Le maladroit inspecteur Clouseau doit résoudre le meurtre d'un célèbre entraîneur de football et découvrir qui a volé la Panthère Rose, le fameux diamant.Le maladroit inspecteur Clouseau doit résoudre le meurtre d'un célèbre entraîneur de football et découvrir qui a volé la Panthère Rose, le fameux diamant.Le maladroit inspecteur Clouseau doit résoudre le meurtre d'un célèbre entraîneur de football et découvrir qui a volé la Panthère Rose, le fameux diamant.
- Récompenses
- 1 victoire et 8 nominations au total
Histoire
Le saviez-vous
- AnecdotesOriginally, the animated title sequence was going to be done in CGI, but the filmmakers decided to stick to traditional, hand-drawn animation instead. This animation was directed by Bob Kurtz, who had worked on some of the "Pink Panther" shorts. The CGI title sequence appears as an extra on the DVD, and is partly used as menu animation.
- GaffesInsp. Jacques Closeau and Chief Insp. Dreyfus mention several times that Bizu was shot in the occipital lobe. In the scene when Bizu was shot, he was facing the gunman, so he would have been shot in the forehead. The occipital lobe is in the back of the head, not in the forehead.
- Citations
Inspector Jacques Clouseau: Is there anyone with you?
Yuri: No.
Inspector Jacques Clouseau: Do you have a pair of high heels in that bag?
Yuri: No.
Inspector Jacques Clouseau: Not even a small pair of pumps?
Yuri: No.
Inspector Jacques Clouseau: Who are you?
Yuri: I am Yuri, the trainer.
Inspector Jacques Clouseau: And what is it you do here, Yuri the trainer?
Yuri: I train.
Inspector Jacques Clouseau: So you are Yuri the trainer who trains.
- Crédits fousThe Metro-Goldwyn-Mayer Studios logo gets slammed open (with Leo the Lion in mid-roar) by an animated Inspector Clouseau in search of the Pink Panther. He walks off, and then the Panther appears and closes the logo, leaving the lion stunned.
- Versions alternativesAn alternate opening sequence, made in CGI.
- Bandes originalesA Woman Like Me
Written by Charmelle Cofield, Ron Lawrence and Beyoncé
Produced by Ron Lawrence and Beyoncé
Special Remix by Scott Storch
Performed by Beyoncé
Beyoncé appears courtesy of Columbia Records
There were plenty of laughs and a simple but serviceable plot that held together for the whole film. I personally don't think Martin was trying to BE Sellers, but to do his TAKE on a character created by Sellers. Think original Clouseau + The Jerk and you get the idea.
The key is that Marin captured the spirit of the character and the film captured the spirit of the original films as well. That's all one could ask.
Jean Reno was quite good, Kevin Cline not so good. He might have taken more time to make his own Dreyfuss.
Now to clear some things up:
First: For those who lament a crappy remake of the original film, I suggest you go watch the original film. You will be surprised at how unfunny it is. Sellers is good, but the movie itself is slow and obvious. I remember loving the movie as a kid, then I tried to watch it recently and realized I was remembering the sequel. The original was really weak and boring.
Second: For those who say Martin turned Clouseau into some kind of loser, I again suggest you watch the originals. He WAS a loser. He WAS pathetic. That was the point. He was a sexual repressed, pathetic loser who lucked into solving crimes while bumbling around and trying to get laid. Martin's Clouseau fits this mold.
Third: This is not a remake, but another in a series. To suggest that the original is so sacred that another film in a series can't be made many years later is the worst kind of snobbery. Why do people treat films with such reverence but not plays or musicals? If a great star creates a character on stage, does that mean no one else can ever play that character in the history of theater? Of course not. Sorry to say, Sellars is dead. He can't come back and do it again.
Now there are things about this movie that are different than the originals in terms of tone.
One is that the subject matter has been toned down a bit. Though there is the implication of sex in multiple places and a few murders (not violent and not seen), it isn't as risqué as the original, to fit a broader market one would suppose. Still not sure how they can get away with advertising it on Nickelodeon with links to NIck.com, but that's a typical Viacom/MTV problem.
But this film is a bit lighter than the original for that reason. It is still satirical, but less blatantly pop culture gag driven than a Shrek. Pink Panther takes subtle jabs at the French and their love of cycling, hatred of American food, etc. It also incorporates a very fun sequence with 006, creates gags out of Viagra, ring tones, the TSA, etc. Basically, it's current without being so tied to 2005/6 that it will feel dated later.
If you like to laugh, you'll like this movie. If you consider yourself a tough cookie for laughs, then you may not. But that's your fault, not the movie's... ;)
- iKramerica-1
- 15 févr. 2006
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- La Pantera Rosa
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 80 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 82 226 474 $US
- Week-end de sortie aux États-Unis et au Canada
- 20 220 412 $US
- 12 févr. 2006
- Montant brut mondial
- 164 115 897 $US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1