the world with an equal protection clause for sexual preference in their Bill of Rights.

The film uses a creative approach to anachronism to help tell its story, mixing modern day elements with what is essentially a historical costume drama. Many of these elements were reported by the director to have special historical significance to those that know the full history of Robben Island, for the rest of us it just makes for an interesting device that adds a bit of spice to what some may think is a too-drawn out story.

When the film began the flat DV photography and poor subtitling made me wonder if this was going to be worth the effort. With its anachronisms and stylised start it would be too easy to write this off as sub-Jarman. But, it is worth sticking with this 'historical' inter-racial love story set in South African as its themes of intolerance are still relevant today.

Although the low budget is very obvious, so is director Greyson's imagination and belief in this project. An interesting film which almost scuppers itself with its bad start but which redeems itself as it progresses.

This "art house" film, based on factual documents, depicts real events which are informative and provide a historical context for some of today's social attitudes.

Although the recorded events took place in the mid-18th century, the director has peopled his set with deliberate contemporary anachronisms. This is apparently to tie together time periods, showing significant similarities.

The film itself seems to have a divided audience, from those who love it to those whose reactions are the opposite. While the events covered are pretty grim and unpleasant, the production is well shot and the quality of the actors is uniformly strong.

In my opinion, though, here's a film that will probably have a limited general, together with an appreciative special, audience. It is commendable that the South African government has opened its political policy for more inclusiveness in artistic subject matter. Well produced by a Canadian company.

A handsome, classy gem of a movie, imaginatively shot on a very low budget by Greyson the way he did the uneven, yet interesting, "Lilies". I don't want to say much about the plot, which is based on facts, but be prepare for gorgeous scenery, some pointed nodes (to Todd Haynes' Poison, Tom of Fineland and Jean Genet) and completely believable performances by a first-rate, though unknown, cast.

A mixed bag of a love story (two men on a penitentiary island; one is white, the other is black; one is gay, the other is not; add a "curious", repressed warden and a definite taste for botanic and you'll have an idea) that actually works, thanks to a refreshing lack of camp. And, for those of you wandering, the title has nothing to do whatsoever with science-fiction, "Proteus" being the name of a beautiful flower used here literally and, most of all, metaphorically.

Definitely not your average "gay movie", and certainly not to everyone's taste, "Proteus" is challenging yet generous toward those who are willing for something a little different. Stick with this one.