Bataille dans le ciel

It can be said with certainty that all students of cinema would be completely mesmerized by camera angles used in 'Battle in Heaven'. Watching its deft camera work, one can easily say that the film's DOP Diego Martínez Vignatti has been given complete freedom to capture all kinds of emotions from characters' faces as well as from items surrounding them. One important scene shows two actors busily copulating with excitement. It is interesting to observe how the next scene quietly takes viewers out from the bedroom's window to a neighboring area where a television antenna is being installed. This is one positive point about this film's technical prowess. One problem area concerns sex scenes which are not easy to watch. This has nothing to do with prudish attitudes but there is blatant de- glamorization of sex. In mainstream media, sex is glamorized to such an extent that viewers are foolishly led to believe that it looks good only when beautiful, handsome and smart people are engaged in sexual activities. This is one reason why there are not many viewers who would appreciate watching how fat as well as ugly people copulate ? As far as narration is concerned, it is unfortunate that characters have not been developed to a large extent. This might be viewed as a major disappointment by viewers as characters' motivations are not clear. Director Carlos Reygadas works hard to reveal the behavioral traits of people especially in depicting how do people behave especially outside the comfort of their homes. This is one reason why the rich versus poor angle is explored but at a superficial level. As a last work, in spite of its inherent weak points, Battle in heaven can still be considered an average viewing experience as it says a lot by using limited amount of words.

As the director probably hoped, the opening and closing blow job scenes gained this film a great deal of notoriety and attention that far exceeded the publicity such a turgid, self-consciously 'arty' film would normally receive. This unrelentingly ugly and frequently agonisingly boring film is about a couple of days in the life of a man who shags his bosses daughter and who, with his wife, has kidnapped a child (for no explained reason). At times this has the artless artiness of such trash auteurs as Doris Wishman, but give me Doris' 'Deadly Weapons' over this tedious trash any day! Pretentious and dull this is a pastiche of art house world cinema and does not warrant your time

As a Mexican, it is very exciting for me to find new proposals for Mexican modern films.

Unfortunately, must of the current Mexican movies are taking the same Hollywood recipe: beautiful actors, violence, soundtracks of well known Latin groups... Batalla en el Cielo does not follow this. The director, Carlos Reygadas, is a person that really wants to show what he has in mind, and does not care about considering distracting elements for having a greater impact in the audience.

I am against the use of sex for attracting audience to a film. However, I really think that some (not all) of the sex scenes of this movie were really part of the story. Also, showing sex as it is (not always as idealistic and esthetic as Hollywood has taught us) is an interesting proposal!

I consider that one of the main achievements of this movies is to show many cultural traits of my country:

-The view of the Catholic religion as a resource to erase the mistakes one has made: "you can do whatever you want, don't worry about the effects because God will always help you"

-The notorious gap between rich and poor people: when Ana refers to Jaime's servant as "la gata" in such a despective -but common- way.

-The double morale managed by Mexican: how can a prostitute, as Ana, can be a moral leader over Marcos's acts?

-The informal commerce (Marcos and his wife sold merchandise in the subway).

-The love for soccer (what can I say about that, if I love it?)

-Cheating on your partner

-The lifestyle in Mexico City, with its traffic jams, way people behave in the subway, neurotic people, kidnaps.

All the issues above are part of the Mexican life.

Personally, I consider the following opportunity areas:

-Not all the music that was used was OK. Sometimes it was too "belic" for me , but at least it is according to the scenes and most of it does not follow the marketing intentions to make you buy a soundtrack

-The audio quality should have been improved (it was not easy to understand, even for people used to the way people from Mexico City speak!)

-Some (very few!) parts were too slow... but considering Reygadas's style, I might think that it is part of his professional charm.

I like to see a different proposal. I would recommend this film to people that, at the time that they leave the theater, really want to think about human nature, rather than thinking if it was an erotic or violent film.

I hope my comment has been useful...

Having been led to believe by a listings magazine that this film had'outstanding naturalistic sound design', I should have realised i might be disappointed. I was expecting a slice of Mexican life, character development, perhaps a plot and I must admit a certain erotic content. The result was stunningly boring in every respect. Nothing is explained, we never learn why the event at the start of the film has taken place, the characters are almost totally impassive, deeply unappealing and the sexual encounters, apart from one, have no erotic appeal and indeed very little logic to them. Over the top music, a few symbols here and there, rolling up the flag, a little religion and superstition and such amusing touches as a leitmotiv of incontinence for no apparent reason, this truly was 90 minutes where paint drying would have seemed vastly more exciting. Do not see this film.

This is an art film, or at least what the average movie goer will view as an art film. By that, I mean you're going to have to dig really deep to find a plot that you can follow. The scenes are too obviously artistic...a tear drop, a blank stare, holding of hands.

The movie is about a man who is struggling with the guilt of having kidnapped a child who died. I'm not worried about giving away any spoilers because I'm not sure there are any to give away. The movie is a sequence of scenes that make you wonder why they are in the film, and frustratingly so because you really never find out.

American audiences especially will be shocked by the sex scenes. I'm not saying that's good or bad. We just rarely see a penis in a movie, aside from porn, let alone an erect one, let alone someone interacting with one.

The reason I gave this move a 5 is based entirely on its style. The characters often stare at each other with blank faces but they are consistently unemotional. The characters look like real people plucked right off a Mexico City street. The sounds in the film are interesting and graphic, sometimes noisy. But it works to keep you in the film. The filming in Mexico City creates an interesting backdrop. You're just dying for a story to be drawn from it but it never emerges, at least not a good one.